*** This review contains spoilers ***
Review in English and Spanish – Below is the same review in Spanish
Well, the second season of Jujutsu Kaisen is divided into two arcs: Hidden Inventory and the Shibuya arc. I read these two arcs in the manga years ago, and they are among my favorites in all of JJK. In general, they are some of my favorite arcs. When they announced this season, it was what I was looking forward to the most out of all the anime. I'm going to comment, analyze, share my opinions, and several other things that I'm not sure if I can mention
...
about what I thought of this entire season or, better said, this masterpiece of a season
Hidden inventory: I must say that there was a change of director from the first season to the second. The shift in direction by Gosso (it's the abbreviated form, named Goshozono, Shouta) is quite noticeable to me. Personally, I love the direction not only in this mini-arc but throughout the entire season; it literally feels like a different series, giving me vibes of Chainsaw Man. Perhaps it's just me thinking this, but well, idk. This director is one of my favorites. I should also mention that he had prior experience working on Jujutsu Kaisen (JJK), as he was the storyboard artist for episode 17 and directed some episodes in the first season, which were animated quite well. He was also involved in episode 8 of Chainsaw Man, episode 4 of Mob Psycho, the famous episode 21 of Ousama Ranking, practically being part of the best episodes, at least technically, of each series. But well, enough about Gosso; let's get back to the arc.
Both the opening and ending song of this mini-arc are amazing. The ending, in particular, complements the arc well, slow yet melancholic, reflecting Gojo's past with his only friend who left due to his ideals. I love it; it gives me those vibes. The animation is insane, to be honest. I love how well the 2006 setting fits. It's simplistic, silly, and charming, especially in funny moments. Beyond that, the animation is top-notch. The fight in the second episode with a random masked character vs. Gojo has fantastic choreography that I adore. The soundtrack, which I love, is very solid
Chapter three, aside from what I mentioned above about the direction that didn't make sense in this episode, in every good sense, what it did at the end with inserting the ending, the voice actors, BROTHER, the voice actors did an amazing job with the girl crying, reaching out to cut with the shot and cut with the music and all. It was incredible—the music, the shots of the aquarium, the shots of them strolling through an entire park with flowers. Those backgrounds, GOD, how I loved everything about this chapter. Everything about Gosso is not making sense, to be honest, I never doubted. The soundtrack is being completely outdone by that of the first season, at least in these early chapters and as far as I know, only 1 of the 3 composers from the previous season is part of this season. Incredible, the work of these three individuals. At the beginning of the chapter, Gojo resolves an entire plot that seemed like it was going to develop further but in the end, NO, BAM, he takes it, and we already rescued the maid. Well, what I mentioned above about the backgrounds, bodyguards arrive at Tensen's lair to deliver Riko, and my FATHER Touji appears—WHAT A FIGHT, MY GOD, WHAT INTENSITY, WHAT ANIMATION, GOSSO CINEMA. Those eyes Gojo has, I love them, and all the blood when he's almost dead. Definition of cinema
Chapter 4 was also incredible, but not quite like the third one. The third is something, as I mentioned above in the text. At this point in the season, you realize it has a completely different style, another vibe that I love. I liked this episode in terms of the Gojo vs. Touji fight. The fight showcases the purple with a beautiful soundtrack as all of this unfolds. In the overall episode, Gojo seems quite lost in his gaze—well-directed in every aspect. I love how he's in the sky, as if he's so far above Touji... and since we're talking about Touji.
I firmly believe that Touji also carried a very heavy psychological burden. He had been mistreated and rejected his entire life by his family, constantly treated as if he were worthless. Meeting Gojo made him feel miserable about himself because Satoru was a prodigy, born with luck, gifts, and a very powerful technique. Everyone loved Gojo; he didn't need to prove what he was capable of, unlike Touji, who constantly struggled for approval, both from himself and others. Gojo was what he would have wished for himself because he was constantly referenced as the strongest sorcerer. For Touji, eliminating Gojo mentally lifted the burden that had plagued him his entire life, proving to himself and others that he was capable of more. Touji's mistake strengthened Gojo, and the sadness Touji had to carry remained with him alone.
