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Tokyo Ghoul (anime) is a terrible adaptation in every way. Both this third part, like the other two. There's no way out, it's too bad.

The characters we met back there with the first part and the second √A were already badly developed. Twelve episodes (24, added) with fights played on screen, bad dialogues and in the background a beautiful soundtrack that really surprises and serves as a mask for the grotesque mistakes of the anime.

In RE, you may think that those characters will be developed ... But they will not be. They are again played on the screen and you need to figure out what ... is going on, since nothing is explained within the adaptation. Worst of all, it's that in addition to these characters, they've obviously put a lot more characters inside RE ... And again, they do not know how to develop any of them. It's all done quickly, launched on screen in twelve episodes to end soon.

You do not understand the reason of the characters, the background of each of them. The real motivation does not exist in the anime.

But okay, I can not speak only negatively of the anime. Let's try to find some good points in the series. The soundtrack falls level, but would hardly exceed the first two parts (especially the first). And between the three parts, I have for myself that it was in RE that we had some really worthwhile sentimental scenes (like Shirazu on his deathbed) and Urie feeling the death of Shirazu next to Saiko and Tooru. The scene in which Touka sticks with Haise for the first time sounds clumsy if we stop to think but deep down, I felt truthful in the moment and in the encounter between the two. Seconds before, we see Yomo already looking at Haise. We remember good moments of the scenes in the previous parts of the anime. A little nostalgia? Perhaps.

The final scene of episode twelve, in which Tsukiyama is 'cornered' by some GGC extras, is not bad either. Especially when we look up from the building and we see Touka next to Yomo doing his part and avoiding an end to Tsukiyama.

Anyway, if we are to take into account (which would be right), the adaptation is very bad with these three parts released. It is well below average.

However, in every evaluation, we must carefully examine the whole context and this even serves an anime / manga.

We had all these changes in the staff and other 'adjustments' to adapt the anime and this corroborates not to leave a great adatapção. Tokyo Ghoul is an anime that suffered a lot with this and for certain issues ended up not having all its potential put into play.

Far from being a great anime. It contains many errors, which, even small ones, are still errors and can be expensive. I created a sympathy with some characters and I saw positive points in the anime but unfortunately do not cover some flaws and this can not be left out in an evaluation.

Most characters have plenty of screen time and that's fine. They are useful and participative in all animes, even though they are secondary. The only problem is that I do not see and even feel development within them, even though they are always there on the screen with you.

The soundtrack is very simple ... and does not deserve more highlights.

What also deserves praise are the traits. Very well done from start to finish. The fight scenes (which are few, obviously) are very well done and very lively. What gives even a certain desire to watch more fights within the anime.

One problem that maybe I only had with anime are the eyes of the characters. I could also mention their hair but we can relieve it, since at the beginning it is already stated that students can comb their hair and have them as they want. However, I am a little afraid at times. They look like characters that came directly from an RPG and came to a straight stop at a school.

I could give a higher note because the anime knew to arrest me and I really created a sympathy with some characters like Ayanokouji, Horikita, Sakura, Ayanokouji and even by the teacher Chabashira. A note about the character Ryuuen. What are those clothes? Your clothes look like they came straight from the poorest store in Las Vegas.

But I really expected more on certain bridges and inside me there was the feeling that the anime could yield more and unfortunately it was not taken advantage of as it should. I would like to give a grade 7 or 8, but as much as I do not want to, I feel I need to give a grade 6.

The intention of the film is good from start to finish and Makoto Shinkai was able to translate it very well in the three parts of the film.

A transition not only of scenes but of one chapter to another is very good and well made, although it is a film, in general, it can create moments in moments.

The development of the characters are successful, nothing luxuriant but rather round for the viewer.

If we talk about the visual aspect of the film, there is nothing to complain about. It is more a beautiful production. I would like to highlight two scenes that close the second chapter. ... Already in the final minutes when Takaki and Kanae are walking away: The young Kanae's crying and her feeling at that moment is very well built along the whole walk. And the second, where both watch the launch of a "rocket" (?) Is very beautiful. This second comes more for the personal taste of this writer.

The feeling of each one is very well portrayed in the film in all three parts, especially in the second, where I highlight that the sentimental mood is where best worked between the three parts.

Many critics mention the third chapter as the worst. I believe The movie portrays very well how things work, whether you like it or not. And things do not always end the way we want. That's how it is and that's how it always will be.

The animation may sound confusing or complicated for people who are turned off by shifting scenes and switching screen time. But in any case, it is more a beautiful Japanese production that deserves to be watched and contemplated by all lovers of cinema.

The box office records were not for nothing. It's one of the best-produced animations of recent times. Both the audio and the visuals are incredible.

Speaking separately, the soundtrack is far, but far above average compared to even the greatest movies with greater power than Kimi No Na Wa.

Speaking of the characters, the protagonists can trap the viewer from start to finish. Super captivating ... and sincere throughout the plot. The more secondary, do not leave to be desired. They hold the ends even without so much highlight and glow on the screen.

The story - as mentioned above - may develop somewhat confused on the part of the most unsuspecting, but nothing that compromises the plot. Well tied from start to finish, Makoto Shinkai does not leave loose ends and everything is basically finished. We have a show of affection, fondness and the creation of bonds of a very honest and without error form with the protagonists.

A mention that I think is not so debated about others but that has gained great prominence with me and that I need to comment, is about the Japanese trip that the film offers us. It is a delicate, extreme and romantic view of the country of origin of the animation under a sensational quality. Also worth mentioning is the small demonstrations that the film gives us of how the culture of Japan works in small sections.

