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Feb 6, 2023
***SPOILER WARNING FOR THIS FILM AND THE END OF EVANGELION***
The conclusion of the Rebuild of Evangelion film series gives us a much more positive ending than The End of Evangelion. I have mixed feelings about this. On the one hand, it is cathartic to see Shinji finally grow as a character and become a more heroic person who finally overcomes his weakness. But on the other hand, The End of Evangelion had a much bigger emotional impact for me personally. The brutal hopelessness and cynicism of that movie has not been matched in any of the subsequent reboot films. We went from a movie where
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Shinji almost destroys all life on earth because of his own self-hatred and insecurities to a movie where everything gets wrapped up neatly and everyone finds peace. You feel happy for the characters, but it's not something that will stick in your mind for days like The End of Evangelion that literally ends with Asuka calling Shinji disgusting while he's crying after strangling her.
This movie is great for people who were looking for a perfect happy ending to Evangelion. But for viewers like myself who were attracted to the darker aspects of the franchise, the resolution can feel too neat and optimistic. I will definitely rewatch it at some point, though. Who knows, maybe I will appreciate it more on a second viewing.
Reviewer’s Rating: 7
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Dec 19, 2022
The End of Evangelion surpasses the original TV series in pretty much every regard. It's more violent, more emotionally intense, more visually interesting and has better pacing. My biggest problems with the series were Shinji and Asuka's characters, but in this movie their dynamic actually works in service of the story and character development. Shinji continues to be a pathetic wimp and Asuka's still the naggy spoiled princess, but now those annoying character traits finally pay off in a cathartic yet shocking twist. Anyone who has ever been in a psychologically abusive relationship will understand how frighteningly real the portrayal of extreme emotions gets in
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this movie.
The two halves of the movie are vastly different. The first part is heavily action-oriented while the second half gets more intellectual and surreal much like the original finale. The action scenes are simply awesome. The End of Evangelion has more blood and gore than the original show, which makes all the action feel much more high-stakes. Seeing both humans and Evas getting hacked to pieces really enhanced the feeling of dreadful apocalypse that the original didn't quite capture in my opinion.
But the second half is easily the best part of the movie, because that's when the visuals get really imaginative and the movie begins to find its emotional core. As much as I dislike Shinji as a character, it is hard to watch Evangelion without feeling really sad when you consider that creator Hideaki Anno was going through real-life depression during production and even attempted suicide. This movie as well as the original ending are very clearly a cry for help. Anno uses Shinji's self-loathing and introspection as a vessel to communicate his profound sadness in an extremely effective way. Even if the character is generally unlikable, you can still relate to his feelings of hopelessness and uncertainty as well as the pent-up rage that finally manifests itself.
The trippy visuals are a joy to behold. Every frame is like a beautiful yet horrific fever dream. Words aren't sufficient to convey how weird this movie gets, so you'll just have to watch it yourself. It's shocking, abstract, loaded with symbolism and conveys a variety of emotions through the visual medium. The use of music is a huge improvement too. I really like the song Komm, Susser Tod, which despite its catchy melody is filled with very dark and sorrowful lyrics that perfectly go along with the terrifying imagery. That sequence feels like a music video directed by David Lynch and is easily the most memorable part in the whole franchise so far.
My only big complaint is that the movie ends too suddenly. There is no end credit song to make you sit back and reflect on what you just witnessed. The credit crawl confusingly appears in the middle of the movie, but they should've left it for the end. I personally would have loved to hear a soft instrumental version of either Komm Susser Tod or A Cruel Angel's Thesis after the very last scene. That would have been an ending worth a chef's kiss. A good end credit song is a very important way to bookend a good movie in my opinion.
Anyway, I would highly recommend watching the original NGE just so you can enjoy this film, because it pays off in so many ways and makes the viewer feel a plethora of different emotions. The End of Evangelion makes you feel disgusted, sad, confused, intrigued, shocked, philosophical... In my book, if any media makes you feel that many things at once, it's worth checking out. I'm hoping the Rebuild of Evangelion movies, which I'm planning to watch next, keep this same quality.
