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Drawing his "Yumi", once more...Regulating his breathing...Releasing the "Ya" that exemplifies Sincerity and Purity.

White velvet clouds rolls in over a blue sky. A brilliance of a new page upon the canvas of consistent hue. Beneath the marvellous sky in the foreground stands five firm figures entwined in colored bands. The sequence concludes with what very well may be a determining shot. That is the OP–the theme is established and the direction of this series has been determined.

Sports Anime are often portrayed with great intensity but "Tsurune" observes the inverse. Tsurune S1 introduced us to the sport of Kyudo: a refined form of archery that centres ... around calmness and composure. S1 excelled in setting the foundation and atmosphere, one which depicts the elegance and spiritual nature of the sport. To achieve the state of "Shin–Zen–Bi"(Truth, Goodness, Beauty). It also acts as the cornerstone for Minato Narumiya, our MC as he relearns and reaffirms his love for Kyudo. S2 not only enhances these constructs but also introduces its own set of novel elements. Visually, S2 is presented through increased contrast and a brighter outlook. And yet what truly differentiates S2 from its predecessor, is undoubtedly, it's plot. The focus of this season gravitates towards the thematic value of 'Teamwork'.

Teamwork is universally recognized as the collective effort made to achieve a common goal. For the Kazemai boys team, that common goal is Nationals. In order to secure their victory they have to not only sharpen their skills but also refine their teamwork. That means helping each other improve, resolve misunderstandings and placing faith in one another. All of this to ultimately attain "ikiai", an original term which is the symbolic imagery for unified synergy. It is a state that all teams subconsciously work towards such as Tsujimine High, a new rivalling team. And the effects of "ikiai" are evidently observed amongst the Kazemai High Girls team(yes the writer did not forget about them). This season presents an opportunity for the trio: Yuuna Kanazawa, Rika Seo and Noa Shiragiku to vindicate themselves and display their months of effort since their last competition in S1. It underlines the significance of ikiai born from impeccable teamwork and bonds. Most crucially, their participation acts as a narrative tool to exemplify the unity the Kazemai boys team is searching for.

With that being said, greater teamwork is often coupled by stronger bonds; another highly prevalent concept portrayed in S2. This is represented as early as the colored bands we constantly see in the OP which portrays the bonds between our 5 representatives from Kazemai. But it does not end there–Shuu Fujiwara, Minato's childhood friend and rival who is rather detached courtesy of his more privileged background is also seen with colored bands. Our main casts needs no introduction by now but with the advent of a new season, a new story comes several new faces one of whom is Eisuke Nikaidou from the aforementioned Tsujimine High. He is another past acquaintance of Minato who appears friendly on the front but holds onto deep seated resentment yet he can also be identified with colored bands. Regardless of personality, any human being is likely to have made one meaningful connection. As such, those bands represent interpersonal relationships and, perhaps, new ones they have made. Stronger bonds extends to greater teamwork, and this aids in the journey of inducing "ikiai". S2 unintentionally becomes a character study albeit relatively brief for core characters such as Shu and Eisuke. Their circumstances are expressed with numerous visual imagery. Additionally, it reinforced the personalities we came to know in S1 whilst incorporating purposeful development that we are deliberately made to observe such as Kazemai High Ryouhei Yamanouchi with his self acceptance, and the Kirisaki High Twins nurturing maturity.

Beyond the narrative composition is an abundance of excellent–quality–sensations. The Director and Team waste no time in telling the story; each scene fits into the rhythm of the whole. Adequately well paced transitions and a myriad of camera angles increases dynamism to hook viewers. Despite the serene nature of the sport, these inputs convey the inherent competitiveness of the sport keeping one on tenterhooks hence providing a multifaceted experience. "Tsurune", it's titular significance, defined as the vibration of a bowstring is more evidently captured to further the sensorial appeal. The sharp and bold sounds are easily distinguishable and it is no surprise given that Youta Tsuruoka, an experienced Sound Director, who was also responsible for "The Monogatari Series" and other Kyoto Animation works such as "Hibike! Euphonium" was in charge. Suitable soundtracks that evoke poignant emotions are also incorporated. One aspect that I particularly love is the temperature of the scenes; utilized to convey appropriate emotions and toning in the numerous environments–it truly makes the composition look beautiful. I believe it is no overstatement to say that KyoAni has once again presented a high quality production–enhanced technical elements and mechanical storytelling from its predecessors.