One of the best done anime of the last years. Well developed with a good plot and very well tied up. History above average, and the main: Do not get lost. That is, it is already better than many scenarios out there.

Captivating characters, fun and with a humor in the right measure. Very enjoyable to watch, you end up delighting in some characters that mix seriousness with humor very well.

The animation is not out of this world, but not bad in almost no time. Quality.

Each character has their background well shown and executed. What makes you create an emotional attachment to each one of them. ... Some characters have not really had enough on-screen, the case of Merlin and a few others, but we will have a second season that will probably explore these characters.

Overall, Nanatsu in Taizai is a great anime. With many hits, very few mistakes and impressive lightness and softness. It is worth watching.

The worst animes I've ever had the displeasure to watch. It's horrible basically in every way. Except some small parts.

All seasons are bad and weak. All anime bows are pathetic. The characters have no charisma, much less manage to reach the audience and captivate the person who is watching.

The story is always the same. Repetitive. Failure. Very weak. Every bow and seasons are basically the same things, only exchanging enemies. They arrive at the guild, make silly jokes, Natsu destroys something, Happy screams, Lucy makes a silly face and Erza still tries to emulate a good character. Oh, let's not forget: Gray will take off ... his clothes and some ridiculous character will yell at him and have him put on his clothes. Afterwards, they will get some work. They will go on a trip. In the course of that, there will probably be mistakes, since anime is a bomb in almost every way. In the final battle, we will know that Natsu will unbelievably draw some random power that no one will understand how he has it and win.

After that, you know what happens ?! They return to the guild, Natsu destroys something, Lucy makes a face of beast, Happy screams and Gray takes off his clothes ... It is an infinite cycle that anime has. Nothing changes. It's terribly bad rotten.

What is saved, or can we say, what is not so ridiculous in the anime is the sympathy of two or three characters. I make a force and I still say that the mood of the anime is not as stupid as they say. Not great, but it makes people laugh a little. But it's no big deal. In addition, the soundtrack still has some quality and fits with the anime in question.

Summarizing: The anime is weak on practically every issue.

Far from being a simplistic anime. Far from being an absurd anime.

Great in the right measure. The anime since the first episode makes clear the way it works. The humor is clean and pleasurable, the soundtrack is OK, the animation is reasonable for good, the charisma of the characters are not caricatures and their personalities are not clichés and silly.

My only one who has not left me somewhat satisfied with the Yato-Yukine relationship is in that, at some moments, Regalia's complaints and outbursts of anger are somewhat boring. But that's okay, it's something to understand with the course of the anime. Then a big hit. ... Because if at some point the relationship starts to get "boring", the anime soon gives you an emotional discharge and identity about the character. What avoids the relationship being labeled as bad and boring. The script ends up saving the relationship with the few.

It may sound crazy, but in good minutes of the anime, I ended up reminding myself of another great anime: InuYasha. Do not judge me.

And it is exciting in the final confrontation the moment when Yato gets angry. In many anime this would become cliché and silly. In Noragami, no. The "Silence" that Yato tells Rabou in a moment of anger and hatred, is excellent. It makes us even more hopeful for him to win the battle and "recover" Hiyori's memory.

The story does not leave much to be desired either. Incredible how well she is organized in the few 12 episodes of the plot. The way ghosts are introduced is also to be commended, and finally, their voices, shouts, moments of outbreak, and how they use some characters to intertwine with other ghosts. It becomes insane at certain times.

It is, undoubtedly, a very well done anime. Deserves to be looked at more closely. Within your genre, it deserves praise. I would give a grade 8 or 9, depending on my timing. Positive!

Very good. Well above average.

Wrong is thinking about taking the anime seriously, imagining it to be a work of high complexity or something. The anime, in what it lends itself to do, is great. From the first to the last episode is great.

Extremely well-done animation, well-done plot, good characters, gigantic monsters, and obvious, that classic touch of humor that leaves every anime more enjoyable to watch.

The anime is simple, the plot is not exaggerated and the fights are predictable. And yes, even if they are predictable, they are far from bad.

Our protagonist, Saitama, at certain moments, reminds us of the late Golden Boy. His humor, ... in the measure, is very tasty and makes us laugh properly, without exaggeration, or sounding forced.

The anime still casts several references, such as Chaves (series), Dragon Ball (Piccolo) among others. Fantastic for any fan of culture in general.

Anyway, One Punch Man is definitely, with merits, one of the coolest anime in recent years. It's a show, a production fun. It deserves all the praise.

The series continues to be colossal. Bummer of whom the critic in a disorderly way. Even with the "budget down," it's still way above average. The quality, the fluency, the action scenes, especially ... They are still very good.

The concept of the anime follows well, and the execution, which was criticized last season, saw a slight improvement over its predecessor.

My only caveat, continues to be the personal development of some characters. I think it would very willingly have an emotional load well embedded in characters like the protagonist himself, so that we can follow him, step by step, the unfolding.

Anime extremely enjoyable to watch. It's colorful, alive, cheerful, up. It's delicious.

The story is friendly and attracts the audience. It's realistic. We would all like to be heroes, would not we? Some, even villains, if it were possible!

The way the plot is approached until it has falls of yield, mainly by the exacerbated weeping of the protagonist. He really is very chatíssimo at certain times.

The animation itself once referred to comic books. The directors, and author, probably pulled on this side of heroism.

Also to mention the fact that the anime always leave us curious to know what peculiarity will have a certain character. In this ... first season, the anime goes from OK to GOOD. With great potential at hand. Let's see the unfolding, and the second season, of course!