Reviewer’s Rating: 9
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Dec 16, 2022
The Evangelion TV series is a product of its time in my opinion as a first-time viewer who finally watched this classic in 2022. While NGE's influence on the anime scene is undeniable it has many annoyances that might repel new viewers. I've been wanting to get into this franchise as it is a huge title that always comes up in anime-related conversations, but I was half-forcing myself to sit through all 26 episodes. It wasn't all bad, but I doubt I will revisit the TV series again, and I sincerely hope that the modern remake movies improve on the original.
My two biggest problems with
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NGE are the spineless main character, Shinji, and the utterly self-centered tsundere, Asuka. Let's talk about Shinj first. He is a wimpy crybaby who simultaneously lets everyone walk all over him and somehow still manages to be incredibly selfish. I generally don't mind effeminate boys in anime, but he managed to tick me off. I understand that Shinji's low self-confidence is supposed to be his biggest character flaw to overcome, but he has zero charisma or any likable traits to make us root for him. At one point Shinji even refuses to fight against an enemy that is literally threatening to destroy everyone he knows. He is questioning the morality of killing an opponent even when he's the only one standing between that enemy and his friends. His moral grandstanding in moments like that makes him extremely unlikable in my view. His logic is literally "Yeah, all of humanity will perish because of me. But at least I didn't murder anyone!" Nothing ticks me off more than a character claiming moral high ground when their actions directly lead to more suffering.
As for Asuka, she is one of the most frustratingly mean-spirited tsunderes I have ever seen. She gives Senjougahara Hitagi from the Monogatari series a run for her money (which is not a good thing, because in Senjougahara's case, her over-the-top vitriol is played as a joke while in Asuka's case I assume we're supposed to relate to her on some level). I tend to hate tsundere characters in general, but they're especially annoying when they are mean to other characters for no apparent reason. Asuka is constantly badmouthing characters, nagging, and complaining about minor inconveniences. When you add her enormous ego and conceited nature on top of that already toxic personality, you've got yourself a supremely unlikable character.
Fortunately the rest of the cast is more interesting. I especially enjoyed Rei, the mysterious quiet girl who very clearly inspired other characters like Yuki Nagato from the Haruhi Suzumiya series. Rei is the only major character who's got more to her than mommy or daddy issues. They actually gave her a unique backstory which really makes her stand out. She's also incredibly cool, doing her job without complaints and not hesitating to put others before herself. Personally, I would have preferred if she were the main character. Other than Rei, I also enjoyed Gendo, Shinji's mysterious and distant father who never reveals all of his cards. Together Rei and Gendo provide lots of intrigue to the series, which is one of biggest reasons why I was able to keep watching despite my frustrations with Shinji and Asuka. The rest of the cast are decent, but didn't really leave a big impression on me.
Next, let's talk about the animation and visuals. I liked the design of the Angels and the Evas. The battle scenes were good and overall the show has good visual appeal. However there are some big flaws on this department as well. In the latter part of the series, the episodes become less action-oriented and more surreal and introspective. I was okay with this change in tone, because I tend to like more thought-provoking stories rather than mindless fight-scenes. However, this is where I started noticing some obvious shortcuts with the animation. There are a few scenes where it's literally just a still frame for what feels like at least thirty seconds. I genuinely thought that my TV had frozen at one point. There are many scenes of characters talking in the dark, so all you see is their silhouettes. And in the surreal mindscape scenes they use a lot of looped animation, which gets annoying and just feels like filler after a while. You can convey recurring thought-patterns without lazily re-using the same animation over and over again.
I also had a problem with the use of music. The show's original music is good and used appropriately. However, there are two specific scenes where they use classical songs that are completely unfitting to what is happening on screen. The first is when an Angel is using a psychological torture attack on a character and they play Handel's Messiah (the happy "Hallelujah" song that you hear in movies all the time). Playing a chipper and well-known church song over a character being in mental anguish just completely failed to capture the intended shock and terror of that moment. There's another scene where they play Ode to Joy over an epic battle sequence. I honestly have no idea what the director was thinking putting two happy-sounding classical songs over scenes that are supposed to feel high-stakes and intense. No music at all would have been a better solution than such unfitting music.
As for the infamous ending, I wasn't really invested enough to feel one way or another about it. But I can say that at the very least it felt like I had witnessed something unique that other animes couldn't easily replicate. I will go ahead and watch The End of Evangelion next, followed by the remake movies. Based on what I saw in the original series, I can say that this franchise has a lot of potential, so I'm hoping to get a little more into the subsequent entries. Hopefully they'll be able to make Shinji and Asuka more likable while capitalizing on Rei's already intriguing persona.
