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Feb 4, 2025
Short fun read that doesn't overstay its welcome with its one note gag. The humor is kind of a mix of understanding humor and tsundere-straightman tsukkomi combo. The art style is cut and well donee. Most importantly, it understands that the joke, while funny, is really one note (or two note, if we're going by actual chapter count) and doesn't stray that far beyond a oneshot, with only one followup chapter to leave you with a clean aftertaste.
Also she's not really doing tax evasion, sorry to tell you. Title is youtube clickbait, only saved from a dislike and unsubscribed the qualifier "probably".
Reviewer’s Rating: 8
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Feb 4, 2025
It's a relatively simple slice of life with a easy to understand premise that doesn't really go anywhere but is fun to read nonetheless. The only flaws is that it ends too soon.
Jun and Kaoru have a secret. Well, a secret that everyone knows. So really, it isn't much of a secret. Or a secret at all. Why do they call it a secret again? Who knows. Anyway they swap genders at midnight. Most of the manga is just bog standard slice of life stuff that you might expect from this simple premise. Trading gym uniforms so you don't have to buy 2 sets for
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your girl and and boy day. Trading school uniforms. Picking what to do as different sexes on different sex day. There's a hint of romance, but it doesn't really develop anywhere. One point in which it is particularly strong is these gender swap shenanigans are taken as just part of daily life. There isn't any drama, it really just does feel natural, like it's something they do every day.
Artwise Nieki-sensei has an excellent style and is especially good at doing simple but expressive faces. The paneling is pretty good and the manga flows without any flaws. It's not going to bust out a two page spread which will super wow you, but the art looks good and conveys the general tone well. Overall the only real flaw it has is that it ends very abruptly, likely due to cancellation or something along those lines. This leaves this manga with a slightly bad aftertaste, like it could have been something more... but wasn't given that chance.
8/10 if you like genderswap or bodyswap manga, 7/10 otherwise.
Reviewer’s Rating: 8
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Feb 4, 2025
Hathaway's Flash is simultaneously a true joy for any UC enthusiast while being nigh impenetrable for people with it as their first Gundam experience. This is both its greatest strength and its greatest weakness. The culmination of all of the early UC narratives, it serves as both a continuation of the dialogue raised in Gundam Unicorn as well as a dismal rebuttal- proving that the corrupt nature of institutions can not be changed with dreams alone.
Cinematically Hathaway's Flash is a true joy to watch. The animators have done brilliantly, the entire sequence of action scenes in Davao City are some of the best animated and
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choreographed scenes to date. It carries on with the modernization of Gundam aesthetics that has been plodding forward with the advancement of real life technologies, you'll see a toe of cockpit shots and modern looking heads-up displays like Unicorn had. If you were coming into it for the classic mecha fight feel you'll be disappointed but if you're a fan of modern military aesthetics this is probably the best looking Gundam animation yet. By this time in the universal century, basically every MS is rocking a 360 panoramic cockpit and with Xi and Penelope's Minovsky Flight Unit most of the combat in this film is jet-fighter esque aerial dogfights rather than melee duals on the ground, even with the majority of film taking place planetbound.
Narrative;y Hathway's Flash does not hold your hand at all. It assumes that you've watched Char's Counterattack and is a straight up continuation of the plotlines in that story, carried forward around 20 years by trauma and an inability to move on. It wastes no time in getting the viewer acclimated, which is both a strength and a weakness because for Gundam fans there's no cruft or wasted airtime but for people just getting into it certain scenes never get any setup because the setup was already in CCA. The film follows the standard structure of opening, rising tensions, climax, resolution with a setup for the sequel films and is a pretty straightforward adaptation of the novel's plotline with slightly adjustments as to make the film a relatively self containing plotline. It's a much more grounded approach compared to the fantastical wizard-like newtype centric fiction of Gundam Unicorn, fitting as it takes mostly on gravity-bound earth. While it shares much with Unicorn aesthetically, tonally it is the opposite. Newtypes cannot change the world, corruption cannot be fought except with the application of violence (via terrorism), and the only dreams are nightmares brought by ptsd and war trauma. There is no psychoframe to change the world, only freedom fighters and terrorists melting down cities with their beam weaponry.
All in all Hathaway's Flash is a great film experience, definitely worth watching for the cinematic experience if nothing else. 9/10. Looking forward to more.
Reviewer’s Rating: 9
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Jan 24, 2025
Season one raised the bar and season stole it and threw it into the ground. Not even Penkin saved this one.
