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Sep 20, 2011
There were no sudden plot developments or real changes to the show’s slow and steady stroll through the Galerie. For any anime fans who gave this a look-see at the start of the Summer 2011, their first impressions were most likely correct. Yune is a young Japanese girl brought back to late 19th-century Paris by an older French gentleman. There she works as a live-in maid at the metal shop, Enseignes du Roy, run by the gentleman’s grandson. The story features these three and a small handful of supporting characters, and is made up of slice of life moments between those characters, particularly Yune and
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Claude.
If that simple set-up sounded good to you at the start of the series and you enjoyed the characters and the leisurely pacing of the show, you’ve probably watched the whole thing with no regrets. If your first instinct upon watching 1 or 2 episodes, was that the pacing was too slow, the characters too simple and/or poorly designed, nothing happened over the course of the series that would have changed your mind.
There’s not much to the actual story. Over the 12 episodes there are some minor happenings, the most blaring being the arrival of Alice and later her older sister Camille, both being the center of some additional plot development. Again, it never really changes its main story for better or worse. The character’s themselves aren’t too deep emotionally or designed for great moments of serious drama. Almost without exception, the characters don’t change or grow much. Yune is straightforward in her ideas of honor and duty. It’s nothing an anime fan hasn’t seen before. The hot-headed Claude, cold on the outside, not wanting to get attached and battling his past, is a another combination of common tropes.
Surprisingly, my favorite characters ended up being Oscar, the elderly traveler, and Alice, the young french girl. The two supply, or ignite, most of the more enjoyable moments of the series. The characters’ animated designs however, and unlike the rest of the production elements, were abhorrent. It’s true. I’ve mentioned it several times since episode one, so forgive me if you’ve read all the reviews here.
Yune is cute, right? Well.. mostly right. Sometimes she looks completely alien. With her sharpie-sized neck and wheel of cheese sized eyes, she finely ambles on that border of oh-my-god-so-cute and oh-my-god-chupacabra. Thankfully more so the former. The big problem with the character design, was that Oscar and Claude are twins. As ThatOtherGuy (co-blogger) mentioned, while watching the first couple episodes, he was waiting for Yune to pull off Oscar’s beard to reveal he’s really Claude. It could be just me, but the European people in the show look silly. And similar. In complete contrast to the character designs, I loved the all the backgrounds and the city scenery. I loved the colors, especially all the night-time scenes lit only by street lamp or candlelight.
The music and sound were ok. I enjoyed the jazzy little opening all season, while watching the ending only once, before fast forwarding the rest of the way. The background noises never come much into play, as a bulk of the series takes place in the Galerie and in the sign shop. The background music however was wonderfully warm. They consisted of some classical-like accompaniments heard throughout the series, usually for the more dramatic or somber segments of the show. I never once noticed the voice acting, besides some annoyance at Alice.
If there was a show that could have truly benefited from some slick animation and sleek character designs, it would have been this one. Even with its shortcomings, I still enjoyed Ikoku Meiro no Croisée, and would recommend it to people interested in owning a little Japanese girl. I’d also recommend it to anyone who enjoys historical slice-of-life themed anime based in late 19th century Paris. Seriously, though, if you don’t mind the slow pace and rather bland looking characters, give this a shot. It has a perfect length at 12 episodes and is a (mostly) well-done slice of life series.
This was originally posted on my blog found here -- http://moemonster.com/2011/09/20/ikoku-meiro-no-croisee-episode-12-finale/ I had also reviewed the finale, which has been edited out for spoiler purposes.
Reviewer’s Rating: 7
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Sep 15, 2011
Usagi Drop is easily my favorite show of the year so far. Easily so, in fact. I’ve enjoyed others, like Madoka, AnoHana, Steins;Gate and others, but this was a gem through and through. It just oozed smoothness and had an ease to it I don’t think I’ve ever seen in an anime. Some other kind of true to life shows I might compare it to would be the depressing, but ultimately rewarding, Welcome to the N.H.K and the stellar romantic-dramedy Nodame Cantabile. I’ll try my best to identity some of the well-laid elements of the show.