"What do we get after practising and shooting so much?"

"Tsurune" is indisputably one of the most serene and captivating (sports) anime to indulge in. Peppered with its share of comedic moments makes it an especially enjoyable watch. While abstract notions(e.g. "ikiai") may not be the most compelling, it doesn't diminish the moral values derived and the technical enjoyment. After all Tsurune is produced by the highly regarded Kyoto Animations; it comes as no surprise their extensive efforts translate comprehensively on screen. In this season, our cast of characters actively and subconsciously attempt to uncover their reasons. This series offers us the opportunity to glean what answers they arrive to, particularly Minato, who constantly pursues his passion for Kyudo to find the "Shin–Zen–Bi".

'Classroom of the Elite', otherwise known as CotE, is not as pretentious as people perceive it. While it may incorporate philosophy into its reasonings, it does not seek to explore too deeply into it, just a surface level understanding is required. This is intentional as CotE does not intend to force one into realisation or muse over something excessively thought provoking; they utilize these concepts to their need as fundamental reasoning(the general truth) to the many character subtleties and interactions we witness. The main goal of the story after all is to unveil Kiyotaka's intelligence and progress with the tests. Moreover, it is one avenue ... to enhance the entertainment above superficial acts.

Let us take a look into the overall narrative by far: Season 2 exists to create development and establishment for the ever expanding cast in this series. This is to be expected given the direct confrontations between classes that involves everyone. Moreover, the psychological element is expected to be stronger and has already proven more evident. The relevance of the hierarchy system and interclass battles continue to persist being the main ideas of the narrative. This is already being supported with the new test that we have jumped into these past 3 episodes with more to come in the future. Depending on how the Anime is produced, we could be anticipating more calculative battles to match the intricacy of the tests rather than just skimming the details and reaching the conclusion.
For LN readers, the present pacing is obviously slightly faster than expected(yes I was prepared for less relevant moments to be cut but it is still fast). Consequently, we lose out potential emphasis on scenes and details in the story. For instance, this Planet Test could have spanned 4episodes for more adequate and impactful storytelling.

Qualitatively: nothing revolutionary as per these 3 episodes. There is a step up in the art and details, maybe even environmental setting but nothing incredible of a change. Notwithstanding the slip up in EP2 which ended quite disastrous-for some relief, EP3 did recover-I am optimistic that consistency will be achieved as Lerche should have incentive to appropriately support this currently hot and thriving LN series. On a side note, the OP/ED do possess more symbolic value.

As of now, CotE S2 has an underwhelming performance. Though when it comes down to things, I would just recommend everyone to give this series a look and dictate for yourselves. Prospectively, I expect improvements in S2 so I do look forward to the coming episodes for a reversal.

As one season ends, another precedes similar to how people change-mentally and holistically-and progress with their lives. This is only possible with time, which is one of the most fundamental and crucial resources. Because only with time will seasons change and people mature. Yet it is very limited, and what we choose to do with our time determines the results: our future.

"The Tunnel to Summer, the Exit of Goodbyes" is a 2018 award winning light novel. Comprising of a single volume, it is expected to be a packed and short read but manages to tell its tale seamlessly.

The set-up is quite generic: out in ... the countryside lives students attending Kozaki High School but…there lies a mystery of its own-the Urashima Tunnel, a place rumoured to grant one's any wish at the expense of their time/irreclaimable years of life.

The story revolves around our two main characters: Kaoru Touno-a regular highschool student whose family suffered a fallout, and the transfer student Anzu Hanashiro-a strong-willed individual only interested in the peculiar, or the extraordinary-both having their fateful encounter at the aforementioned tunnel. While differing in character, they both share a similarity. Kaoru who clings onto his lost sister in hopes of her miraculous return, and Anzu who seeks establishment in the world, to leave a mark in society. One who looks into the past and one who looks into the future, nonetheless they both carry a longing wish to be fulfilled.