Where to start with this? The animation quality is not good to say the least. Characters to not some much as fight during fight scenes, it's mostly close up action shots of something and then cut to the aftermath. Rarely are two characters on screen when there's any action happening, one character launches a special attach, another character takes it, end fight scene. Character designs, far from the unique and interesting character designs of season one, look bland and drab. Potentially this would not have
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been such a jarring shock if season one did not show how good it could have been, but being the sequel and failing to live up makes the character designs in Ouji no Kikan especially bad. Even the scenery is worse. Not sure how you can accomplish that, but they did it.
The story is not bad, mostly because they did not do much to SIU's worldbuilding, which has always been a strong point for Tower of God, but the way the shot angles, music choice, and other such elements interplay with the writing makes it feel flat and drab. Moments of great power lack it, and moments with great emotional are also dull and muted. Penkin's soundtrack is phenomenal as always but the choice of when and were to place it and which tracks to use is bad. In some places the animation is so subpar that the track feels out of place, like it's been lifted from a better anime and placed in this one. It's been a while since I actually read Tower of God, but I didn't notice any of the story elements being completely dropped, it's just that the way they're framed and stitched together makes the whole thing seem stilted and unnatural.
There's animes where it adapts the manga (or in this case Webtoon) well and is worth watching. There's animes where it adapts the story poorly but at least the action scenes are salvageable. In this one, not even the action scenes are salvageable. SIU's artwork has never been the best, but instead of deciding that they needed to keep the quality of his story and elevate the artwork, they decided to degrade the quality of the story and adapt Webtoon panels into a slideshow.
Reviewer’s Rating: 4
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Jan 24, 2025
Yanami Anna carries this anime from a 6 to a 8.
Make Heroine ga Oosugiru surface-level self aware romcom about... romcoms. The protagonist is a relatively witty loner (where have I heard this before?) with a loving little sister (where have I heard this before?) who is extremely low social awareness and copes by deluding himself that the reader is a loner his intelligence has enlightened him to the futility of schoolyard social dynamics (where have I heard this before?) and learns through the course of the anime that actually having friends is a good thing and he should actually get some (WHERE HAVE I HEARD
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THIS BEFORE?).
In short, despite its claims to self-awareness, it doesn't really step out of the mold of light novels inspired by Yahari Ore no Seishun Rabukome wa Machigatteiru in 2013. It will remark on some story beats and trappings of the genre but will afterwards, duly and faithfully follow through with them. Its self awareness is surface level, it doesn't end up actually impacting the story in any way and mostly serves as a in-joke for romcom aficionados, which does slightly add to the flavor of the work but fails to do much beyond that.
Its primary gimmick is that the losing heroines of a romcom story still exist, but this is a plot hook to draw a reader or watcher in, not something that can sustain a story. Those have to be the heroines, in the case of Make Heroine, the "losing" heroines themselves. Make Heroine does not have particularly compelling heroines; none of them are bad, it's just that we've been through these character templates time and time again. That is except the primary heroine, Yanami Anna. All of the heroines are given a appropriate amount of attention expected of a generic romcom heroine, but Yanami Anna carries the show on her back and could possibly be the only reason this would not considered a seasonal anime. Her animation is done superbly, her voice actor carries hard, her quirks are funny and interesting, the interplays between her and the main character, Nukumizu, actually are interesting despite the cookie cutter mold he came out of, and overall she is a great character who carries this anime besides the one note gimmick of "the losing heroines still live on in this world".
Reviewer’s Rating: 8
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Jan 24, 2025
A decent adaptation to a masterwork manga.
Going into the anime adaptation of a beloved manga is always accompanied by some trepidation as well as excitement, because you're never quite sure if they'll butcher or live up to your beloved manga, but in this case watchers should not be disappointed (for the most part). Yes, there are certainly some things that could be done better and the animation does not quite live up to Tsurumaikada-sensei's stunning art and there are certain compromises made for the sake of fitting it into a 1-cour anime, but it is good.
Getting down to the actual animation quality: the CGI
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is mostly limited to rotoscoping, and while noticeable, is utilized sparingly. They make use of some of the techniques that studios like Studio Orange pioneered (camera angles) to so that the strengths of the CGI are enhanced and the weaknesses mitigated for the most part. Inori's faces are still very funny and whimsical and provide most of the basis for the humor sequences. The skating sequences really make watching the anime worthwhile for a manga fan and ENGI does a good job with the short action shots, each one of them feels quite dynamic and well animated.
The story is good, as expected of its source material. While some characters are adapted out, like the Kago family, for the sake of pacing, the core of the manga is kept. Medalist's starting story has always held its strengths upon the idea of a man who never had a chance to succeed helping a girl make sure she can get to the heights he never had a chance to get to and this is an incredibly compelling opening, even before we get to the complexities revolving around Hikaru, Jun, and the world of competition.