First and foremost, any reviewer would be doing a great
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disservice without first mentioning the characters of Usagi Drop. I would sum them in 2 words–Complex & Simple. It may sound paradoxical, but that’s exactly what they’re like. I’d go as far as saying that that’s what real people in the real world are like as well. There are good times and bad times, there are times in which we need help and there are times that we can offer our help to others. The series creators did a superb job showcasing the characters. Especially in fact, the female characters.
This makes a lot of sense due to the mangaka of Usagi Drop being the very female Yumi Unita. While Daikichi is a well-formed male lead and the other guys (Kouki included) are completely solid, it’s the real women of Usagi who steal the show. Gotou, Daikichi’s co-worker gets some props for being the first person he encounters who shoots straight about family and sacrifice. Haruko, (Daikichi’s cousin) along with Masako and Yukari, show multiple facets of not only motherhood, but womanhood in general. Daikichi’s sister and mother also provide some small pointed moments.
The main characters are pretty much a joy from start to finish. If I have one knock on the entire show, it’s that there can’t possibly ever have existed a child as sweet as Rin. But I rationalize it like this–if there was a child that sweet, someone would have to turn them into a fictional character, which Rin is. It’s circular logic, see?
The production of the show is 100% flawless. In fact, while mulling over the live-action Usagi Drop, I can’t help but think the story will suffer from lack of animation. I can’t imagine this story without Rin’s happy face or Daikichi’s what the hell face. The animation is memorable, which means a lot from me–an anime fan not so impressed by, well, not much of anything really. It’s very simple in its colorful pastel-like colors and always easy on the eyes. The opening of each episode, in particular with its water colored illustration style, was outstanding.
The music was fantastic. I’m not an opening/ending kinda’ guy and Usagi didn’t particularly overwhelm me. The background music however, was flawless, and unlocked an entire other dimension to the animation. I submit the following sound clip as evidence letter U, and to which I now can’t listen without getting a little choked up.
Rin and Daikichi's theme. [sound clip found on review url posted below]
Just one of many musically magical pieces used throughout the series. Another aspect of the sound was the ever-present Ayu Matsuura, the 11 year-old seiyu who voices Rin. Hearing her voice was like goddamn sunshine throughout all the summer days. All the actors and actresses were solid and I can’t honestly remember noticing any characters with strange sound qualities. I imagine, in my silly mind, all these adult roles being that which voice actors go nuts over. I don’t know about you, but I love mature sounding people in anime. All the adults and all the kids were wonderful. Like in all aspects in Usagi Drop though, it’s Rin and Daikichi who are the centerpieces.
That leaves me with just the plot, which was tight and once again, simple. The story is set up in the first episode. And the story never changes up or switches out. There aren’t other stories introduced that take away from the original. There seemed to be two main type of episodes, with some slight variations. There were central story episodes–He takes Rin home, finds out about her and later her mother and deals with being parent. And there were the “Daikichi learns a lesson” type of episodes, in which he sometimes imparted those lessons to Rin as well.
There were slight variations, such as the Haruko episode, in which Daikichi’s resolve is bolstered, just from bearing witness to the struggles of another familiar parent. I’ll fight the urge to detail any further character growth or subtle plot development. By sticking to the “non” rating system we developed last season, I would go ahead and recommend this show to anything with a pulse. It easily makes my favorite list, and were we to make another “anime shows you’d recommend to someone who doesn’t watch anime” list, this would have to be near the top.
Just know that if you haven’t seen this series, the people in it and some of the things they deal with, will be true to life. Not always mind-blowing and not always exciting, but always just right. Thanks Usagi Drop for making my summer a little better. Thanks also to anyone who may have followed these reviews or left comments!
This was originally posted on my blog found here -- http://moemonster.com/2011/09/16/usagi-drop-episode-11-finale/ I had also reviewed the finale, which has been edited out for spoiler purposes.
Reviewer’s Rating: 10
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Jul 6, 2011
Hands down, AnoHana has been my favorite anime of the Spring 2011 season, but like the members of the Super Peace Busters, I'm ready to move on with my life. At least ready to move on to the Summer 2011 season. This final post will be spoiler free, I promise!