The general outline follows the everyday lives of the two individuals, more specifically in school and their endeavours to uncover the Urashima Tunnel's mystery. As the days progress, the protagonists not only get closer to the truth, but also discover humanity in the other along with those around them and ultimately new value and comfort to their lives. This respite from the past is made possible with 'Time' but the same can be said for the contrary as displayed in the story. Whilst these may seem mundane and unnecessary in the beginning, it all proves to be essential building blocks that adds narrative pressure to the climatic decision: once again, to take a step forward into the future or backwards into the past-to progress on what one has built or forgo the connections one has made.

Overall, the main characters of the story are generally well built-we learn of their past, tendencies and nature, and their development. While the interactions and dialogue do not accumulate to an overflow of poignant emotions, they are realistic. The art, while few and lacking intricacy, captured and portrayed the emotions purposefully. Most crucially, the story remains coherent and while the consequences remain untold, the objective was reached.

The title "The Tunnel to Summer, the Exit of Goodbyes" holds the key to this symbolic tale of regret. Will time heal all wounds or be the emissary of dreadful curses? That depends entirely on how one intends to use it.

We have experienced season 1 and 2, and now within a relatively short span of time, "Love is War" makes another grand showing amidst Spring 2022 list of anime. After the recent conclusion is the lingering question: How Great was this season particularly? Is it similar to the previous two? Are there new elements? I would be exploring these thoughts in a short review.

Similarly, the flow of the episodes are modelled after a sit-com format. The character eccentrics produce an upbeat atmosphere that is maintained throughout the episodes, and the series. From a qualitative perspective, one could expect the same from its predecessors. Some may ... argue that there has been further improvement with the increased vividness in animation and visuals. Overall, the graphics are relatively simple but I do not see many flaws in this area and am definitely contented. The OP also retained its former charm in its wackiness and partial inception style. Studio A-1 also treated us with occasional original ED's that complements the episodes theme. With the aesthetics and quality satisfactorily delivered, let us take a look at what's on everyone's mind: the comedic elements and story progression.

Personally, the key aspects that has kept this season particularly going are the misunderstandings and enhanced cunningness reflected in the characters dialogue-whether it be their choice of words or their tone. The producers made this quite evident as essentially every chapter is filled with them. The description 'Misunderstanding-central' would be no exaggeration.

In terms of 'characters', they introduced new personalities though there was generally little development. Rather they continued to expand on the core group-the student council members. We are introduced to Miko's underlying ego that remained a staple in the earlier part of the series. Shirogane's terrible talent at acquiring new skills was reinforced. Most notably would be Ishigami's 'love life' and interest more towards the end. All of this has certainly elevated and strongly reinforced the comedic(and romance) theme of this series making it more entertaining to watch.

One element that sets its apart from previous season is the progression and resolution of this love conflict which is what has been the main goal all along. Shirogane is in a major predicament and he seems to be more serious about it while Kaguya plays the fool, constantly conjuring up meaningless ploys. Having been hindered by their differing status and the like, what will they choose to do? Will either one of them cast aside their mask and truly reveal their feelings for the other? This all takes place in the culmination that is the cultural festival, and the results? Well that is for you to find out; I will say that it is probably not what you were looking for but most certainly a satisfactory outcome.

From my experience and assessment, Season 3 has been the most enjoyable and humorous. While it is by no means revolutionary from the former qualitatively, the events in the plot elevates its raw value. A-1 did the series justice and therefore made this particularly worth the watch.

As odd it may be, I am here writing a review of an anime, released around 10years ago now with little reception in recent days. Compared to the main series, this episode was not flashy neither was the mystery intricately woven to warrant massive praise. So why have I decided to write one, not for the 2-cour anime, but for this OVA? Firstly, this is my first rewatch and I have came to better appreciate it. Secondly, I am truly baffled at the interpretation and perspective of this additional episode. I decided to do it justice by providing context for the reader that stumbles upon ... this review so that more will come to recognize its value much as I have.

Before transiting into the overview, I would like everyone to keep in mind that this OVA is actually an original anime. It never originated from the "Koten-Bu" novels by Honobu Yonezawa, the author of the 'Classics Club' Series better known as Hyouka.

The Hyouka OVA: "What Should be Had" is a greatly misunderstood piece of work. Many simply disregard this as a 'fan service episode' and while I may agree to such a statement on an outward front, I would argue that there is much more processing psychologically and emotionally.