Ultimately if you're expecting a Bocchi the Rock tier adaptation, this isn't it. But it's good for the most part, and will resolve any manga reader's hankering to see their favorite skating sequences animated. As far as someone who is coming into the work with the anime as their first time, it will be a high quality work.
Overall, tentatively going to give it a 8/10 for now. Please read the manga.
Reviewer’s Rating: 8
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Sep 12, 2024
I liked it but I'm kind of a sucker for high concept manga that try unique plotlines. Objectively speaking without my personal tastes factoring into it, it's not that great and you should only read it if you have very specific interests. It's a jumble of very interesting sci-fi premises very rarely seen in manga brought together in a fascinating combination but executed pretty poorly. Hara-sensei has a history of doing things that are interesting in theory, like his other work "Midara na Jakyou ni Sukuu Mono", but then you read it and you're like "That's it? That's all you're going to do with the
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interesting ideas you dragged together?" Kono Shima ni wa Midara de Jaaku na Mono ga Sumu (man that is a mouthful) does this more competently than Midara na Jakyou, but it has the same exact problem of just when you get to the meat and potatoes, the interesting bit after all the boring premise cruft has been laid out, the plot suddenly starts a full out sprint towards the ending. Instead of focusing in on what's interesting, the storyline seems laid to like a mystery novel to the interesting bit and then that's about it. Your prize for the mystery is learning that the story could be interesting.
Overall its core issue is that the plot is set up like a survival manga, the premise is set up like a survival manga, the setting is set up like a... well not so much a survival manga more a reincarnation plotline, but it's executed like a mystery manga. There's nothing that can really be said to soften the blow, it's not written well. The only reason why you should read it because the ideas it presents are so nonexistent in manga that if you really want to read it then the quality doesn't so much matter than the fact that it exists here at all.
I give it a pretty good rating on account that I had a somewhat fun time reading it, but I seriously do not recommend it to most readers because it will probably not be enjoyable. Some will enjoy it immensely but the selection of that group is extremely narrow. If you don't like it by 10 chapters in you're not going to like it all.
Reviewer’s Rating: 7
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Sep 12, 2024
It's hard to recommend this manga, even though I think it was a fun read. There's a huge tonal shift in the middle of the manga. The overall atmosphere at the beginning of the manga is like some strange warped parody of Death Note or some other typical 'mastermind' and the latter half is a strong character-growth one about how it's never too late to mature as a adult and human being. Imagine Farmland Saga levels of tonal dissonance but around 5x worse. It reads way different. For me, personally, I found the first part honestly cringe and a slog to chew through but it
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made the latter half all that more fulfilling when I finally got there because it really is necessary to the evolution of Kurosawa's character.
I'm going to start talking spoilers from here on out, be warned.
Like many Bildungsroman, to be pretentious and use the German term, Onanie Master Kurosawa starts off with a hotheaded and brash juvenile character and ends up with him having learned some measure of maturity. At the beginning Kurosawa is juvenile, quick to blame others for all his ails and woes and unwilling to take on responsibility for any of his own flaws. This breaks when the girl he has a crush on gets a boyfriend who, despite being somewhat clownish and willing to be the butt of a joke, is truly empathetic, kind-hearted, and a good friend. Instead of measuring up and considering why such a person would be liked, Kurosawa instead blames his crush for not returning his affections (which he never expressed) engages is a campaign of sexual harassment against her in a self-absorbed campaign of revenge. This is using the plot device of dragging your protagonist down to build him back up. The second part of the story focuses on him making compensation for his crimes. Though now shunned as a pariah for his truly disgusting actions, he finds that there are people still willing to help, even those that he has personally wronged, and that if one shows a good faith effort maybe you can earn forgiveness. He manages to draw himself back up the starting line of being a normal ass human being and even a little beyond that, to being a good person. It ends on a good note where he, having received the fruits of others kindness, is passing it on to others, trading good for good instead of ill for ill.
Overall the story is crafted well. The character development, though cringey, does sort of resonate. A major weakness would be in the way how it relies on the act of degrading the protagonist to build him up seem like there's major growth. Redemption stories hinge on whether or not you can stomach the original crimes and forgive the protagonist yourself, as a reader, and for many Kurosawa is just so gross and disgusting in the beginning hat it will be hard to do that. And this ties into how redeeming Kurosawa takes up so much thematic space that there's barely anything left for anything else. Most coming of age stories will touch upon some universal experience like first love or the pressures of society or something along those lines. But in Onanie Master Kurosawa basically all the space is taken by Kurosawa doing is best to struggle against the shit he pulled in the first half and make good. Basically it spends the first half digging a huge hole for itself and then spends most of the other half climbing back up.