Reviewer’s Rating: 6
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Jun 6, 2022
Belle is an excellent example of a style-over-substance film. What it lacks in its shoddy world-building and somewhat confusing character motivations it makes up for with visual spectacle and a truly beautiful soundtrack. So if you're looking for a great sci-fi story with an immersive and well-thought-out virtual world, you're not gonna find here. But if you're here mostly for the eye-candy and dramatic song numbers, you will find plenty to enjoy.
Much of Belle takes takes place in the virtual metaverse called U. While I can kind of get behind the idea that the characters can somehow transport their consciousness to the virtual world just
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by putting on some headphones and turning on a phone app (they don't even need VR goggles), it takes much more suspension of disbelief to accept that this huge metaverse that is used by people all around the world is completely unregulated by any moderators or governments. Wouldn't this sort of free-for-all platform be rife with criminal activity and trolling? The logistics of U really don't make any sense the more you think about it.
But like I said in the opening paragraph, if you can get past the nonsensical world-building, this film has plenty of appealing visuals and the big song numbers are very nice and memorable. I went to add the soundtrack to my Spotify playlist as soon as the credits were rolling. I also enjoyed the main character who is using her online identity as an outlet to overcome her trauma of singing. Her story arc is definitely the strongest part of the story.
The main romance between Belle and the Beast feels a bit deceptive. In the end I was not convinced whether it was even a romance, or simply a case of an emotionally scarred character finding solace in someone else who is like her. The conclusion of the film is pretty weird and leaves you wondering what actually happened to the Beast and whether or not he and Belle did become a couple. I would have liked a little more clarity what ended up happening there, especially given the dark real-life situation that the Beast was going through.
Despite my numerous hang-ups with this movie's story and world-building, I cannot find myself hating it. Perhaps it is my love and appreciation for the power of music, but I can see myself rewatching Belle many more times. I suppose I enjoy it more as a 2-hour long music-video than an actual narrative experience. In the end it doesn't have to make much sense, you can just lose yourself in the atmosphere created by the pretty visuals and music.
Reviewer’s Rating: 7
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Mar 4, 2022
Love, Chunibyo & Other Delusions! Take On Me is a roadtrip movie where Rikka and Yuta elope in order to avoid having Rikka taken to Italy by her sister Toka. The couple travel all over Japan engaging in familiar cutesy shenanigans while being pursued by Dekomori and Nibutani. This movie is 90 minutes long, but it feels more like an extended episode of the TV series than a theatrical release. The production value isn't noticeably higher, nor is there a grand epicness factor like with The Disappearance of Haruhi Suzumiya (which is another KyoAni movie sequel to a TV series). But is Take On Me
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enjoyable despite not having better animation or higher stakes than its two preceding seasons? The answer to that is yes.
For people who were frustrated with the constant teasing in season two, your prayers have been answered. Do you remember all the moments when Rikka and Yuta were about to kiss but either got interrupted or chickened out at the last second? Well... that still happens a couple times in this movie. But they make up for all that in the end by having the couple finally kiss not once or twice, but THREE times. Talk about finally giving the audience what they wanted.
Other than that, we get more familiar chuunibyou antics and heartwarming moments. There's also a funny running gag where Yuta has internal dialogues asking for guidance from God when he's not sure what to do.
The story's resolution is something that I can see splitting people's opinions. I'm sure many fans would have found it satisfying if Rikka were able to finally say goodbye to her chuunibyou persona. I personally thought that was where the story was going. After all, Shichimiya presents Rikka with a choice that she herself had to make in the past. Which will she choose, Yuta or her chuunibyou lifestyle? According to Shichimiya she cannot have both.
But as it turns out, Rikka can have both. She remains both a chuunibyou and Yuta's lover. While I understand that this can feel like a cop-out for some viewers, I personally don't have a problem with this resolution. After all, Rikka's chuunibyou has evolved. It used to be mainly an escapist coping mechanism to avoid dealing with her father's untimely death. But she overcame that trauma in season 1, so why hasn't she dropped the LARPing act? Well, there are two factors why she holds onto her chuunibyou persona:
1. Dark Lord Shingan was born from Yuta's influence on Rikka. As thus, Rikka gives it extra importance because of her feelings for Yuta. It's not just a character she created, it's a character that her boyfriend inspired her to create. Getting rid of that persona would feel like a betrayal of her feelings.
