this was submitted to the comix wave office for bad review comprehension of the movie.
Suzume no Tojimari review
Suzume no tojimari has earned more than $300 million globally, outperforming several other
anime blockbusters. Makoto Shinkai's heavily animated films never fail to match the audience's
expectations. This rich animation is what blinds the viewer and causes them to miss flaws that
may have made the picture much better. This review highlights the problems in Suzume no
Tojimari that the viewer may overlook while completely engrossed in Shinkai san's animation
magic. For viewers who are fresh to the world of anime, witnessing how the narrative of
Suzume and
...
Sota unfolds and how fate intertwines them must have overwhelmed and made
them cry with ecstasy. However, those who have seen Shinkai san's past works would notice a
glimmer, if not more, of his earlier work in Suzume. The plot begins with a fortuitous
encounter, which is highly characteristic of Shinkai's approach and can be observed in
practically all of his films, such as Hoshi wa ou kodomo and Tenki no ko. This disinterests
audiences who have seen Shinkai san's earlier works, forcing them to sit for solely the
animation and soundtrack of the film. When compared to the other films, the screenplay is
fairly ordinary, and the prose is pretty plain. There is no real tension buildup at the beginning
of the film, and the purpose of the protagonists has already been established, which settles the
butterflies in the stomach. The story's tempo felt too quick, as though many things were
crammed into a two-hour film. The narratives were very clear, with no starting or final-minute
twists, making the stories relatively simple and action-based. Suzume's past is rehashed several
times, diverting the viewer's attention away from the continuing storyline. Sadaijin's
appearance at the last minute made little to no sense because no adequate introduction or
narrative was prepared for it. The climax was dramatic, but it was too short and reminded me
of Tenki no ko in many ways, especially the concluding sequence.
Shinkai san's films' art and animation have always been the pinacle of the vision. The story
may fall short somewhere, but the animation in the film never does. The film has taken attention
of little things such as raindrops and puddles. Suzume and Sota's close-up fight scenes are
wonderfully animated, however the design pattern of the worm moving up into the sky was a
little weird and looked quite simple. Details like chalk shrieking and close-ups of meal
preparation or close-ups of cigarette ash dropping on the ground comforted the hearts of
viewers in his past works, but none of such sorts of sequences were shown in this film.
Haru yamada, who also worked on kimi no nawa and tenki no ko, was hired as the film's sound
director. Except for the initial chasing sequence between Sota and the Daijin, the sound has
been properly placed in all areas. The background music used in that scene sounded vintage,
giving the scenario a Hollywood movie air. The soundtrack in several areas was fairly similar
to that of other ordinary anime. The opening theme was excellent, however the concluding
song fell a little short. The audience may not want to hear it again in order to become acclimated
to it. The voice actor in this films are newcomers to the anime business. The dialogue delivery
of the characters reveals the inexperience of the voice performers. The absence of senior actors
in films harmed the film by failing to capture the hearts of the audience with their distinct
voices and abilities to transform ordinary lines into lines that are pleasing to hear. Even though
kana hanazawa portrayed the role of Suzume’s mother the scene was to brief to be noted.
To begin with, there aren't many characters in the film because it mostly concentrates around
the major protagonists. However, in Shinkai san's past works, the utilisation of side characters
was done brilliantly, even if it meant killing them. The secondary characters in this film exist
solely to assist our main character in transferring from one location to another and providing
her with accommodation. In his past works, such as Tenki no Ko and 5 Centimetres per Second,
side characters are employed and fit perfectly within the tale. The movie merely mentions
Soutra's family as being closer, despite the fact that he, as the primary character, needs a solid
backstory.
As far as the general audience is concerned, the movie is a sure shot hit, because the animation
is masterfully done and the music is perfect for almost all parts of the movie. Even if nonanime fans were to watch it, they would pretty much love all parts of it, but if one watches the
movie in its entirety, the movie lacks some elements in the writing departments and character
development section and will not evaluate the film through the eyes of the broader public. After
seeing it, I felt it would be tough for this film to exceed Shinkai san's past works, yet Shinkai
san's magic of animation outperformed all of his previous works, capturing the audience's
attention. To close my review, I would want to state that no matter how excellent you are, you
can always improve, which is the fascinating part.
Thank you
Jun 17, 2023
Suzume no Tojimari
(Anime)
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this was submitted to the comix wave office for bad review comprehension of the movie.
Suzume no Tojimari review Suzume no tojimari has earned more than $300 million globally, outperforming several other anime blockbusters. Makoto Shinkai's heavily animated films never fail to match the audience's expectations. This rich animation is what blinds the viewer and causes them to miss flaws that may have made the picture much better. This review highlights the problems in Suzume no Tojimari that the viewer may overlook while completely engrossed in Shinkai san's animation magic. For viewers who are fresh to the world of anime, witnessing how the narrative of Suzume and ... Mar 22, 2022
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