Overall it's kind of interesting, but it's only really better than average in the novelty sense. It's kind of funny to Kurosawa actually think himself sort of Lelouch-esque mastermind over masturbation and seeing a really dumb concept about masturbating on people's clothing be converted into a competently executed coming of age story is worth at least a small gander. People will somewhat humorously (ironically) or seriously (delusion) bring it up as one of the all time greats but that's mostly because the juxtaposition of the starting and ending are very memorable just because how low it starts. In that sense if the starting is its greatest weakness, it's also its greatest strength.
It's not really a masterpiece and some people might not be able to stomach it but if you can, I think you'll be pleasantly surprised. Give it a few chapters and if it's just too off putting drop it. If you can make it to the end you'll find a pretty well-executed low-stakes story about stupid high schoolers learning to be better people and growing into maturity beyond their own self-conceits.
Reviewer’s Rating: 8
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Sep 12, 2024
An all time classic. Another banger that proves the paradigm that "boys make the best girls". Yui, or rather, Yuuta in Yui's body is hilariously good at bulldozing her way through all of the original Yui's problems, exemplifying once again that Charisma is the best stat. The most stand-out aspect about this is how it handles the genderswap element. Unlike many of the commonly found genderswap manga these days, the genderswap element isn't just a wish fulfillment vehicle or a comedy gag element for the sake of fanservice/humor, it's played out with some thought put into how society's gender roles enforce upon individuals, how sudden
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and significant changes in one's body will shake up their self-image, and a whole host of other issues that would realistically come with swapping genders. There are a lot of genderswap manga where the repercussions of such a pivotal change in one's life are simply lightly skimmed over. This isn't one of them. It's a character focused drama about how very different people came come together to fill up the weaknesses in each other and how it's never wrong to reach out for someone else's help, especially if a miracle happens to put you in each other's place.
The only issue I would really have with it is that pacing is a bit off. The first timeskip hits hard and for good value, the author really does manage to impress a sense of shock that this isn't just something that happens and is resolved in the span of a typical storyline but something the character has to live through for years, but once that cleverness of that wears out, it's really a huge amount of character development that happened off-screen and is only ever alluded to or sparingly seen in flashbacks. The summary says "For years, Yui and Yuuta struggle through a life that is not their own." but there are really only two years that play a large role, the year that they're swapped in elementary school, and the year where all the drama takes place in high school. It's not jarring, the author makes a good show of keeping you grounded that these still the same individuals, just grown up, and you really do feel but it feels like it diminishes the work, like you're reading something with a good foundation and a good climax but rushed to get to teh climax and left a lot of buildup on the table.
Also it's hard to have a slice-of-life manga with most of the slices taken out.
Overall it's a recommendation and well worth the read but one can't quite shake the niggling feeling that it could have been better. Not too light, but not too heavy, it's a good pick for anyone interested in a character-centric drama with body-swap elements.
Reviewer’s Rating: 8
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Sep 11, 2024
This is a premier, top of the line, character focused, theme heavy, sports manga about striving for victory. The primary conflict is about Inori trying to work her way to becoming No.1, e.g. Gold medalist, but there is so much beyond that. Almost every character in Medalist is a protagonist of their own story. This is not something you are only reminded of as an afterthought but something that works its way in at every point possible. Tsukasa has his own themes about sacrifice, chances give up on, making sure the next generation has better opportunities than he was given. Hikaru has her own set
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of complex themes. The cutest girl on earth (also known as Kamoto Suzu) gets her own spotlight. Rioh has his own chapter. Even Main and Yuna, relatively minor characters who only show up when Inori goes to a training camp or competes, have their own complex relationships and goals that they are striving towards. At no point at any time is any character introduced for a purpose or made simply to fill a role, each one is packed with a dense array of personality and dreams and ambitions and motivations that make them so striking and interesting in their own right. Medalist is not just a manga about Inori striving to be a medalist, it is about a whole host of athletes/coaches/support staff, all striving to achieve their own medals. In an overarching it's about the nature of competition and competitors just as much as the actual skaters.
I cannot recommend this manga enough. There's this line from chapter 35 that I love immensely that I feel encapsulates the way the author writes medalist. I translated it something like this: "To stand alone in front of the crowd, to be cold and hurt when you fall, to not run away until it's over even if you fail, even through all of that these kids are able to love the ice. I wonder why we can't just call everyone in this sport a genius." There is real care put into this fictional world to bring it to life. That's why I think it's a real masterpiece manga.
Also the drama is top notch.
Reviewer’s Rating: 10
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