This episode follows the previous, 2nd arc which left Oreki Houtarou dejected from his failure to 'solve' the mystery. We begin with Houtarou being offered a job at the pool. We know Houtarou to an extent and there’s no reason for him to take it up(even if it’s for money) “If I don’t have to do it, I won’t”, he has no financial struggles yet he does not react or even slide a snarky remark in his inevitable acceptance.

Throughout this episode, Houtarou was emotionless and rather bland in all his actions- similar to what Satoshi once said, this represents a colourless personality. Chitanda while not being as sensitive as the other two deduced from her conversation with Houtarou that he had certain self doubt because of his abilities(due to his recent failure) and encourages him with reassuring words. His talent-crisis made him doubtful about helping his friends but Chitanda reassures Houtarou throughout all their conversations; what he does is special and he very much is special too. Additionally, Mayaka and Satoshi realizes his ‘blandness’. Satoshi points out to Houtarou his lack of emotion while Mayaka notes his lack of spirit. Regardless how lazy Houtarou is, he is still human and characterized by these qualities. Without them was the bland personality we witnessed-a colourless personality.

The episode reaches its turning point when Houtarou decided to present his theory on the mystery. He lets out a sigh conveying to us that there was self-doubt. It reminds us of the burden from his failure and psychological aftermath on Houtarou. He was concerned about another failure yet he takes this step. He was becoming like himself again.

As the episode draws to a close, Satoshi intends to grab himself a nice treat: an ice cream. What a coincidence as that not only reminds Mayaka but serves as a reminder and transition to the subsequent, 3rd arc where 'Hyouka' becomes relevant again. Subsequently, Houtarou had a final interaction with Chitanda and now displays his emotions that portrays his cynicism and laziness. He is finally himself again. And as a nice touch, his final remark(to the job) is the response he should have given(to his sister) from the very beginning.

"What Should be Had" showed us how much Houtarou's friends value him and despite the disappointment they expressed at him in the previous arc, it did not change their respect and appreciation for him as a friend. The value of being needed by someone is an idea many propose to be essential in life. While the title is subjected to interpretation, it is undeniable that this episode acts as an important reconciliation for the group and bridges the unanswered gap in Honobu Yonezawa's novels. In this respect, the producers and director did an excellent job in presenting us a meaningful and worthwhile episode.

Summer Ghost is a 40 minute film produced by Flat Studio. This studio will most certainly be unfamiliar to the masses having produced few animations; none of which received significant attention. But that does not mean they have nothing to offer. An example is this film that far exceeded my expectations in terms of quality and entertainment.

Summer Ghost is a story about coming to terms with one's circumstances. This is conveyed through the medium of death, afterlife itself. The story follows three students: Tomoya, Aoi and Ryou who are juggling a myriad of life's adversaries. They lack an answer to their problems until the day ... of encounter with the eponymous 'Summer Ghost', Ayane. Their gathering, courtesy of Tomoya, allowed them to glean the perspective of the dead and come to understand that the conception of death is not something to be careless with. One should find meaning in their life and live it to the fullest especially when all hope is seemingly lost.

The story was conveyed nicely without bearing severe plot holes with respect to the central theme. Director loundraw who was responsible for character designs presented a more refreshing and captivating art style. The melody, OST soundtracks coupled with the dynamic animation was simply astounding. Enjoyment of a short film is highly dependent on the depth of immersion. The story inclusive of all other elements did the trick to entertain me from start to finish whilst sharing an important message.

Summer Ghost appears to be an overlooked piece of work having little credibility to draw in attention. But for any individual who stumbles across this review, I do recommend watching it as you might even find some meaning in this humble film.

Pokémon Evolutions, what is essentially a Pokémon Generations Season 2.

For those of you who haven't watched Pokémon Generations, firstly I highly recommend it. Secondly, similar to Generations, Evolutions is a series that features short, significant events that occur throughout the several generations of games(emphasis here). It provides us with greater insight, or what may be perceived as some behind the scenes as we explore deeper into the respective events. As an individual who grew up with a considerable number of the games, this series most certainly hits with a wave of nostalgia. Having the opportunity to relive those moments through animated shorts is nothing short ... of an amazing experience.