2. Yuta fell in love with Rikka in her chuunibyou state. She's afraid that if she becomes normal, he will no longer feel the same way about her.
Fortunately, Yuta assures Rikka that he will love her even if she were to change, so this second fear is unfounded.
So at the end of the movie, since Dark Lord Shingan is no longer a coping mechanism for trauma, and Rikka is no longer afraid that Yuta will stop loving her if she were to change, why does she remain a chuunibyou? Well, quite simply it's now just a way to hide her shyness and embarrassment. We see this when she and Yuta share a kiss and she starts to talk scientifically about the chemical reactions it triggers in her brain. Yuta goes along with the silly act and they agree to kiss again "for science". Thus Rikka's chuunibyou has gone from being a problematic escapist lifestyle into a cute way to hide her embarrassment while she's learning to become closer with her boyfriend. And that's just fine.
Take On Me is a fun movie that most fans will likely enjoy. It's not terribly dramatic or deep, but it will make you feel warm and fuzzy inside. Check it out if you're a fan of the series.
Reviewer’s Rating: 7
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Mar 3, 2022
The second season of Love, Chuunibyo and Other Delusions picks up shortly after the events of the first season. Yuta and Rikka are now a couple and live together under the same roof. If you were hoping that this would lead to huge developments in their awkward relationship, you will probably be disappointed. Yuta and Rikka are as much of a shy odd couple as ever. Even small things like holding hands prove to be beyond their comfort level in the beginning. While other romance anime like Clannad saw the two main characters go from being a student couple to starting a family between seasons,
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the second season of Chuunibyo takes only tiny baby steps in the development of the romantic relationship.
But is this really such a bad thing? Like Yuta proclaims in one of the episodes, his relationship with Rikka is unique and they should not feel pressured to be like other couples. Despite loving each other, Yuta respects Rikka's hesitation with physical intimacy, and there's nothing wrong with that in my opinion. You might argue that his lack of assertiveness makes him spineless, but at least he's not a pushy pervert. Yuta and Rikka are going at their own pace instead of trying to meet the demands and expectations of their peers and family members. And that's not to say that they do not cross any milestones this season. Eventually Rikka works up the courage to actually initiate a kiss on Yuta's cheek. Good for them. If such an innocent relationship isn't up your alley, then this anime is not for you.
This season introduces a new character; another chuunibyo named Shichimiya. She also happens to be Yuta's close childhood friend. At first I was anxious about this development. I didn't want the cute romance between Rikka and Yuta to turn into a love triangle. Fortunately they don't quite go this direction. While Shichimiya's ability to be comfortably close with Yuta does make Rikka jealous, she serves a bigger purpose than just a plot device to create drama. Her character turns out to be quite likable and selfless, as well as being a good foil for Rikka who may eventually have to choose between her chuunibyo lifestyle and Yuta.
As for the other characters, I found myself shipping Dekomori and Nibutani, strangely enough. Their antics were entertaining enough during the first season, but I never cared that deeply about either of them. But this season I found that despite their constant bickering and messing with each other, they would make a pretty cute couple. These two get a pretty heartwarming episode where a faker who impersonates Nibutani's former original character, Morisummer, threatens to deceive Dekomori into believing she's the real thing and winning her affection that way. This leads to Nibutani cosplaying as Morisummer in an effort to win Dekomori back from the faker. I found that really sweet.
Overall, this season gave me much of what I enjoyed in the first season, although the two main characters definitely don't get as much development as many people were probably hoping. The episodes are generally entertaining and serve a purpose, but the slow pace with which Rikka and Yuta advance in their relationship can definitely feel a bit frustrating. That being said, the fact that they do reach those new milestones in the end makes this season worth it for me.
Reviewer’s Rating: 7
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Feb 23, 2022
I'm choosing to write one review for all parts of Kizumonogatari instead of three separate reviews. This review is from the perspective of someone who read the original Kizumonogatari light novel before seeing these movies. Incidentally, Kizumonogatari was the first and so far only book to make me cry, so I have a particular fondness for this story.