First some thoughts about the final episode, without any specifics. I thought it was remarkably well done overall. The show could only end in a limited number of ways. We've all seen a number of "ghosts" or "spirits moving on" type of movies and TV shows, so viewers know Menma's fate pretty much up front.
But the
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larger question for me was, what would happen to the rest of the gang? Fairly early in this season finale we get the first part of the answer. The characters that make up the main group of friends have all dealt with their issues this season, but it's in this episode they come clean with how those issues connect to a certain ghost girl, and to each other.
By the end of the season, by way of this wonderful episode, it's clear the whole group is connected through a web that at one point had Menma as its center. While Menma of course is featured in much of this episode, for me, each character got more than enough screen time, including the brief poignant moments that Jintan's parents appear in.
The other thing I thought was handled pretty well, was the overwhelming drama as the season wrapped up. I'm not completely against adding some melodrama, I just don't like plots and dialogue to be too forced and twisted, just to elicit specific emotions, aka my endless tears and fist slamming the ground all the while screaming, "WHY?! WHY?!"
Heh. I did say 'pretty well' however, as I do have to admit that, at one point towards the end, I laughed at an inappropriate time, lol. Although it wasn't as bad as that piece of crap Angel Beats. When Kanade disappears and Otanashi gropes the air, I laughed uncontrollably. That show was horrible. In contrast with that show, AnoHana set up a premise from the very first episode and stuck with it for the entire season. If the idea of AnoHana sounded good to you in April, it's hard for me to imagine you didn't love it this week.
Not much else to harp on with Episode 11, without naming certain events, but I'll say that the finale delivered in much of the way the whole series as a whole did.
And that's all there is to say but I'll say more anyway. From the pre-season description, to the first couple opening scenes where Jintan and Menma are in his house, and right to the very end, it was a quality show that seemed to keep its promise to the viewers. The characters at times were obvious, as are real people, and times the characters were complex. But as showcased in the final episode, what was important in AnoHana was how the characters were with each other.
Cross dressing was important also and I know that I had said no spoilers, but after the credits, during the "after" montage, Tsuruko and Yukiatsu are wearing matching outfits. Ok, I made that up.
If there was one thing I think people could be critical of, although I am not, could be the inconsistency of the "Menma Rules." If you think they handled Menma's poltergeist abilities poorly (writing stuff, moving stuff), this final episode or perhaps even the last few could have pushed your faith.
I could see that argument, but honestly, the show is about a ghost girl coming back to haunt her friends to fulfill a fated wish and over the course of the season, the show was wonderfully consistent in my opinion. I feel like a bigger person for having watched it. Bigger in that lately I've been exercising less and watching too much fucking anime.
Production wise, it was pretty flawless. The voice actors were seamless throughout the series and each week AnoHana gave an anime fan a nice respite not only from the fan service infestation, but all the stereotypical characters and character performances. People sounded like real people with real voices. The show looked beautiful and over the course of series fans got a real sense of space in the town. From the bland names (Rocky, Nokemon), to characters having to work hard for money, the show strove for realism, and for me, it succeeded.
The last thing I would remark on, is the short 11 episode run the show had, which seemed not too short and definitely not too long. If you haven't watched the show (you probably have if you're reading this) you should. At 11 episodes it's a quick watch, maybe even one of those marathon 1 day watches. Just be sure to have plenty of candy and tissues.
I've just finished the show and wouldn't be able to give an accurate rating (something we've decided not to do here anyway), but there's no doubt this will go somewhere in my favorites list. While not what I would call an instant classic, AnoHana was by far, my favorite show of the season and will undoubtedly be one of my favorites this year.
Reviewer’s Rating: 8
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Jul 6, 2011
The World God Only Knows has continued to impress me over its two seasons, mainly due to its consistency. With its short story arc formula, I don’t think this anime will ever hit god-like status, but for me, week in and week out I had more fun watching this, than any other show this season.
First let me say I had a great time watching this last episode. Like the first season’s finale, season two’s ending deals with Keima and his actual playing of games.