Regarding the story, for those who played the games, most of what we see is pretty much self-explanatory. To an entirely fresh audience, Evolutions is essentially a small treat: every episode is a unique event(hence no coherent story flow throughout the series). Instead, you should just immerse yourself into the world of Pokémon. Though the pacing felt slightly slow, it doesn't discount the fact you can derive satisfaction from witnessing your favourite Pokémon trainers experience meaningful development and engage in Pokémon battles, all supported with great dynamism through employing vivid camera movements coupled with relatively fluid animations.

Personally, I felt that the palette used for Evolutions was less vibrant as compared to Generations. Additionally, the designs for characters in Evolutions appear much less suitable than Generations but still provides one with a breath of fresh air(from the main series). Sounds incorporated also further enhances the overall experience.

Though I can't speak for the remaining episodes, I believe Evolutions is a recommended watch to any individual, especially followers of the Pokémon series. Episodes are a quick watch of no longer than 8minutes made easily available on Pokémon Company official YouTube channel. So don't miss out on this chance and give it a go.

Let me start with a short prefix: I was first aware of this animated film: Josee to Tora to Sakana-tachi(Josee, the Tiger and the fish) when I was watching one of Eve's, Japanese singer and songwriter, latest music video at that time. The song coupled with the beautiful effects and art got me curious to learn more about this film. Now that I have finally watched it, I can say with a degree of certainty that it is a wonderfully made piece of work.

Now let's begin the analysis. The story revolves around essentially two characters, Josee, our female protagonist and Tsuneo, our male protagonist. How ... two individuals met by pure coincidence and how their circumstances allowed them to stay connected. Pride, Resilience and the Tragedy of Loss. This is a story of having no direction, losing ones direction, and having the resolve to find it.

The story starts off in a rather odd fashion. Introduction between the protagonists was unceremoniously dramatic. Most often or not, the pairing of drama and romance in movies tends to be conveyed with input of melodrama. This introduction, was no different but it does carry significant value in the longer term. The abrupt meeting between the two was an avenue to create tension between them. Coupled with circumstances from Josee's disability, communication between the two was indisputably tough and tiresome. Having been kept away from the world for most of ones life, any individual would be inexperienced with interactions thus carry a different perspective of the world. Differing views are the fuel for dissent and this in itself, was one of the hurdles to overcome. I enjoyed how this was executed: the realistic nature and how it may resonate with viewers.

'Direction'. This movie was the very depiction of ones direction in life. Josee being disabled was one of the core aspects of the movie that reinforces the idea of 'having no direction'. Tsuneo, had a contrasting portrayal with his initial sense of direction being clear. Though it carries several cliches and may have a generic story outline, they do not fail to convey the associated hardships. Additionally, the story is coherent without any loopholes. Sure, some parts are initially questionable and, on surface level, are slightly difficult to comprehend. But these are just a matter of inference, and by simply re-analysing those scenes you should be able to connect the dots.

Now let's talk about the characters. The interactions and relationship between Josee and Tsuneo are extremely entertaining. A considerable amount of it is conflict but that's precisely what makes the development meaningful. I strongly feel that engagement between two characters of contrasting character are often more enjoyable to watch than others who simply 'get along' so this aspect was certainly gratifying to watch. As for the side characters? There really isn't anything special as they serve to support the realism and entertainment of the story such as Josee's grandmother and her adamance towards Josee stepping outside the house. As I have stated earlier, the story quite literally revolves around the two protagonists.

Finally, the aesthetics and sound of the film. I was initially intrigued to watch this film because of the art and music, and am most certainly pleased. The art style is simple yet extremely satisfying. Similar to animated film Koe no Katachi, the movie adopts a more realistic art style which makes it outstanding as compared to many others. Moreover, this makes the characters expression more heartfelt, and along with the visual effects, creates several beautiful moments in the film. Theme song, Ao no Waltz, by Eve is an amazing piece seemingly embodying the feeling of joy, sorrow, hope and empowerment thus a fitting theme for this story.

Overall, 'Josee, the Tiger and the Fish' is an enjoyable and heartening movie. For those who enjoyed other romance themed movies, I believe this should be no exception as it is really worth the watch.