Unlike the TV series, which is known for its colorful and surreal backgrounds, Kizumonogatari goes for a decidedly darker color palette with photorealistic backgrounds. The visuals for the most part look great, although there are a couple parts with CG that looks a bit awkward. What's really impressive
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is that the animators managed to make all the characters seem like they're a part of those realistic backgrounds. True to the vampire lore, the vampires in this movie do not cast any shadows, which must have been an extra challenge for the artists. I think they did a great job at giving weight and presence to the characters without making it look like they're floating despite their lack of shadows.
One thing that they cut from the book is Koyomi telling to Hanekawa that he wishes he were a plant. It's a weird thing to say, but it actually comes back during his confrontation with Guillotine Cutter, so I think it would have been a relevant inclusion. Another change from the books is the unfittingly humoristic tone at certain parts such as the beginning of the confrontation with Episode, which is my least favorite part in the movie. They start playing a chipper tune while Episode is hurling a giant cross at Koyomi and teleporting around. This strangeness causes some mood whiplash when the movie suddenly gets very serious again.
Speaking of the serious moments, they're the biggest strength of Kizumonogatari. Even as someone who had already read the novel, parts 1 and 3 of the film moved me to tears nonetheless. Hiroshi Kamiya and Maaya Sakamoto do a phenomenal job as the lead characters, and the music and visual enhance the emotional moments. The story deals with some very heavy subject matter like self-sacrifice, facing the consequences of your actions, and taking responsibility. This story is sure to resonate with anyone who's ever felt a lack of direction or meaning in their life.
Overall Kizumonogatari is a blast. It's got an engaging and beautiful story, intense action scenes, and fanservice up the wazoo. It sets the stage beautifully for the rest of the Monogatari series. Fans of Shinobu will get plenty of cute and badass moments from everybody's favorite vampire queen. Fans of Hanekawa get some spicy fanservice scenes as well as more cutesy bonding moments with her and Koyomi. As for the lead character himself, we see his transformation from a nihilistic loner to the good guy we know him as.
Reviewer’s Rating: 9
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Feb 18, 2022
Overview:
Love, Chuunibuyou and Other Delusions is an anime heavily centered around the real-world phenomenon called Chuunibyo (which roughly translates to "middle school illness"). If you don't know what that means, it can be likened to a mixture of LARPers and cosplayers who take their hobby way too far. The main character, Yuuta Togashi, is an ex-chuunibyou who has since grown up and moved past the childish games. He meets Rikka Takanashi, a fangirl of his old persona who is a hardcore chuunibyou herself. Much of the humor revolves around Yuuta's first- and second-hand embarrassment from Rikka's chuunibyou antics as well as his own shameful past
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as the self-proclaimed Dark Flame Master.
Story:
What I like about this series is that it present us with a hard moral question; is it more kind to enable the escapism of imaginative yet childish individuals, or should they be forced to grow up and face the harsh realities of life? A definite answer is hard to give, because we see right from the beginning that Rikka's behavior is clearly a coping mechanism of some sort. We see how hurt she is when others outright deny the reality she has built for herself. Is it alright to deprive her of the one thing that brings her joy just so she can fit in better?
Romance:
Yuuta and Rikka make for an awkward yet adorable couple. Rikka's older sister, Toka, is the hard-love type who does not put up with any of Rikka's shenanigans. However, this method is clearly not working and only drives a wedge between the sisters. Yuuta is someone who as an ex-chuunibyou can relate to Rikka in a way that makes him the ideal person to help her with a mix of hard love and playing along so as not to crush her spirit completely. He may not always make the right decisions; sometimes he entertains Rikka's fantasies to a point where it feels like enabling, sometimes he's overly harsh and hurts her feelings. But in either case he always comes from a place of compassion. Throughout the series he's trying to find a suitable middle ground where he can support Rikka, accepting her as she is while also keeping her out of trouble.
Conclusion:
I have not yet watched the second season or the movie, but I'm looking forward to it. Yuuta and Rikka are a cute couple that really makes me root for them. Check out this anime if you're a fan of wholesome romance.
Reviewer’s Rating: 7
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Feb 15, 2022
Zoku Owarimonogatari is the unnecessary yet enjoyable enough epilogue to the Monogatari series. The story concerns Koyomi entering a strange mirror world where all of his friends are 'reversed'. Or that's how it appears at first anyway, but there might be a little more to it. Personally I thought that the ending of Owarimonogatari Second Season was the perfect way to end the series, but Zoku kept my interest until the end either way. At the very least it did not go and ruin anything.