So, my thoughts on the season as a whole are as follows. Like I said, the show was consistently good. I
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would also add that the show, sort of surprisingly from its description, was pretty well-rounded, more so even in its sophomore season. There are romantic and supernatural elements of the show, but most importantly it seems to balance the comedic and dramatic parts pretty well.
However, don’t add dramatic + romantic and assume the show will = deep. Besides some overtones of escapist behavior from the show’s lead, Keima Katsuragi, the show’s plot never becomes too heavy. While making it easy to watch the non-deepness is another reason the show will probably never crack my favorites list.
So, here are some more things I thought season two did well. For one it was paced really well. The last episode felt a little crammed, but the entire season prior had a nice flow to it. The second season, while having a similar pace as the first, seemed way less formulaic, to which I would attribute the introduction of Haqua.
No only was her story arc possibly the best, it really, really helped break up the season. If they would have never introduced her and instead, substituted a different generic-lonely girl, the show would, in my opinion, have gotten stale. Along with Haqua were flashbacks of her and Elsie’s past in hell, which were one of the highlights of the season for me. Besides all the hot romantic kissing of course.
The production of the show is also very consistent. The show always looks great, from the character designs to the switch between normal and super-deformed, I always enjoyed looking at it. While not as beautiful as some of the new shows seen this season, the animation always seems to fit the story. Even Yokkyun, lol. The other production elements also seemed fine to me.
I’m not a huge fan of opening/ending songs, but just the like the first season, the entire opening sequence is incredible (2D purists may disagree). One of my favorite openings of all time was from .hack//Sign where the characters sort of get digitalized into the game world and the opening this season had a similar feel.
So, I felt the pacing and production were very good. The characters themselves however, were just ok. We get much of the same from Keima and Elsie as in the first season, where to be honest, some growth could have really benefited the series. We also get much of the same from season two’s group of possessed girls, unless you count Haqua, who was more developed (story wise, not cup size). Based on completely shallow merits, I enjoyed the Jun Nagase arc more than the others, as she was an older woman (making it slightly dangerous) and ridiculously cute with her fist pumps.
I will say in closing, adding to my thought on Keima and Elsie, I really wish they would have done more with them. A reader once asked if I was reading the manga, to which I replied I wasn’t. So my indictment about the lack of character development may have to be directed towards the source material. Several times throughout the season it seemed like Keima would have to face reality only to have plot take him somewhere else.
Elsie is one of my favorites, but she really got the shaft this season. Any plot or development regarding Elsie was pretty much brought on by Haqua and her own story. While she continues to be incredibly adorable, it would have been nice If Elsie had gotten her own episode or maybe a new magical/demon power to show off.
So, I enjoyed the season and after a short break, I’ll be ready for a season three. For a couple of its faults there’s nothing entirely similar to The World God Only Knows. I can easily recommend this to someone who enjoys some light romance with their comedy, to the occasional bishoujo fan (like myself), or to anyone who likes well-rounded, but not overly deep series.
[Additional thoughts about final episode removed due to spoilerish tendencies: go to http://moemonster.com/2011/06/24/a-channel-episode-12-finale/ for full unedited review with Pics]
Reviewer’s Rating: 7
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Jul 6, 2011
If you like bloody violence and white girl butt, Deadman Wonderland was made for you. I was hoping the season finale would redeem a rocky last couple episodes, but it’s pretty much a mess. Some thoughts and my “cool” list.
Instead of the good and fair critique I’ve become known for, I’ll just take a note from Nichijou and list, “Things I Thought Were Cool!” and I’ll also add a, “Things I thought Were Terrible!”
Things I Thought Were Cool!
Shiro was cool and she’s easily my favorite insane character of the Spring 2011 season. I enjoyed her character, and I’m not above saying I greatly enjoyed looking
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at her boobs and butt all season. Although on a serious note, albino people aren’t attractive in real life. It’s true, look it up. It’s like anime has moe-fied albinism. I can’t imagine this series without Shiro though, seriously.
The entire opening sequence is excellent. The song, animation and design were all put together beautifully. I enjoyed all the animation overall. The characters and most importantly, the fights, all looked good. I enjoyed a lot of the grimy-ness of the characters and the dirtiness of the prison, especially in contrast with the pretty shows like Hanasaku or Denpa Onna.
I thought the lack of rainbow hair was cool. Besides Shiro and Kanako with their white locks, the show had some good hairlism (hair+realism). I just made that up, but I could see that one taking off.
Hummingbird was pretty cool. Crow was cool, but all his homoerotic scenes of girl-hating and being topless with Ganta were not so cool. His consistent slicing up of dudes was cool though.
All the action in DW, in a slice of life and drama filled season, “seemed” cool. Although the action wasn’t always that great, it always looked cool. I’ll lump the violence and gore in with the action as well. While the censoring was surely “terrible”, all the amputations and bone-breakings were cool. The violence along with some rape and drug use made this show pretty shocking at times. Guitar Hero (featured in my terrible list) even drops the F-bomb quite a bit.
There were some other cool things, but even more than things I thought were cool, there were…
Things I Thought Were Terrible
The overall character design, and not just looks, but everything from origin stories to personalities through to their special abilities or “super powers’ if you will. I hated Guitar Hero. I hated Daida, the 3rd grader. I hated Owl. I hated the “super good with computers” guy.
The show had some nice grown up themes and more mature plot style devices, so all the “super cool” character designs, for me, felt like an insult. I don’t need an evil priest who uses guitar guns or a little girl who uses a giant sword. They were terrible.
Ganta I wasn’t thrilled with, but I understood the need for a weak-ass lead, but I thought Romi Park (Edward Elric, Toshiro from Bleach), was a terrible choice to perform his voice. I enjoy almost all of the seiyu’s former roles, but the whiny-bitchy tonal quality along with the whiny-bitchy character design, was just too much whiny-bitchy for me overall.
While I thought the action was cool, I could use a little less shounen dialogue during the fights. More fight, less talk. Too much talk while trying to survive is terrible. Unless talking is your super power I guess.
Does Cool kill Terrible? Or does Terrible kill Cool?
Unlike the actual show, there’s no killing here. As evidenced by the scientific list above, Deadman Wonderland definitely has its merits. I’m not going to rail on the show, but I’ll just say that story isn’t told in a very tight, consistent way. It also feels very rushed. At first it just felt like a quick, fast moving show. Now that it’s over, it ended up just feeling rushed, as if they tried to squish 20 episodes worth of material into 12.
I will be watching a second season however and waiting eagerly for Eating Cookies With Shiro, coming out on Blu-ray soon!
[Thoughts about final episode removed due to spoilerish tendencies: go to http://moemonster.com/2011/07/02/deadman-wonderland-episode-12-finale/ for full unedited review]
Reviewer’s Rating: 6
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Jul 6, 2011
I’m a little angry with how A-Channel ended. I thought the series had its ups and downs, which is fine, but why did it wait to the very last episode to be at its absolute finest? I’ll have some thoughts about the finale, mixing in my overall thoughts and observations about the series.
That being said, the show didn’t always try to emphasize the slice of life part of the show. Specifically earlier in the season, when the fan service took just as much priority as any character or plot development. It was almost as if they didn’t want to alienate the slice of life fan,
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while they also tried to appeal to the fan who wanted to see loli-style girls in school swimsuits and bloomers.
Overall, I’ll be sticking with my initial impressions of the show and call it mostly ok. It was sometimes good, but never great, but most important for me, it was always easy to watch.
The show looked good, but the color palette and backgrounds always seemed to overwhelm the simple and at times limiting character designs. I mean, how many ways could they animate Run being confused? Not too many, and throughout the entire series she spends about half the time with that same blank eyed (stupefied) look on her face.
I would say the same about the voice acting. The main foursome were always ok. I don’t think I ever noticed anything horrid, but at the same time, I can’t remember ever marveling at their performances. In contrast the supporting cast, Kamade and Kitou sensei along with Yutaka were a lot more colorful.
The music. If you’ve read any of the previous A-Channel reviews, you know how I felt about the creepy inserted songs throughout the series. The lyrics have always creeped me out. It was as if they were written by a fat 52-year-old otaku describing how high school girls should feel. Creepy! In particular the song while they were cleaning the pool in episode 4. I really imagined the otaku-writer, writing that song while peeping through some middle school fence somewhere in Japan. I still haven’t gotten over it. The authorities should put that guy on the must-watch list.