But like I said, this epilogue feels largely pointless. Many of the revelations that Koyomi has in the mirror world are
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things that could have easily been already inferred just based on the previous seasons. This feels like an author trying to over-explain their own work rather than letting the reader interpret it on their own.
Zoku also lacks the emotional impact of Owarimonogatari or even the seasons preceding that. The part in Owarimonogatari when Koyomi re-stated his desire to share his fate, whether it's to live or to die, with Shinobu made me tear up and would have been such a perfect way to wrap up the story as it ties back nicely to Kizumonogatari where it all began chronologically. Nothing in Zoku comes even close to something as moving as that scene, which is a shame. I was ready for another story to play on my heartstrings, but all I got was a somewhat entertaining arc that did not really strike me as all that dramatic.
If you're a fan of the Monogatari series you will probably be entertained by this epilogue. It will most likely not make you cry, but you likely won't be bored or terribly disappointed either. The gags, visuals and fanservice are still there. Also, the ending theme is fantastic. Zoku Owarimonogatari is a decent enough conclusion to a great series.
Edit: Upon further reflection, I decided to drop my rating from 7 to 6, because Zoku left me wanting more than what it delivered. I have not yet read the original light novel for this particular entry, so I'm not sure whether these complaints apply to the source material. I will detail my story gripes below with minor spoilers:
[SPOILER WARNING]
- Not seeing Princess Shinobu was such a tease. If they had initially hid her behind the veil, then shown her later on, the payoff would have been much more satisfying after all the build-up. Shinobu is the most important character in the entire series, so reducing her to a voice behind a curtain is a letdown to say the least.
- Both Black Hanekawa and Loli Hanekawa are under-utilized. Even if they were not central to the main story it would have been appropriate to give them more screentime. For example, it would have been amusing to see Koyomi's reaction to drunk Loli Hanekawa.
- The whole plot point of Koyomi trying to enter Kanbaru's bath to get in touch with the Shinobu of his world was pointless. This would have been a good way to tie to the Koyomi Water episode from Koyomimonogatari, but since this plan turned out to not work, that makes the Koyomi Water episode completely pointless.
- Grown-up Hachikuji was cute, but I would have liked to see Koyomi interact with the Hachikuji of his own world after he comes back from the mirror world (kind of like the ending of Kabukimonogatari). The same applies to all the other 'reversed' characters. The whole point of the mirror world was to present a different reality and contrast it with the actual reality, but we never see Koyomi interact with the 'real' versions of his friends in this story arc. Isn't the point of presenting us with a different reality that when he sees his old friends again, he feels like he's back home? Wouldn't it be more satisfying if he shared his experiences with the people whose alternate versions he actually met in that parallel world? Instead, all we get is a pretty lame epilogue with Hitagi, who wasn't even relevant to this particular story arc as she was not present in the mirror world. If the epilogue had involved all the relevant characters reflecting on Koyomi's adventure with him, this ending would have been much more memorable.
Reviewer’s Rating: 6
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Feb 15, 2022
Koyomimonogatari is what I consider to be the skippable filler-season of the Monogatari series. Unlike the more intricate televised seasons, this ONA season consists of much simpler 10-minute long short stories that take place at different parts in the series. While I do think that the more devoted fans will enjoy these cute little side stories and seeing more of their favorite characters, there are only a couple episodes that actually tie to the main overarching narrative. Many of the episodes feel rather pointless. As such, Koyomimonogatari is pretty underwhelming compared to the level of storytelling fans are used to. This entry is definitely for
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existing fans only who enjoy the less substantive character interactions of the Monogatari series.
This is just a side-rant, but the fact that the Blu-Ray for Koyomimonogatari costs 70 dollars is just criminal. I know Aniplex is known for their ridiculous pricing, but for a 12-episode mini-series with 10-minutes per episode, that price tag seems way too steep. Of course, like a sucker I bought it anyway because I happen to love this franchise.
Koyomimonogatari recycles its opening themes from previous seasons, which is a shame. They're nostalgic call-backs, but I personally would have liked to see new opening animations. Luckily we get a brand new ending theme, "Whiz", which is awesome.
Overall, I'd say that this ONA series is worth watching if you really like the series and don't mind some filler episodes that are light on substance. Just don't expect the same level of story depth as the other entries.
Reviewer’s Rating: 6
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