I have always enjoyed the opening song along with the whole opening sequence, but the marketing push of the singer and song title in the OP left me keeping my hand on my wallet. The jokes on them though because there’s no money in there.
Ultimately, I’ve enjoyed watching A-Channel, but in an out-of-sight, out-of-mind way, the show will probably fade from my memories. Especially with the new season starting as it always does. This includes the characters themselves, who were done pretty well in the show’s environment, especially my Yuuko-angel, but honestly, they aren’t very memorable.
I’ll repeat what I said in the opening line of this post. This finale made me a little mad as it, by itself, lived up to the show’s potential. It’s just too bad it wasn’t completely representative of series as a whole.
[Thoughts about final episode removed due to spoilerish tendencies: go to http://moemonster.com/2011/06/24/a-channel-episode-12-finale/ for full unedited review]
Reviewer’s Rating: 6
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Jul 6, 2011
Our adventuring days are coming to a close as the season finale approaches. Oh Dog Days, to quote Eclair, “I have no confidence that I’ll remember you.” With that in mind, let me quickly give my final thoughts while I do still remember.
There’s not much to say about the actual final episode. If you’ve watched the entire series, it’s all pretty clear what will happen at the end. Some personal back story and my final thoughts.
The reason I even watched this is my love of the fantasy genre. If it’s got swords and magic (specifically RPG like elements) I’ll give a shot. I have to
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assume that the traditional ‘western’ high-fantasy fiction (think LoTR), isn’t as popular in Japan as they have their own set of myths and fantasy-tales, which are pretty defined it their own right. But that’s left this anime fan wanting.
With that in mind, I’ll watch any fantasy themed anime, so watching Dog Days was an easy choice. The show overall had some good things going for it. At times the action was ok and of course the characters were cute. But for me, the overwhelming characteristics of the show were its blandness and lack of identity.
More than anything else the show really needed some personality. After all the time spent introducing the characters (way too many for a 13 episode series), and showing the little wars/athletic events they finally reveal the plot. That’s right, there are about 5 1/2 episodes of set up time. During which, I was constantly complaining about it and was wishing for something to happen.
When something did finally happen (Leo’s prophetic stargazing), it felt out-of-place. The show definitely did need some sort of conflict beyond its “athletic” events, but I thought the original plot they came up with wasn’t the best. Or even very good. Ok, it was pretty bad.
The characters were fine, it not completely standard. The only character I thought was better developed was Princess Leonmitchelli who had a more complex situation to deal with. The hero Shinku himself was pretty lame. I was on a harem-style anime kick a couple of years back and Shinku reminded me of all the empty-headed guys featured in many of those. I wouldn’t have been surprised if, during some duel Shinku got his face cut open only to reveal a robotic skeleton underneath. The ShinkuMatic-2000, if you will.
They could have easily slipped a love story into the show, or even easier a love triangle. But any feelings the characters may have, especially the blank-eyed Shinku, are pretty much ignored. They tried to sprinkle some in towards the end, but it doesn’t feel very natural. This “not feeling very natural” can be applied to much of the series, from the fan service to the magical powers some of the characters wield. Not very natural and completely predictable.
Every character reacts exactly how you think they will, in every situation, all the time. But oh man, were they cute or what? Ricotta’s Harry Potterish outfit was my personal favorite. The voice acting was fine, although with so many characters, some of who get very little screen time, no one gets to really shine (with maybe the exception of Eclair who I liked). The opening song was fun and I’ll admit it, I always timed the ending so I could yell, “Scarlet Knight!’ along with the singer. You did too, right?
I guess it was what it was. It seemed to want to capitalize on anthropomorphic cuties more than anything else and if that’s your cup of tea I would tell you to check this out. Otherwise I couldn’t in good conscience, not even to a fellow fantasy fan, ever recommend Dog Days.
[Thoughts about final episode removed due to spoilerish tendencies: go to http://moemonster.com/2011/06/26/dog-days-episode-13-finale/ for full unedited review]
Reviewer’s Rating: 4
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