What a character Touji is, one of my favorite characters in Jujutsu Kaisen, and he appears only briefly, but when he does, he stands out. He was rejected by the Zenin clan for not having cursed energy. Despite being recognized by the clan as a formidable fighter (and killer), they still expelled him out of fear and concerns for the clan's prestige, among other things. In the end, he became the strongest human without cursed energy and with immense courage. I love that later, after leaving the clan, he drops the Zenin surname and takes on his wife Fushiguro's name. He starts working as an assassin and earns the nickname 'the sorcerer killer,' a title he imposes.
In addition to everything I mentioned, he was a brilliant person in every sense, not only in skill, strength, but also in intelligence. The plan he devised to kill Gojo, the time limit for the reward to exhaust him, the meticulous planning and strategy to defeat him and catch him off guard once the time was up, and then devising the entire plan to kill Rika seem brilliant to me. What I like the most is that he makes Gojo, possibly the most overpowered character in the entire anime, look like a child. If Touji hadn't explained the entire plan, Gojo wouldn't have even realized it, especially when he revealed the reward and all that. What a character.
Excellent character development and brilliant writing for what he did to defeat Gojo. The way he killed Rika without a word, without anything, appearing from the shadows to do his job, THAT'S HOW IT'S DONE. Even hesitating to kill Geto so he wouldn't release the curse that scared him a bit because he didn't know what it would do. Impeccable character.
Well, since we've deviated quite a bit, let me share my favorite characters from this season and in general: Touji, Gojo, Nanami, Itadori, Maki (although she's a bit for what happens later, but Maki has to be there), and I'd include Sukuna too; I like the presence he commands, but I feel like there's something missing for him. That would be them, basically. I'd love to continue with each of the following characters, but I feel like I've gone too off-topic, and let's continue where we were, besides, each of them will have their moment.
Last chapter of the mini-arc: The episode begins, and it's been a year since the fight in episode 4. Gojo is now the strongest, and Geto is already questioning everything after so much time alone and so many curses arising from everything that happened. It seems like there's a plague, and he wonders what the point of all this is if everyone ultimately dies. Then a waifu appears and tells him two ways humans can't detect curses: one, if humanity controls cursed energy, and two, if they are like Touji. I understand...
Well, the episode concludes with spectacular direction, reminiscent of the manga that was pure text with characters talking all the time. Gosso plays with the direction, engaging all the senses with applause, transitions in the rain, funny shots, and fluid animation. The episode has excellent direction, a great OST, and a nice contrast. Geto switches sides, conflicting with Gojo's ideology, and in the middle of the street, he leaves us with an iconic quote:
'Are you the strongest because you're Satoru Gojo, or are you Satoru Gojo because you're the strongest?'
I really liked the episode, and this mini-arc delving into Gojo's past is spectacular. Episode 3 remains my favorite throughout the arc because of its nonsensical brilliance, and while Episode 4 is also excellent, it doesn't quite reach the level of Episode 3.
The Shibuya Incident: That one-month hiatus felt eternal, but it returned with THE arc. Well, Chapter six starts with the trio protagonists being recommended for first-grade sorcerers, basically those who face strong curses. But getting recommended is not enough to become a first-grade sorcerer; their actions in the mission also matter for the promotion. The rest of the chapter revolves around the childhood friend who had feelings for Itadori but doesn't express them. By the way, I thought this character was introduced for a reason or would become more relevant, maybe not in this arc but later on. Gege put her there to fill in, perhaps to explore a bit of Itadori's past? I don't know, quite irrelevant, but anyway.
The other half of the chapter suggests there's a mole, which turns out not to be a mole, revealed later on. It's Mechamaru, who has information about Shibuya and wants to take it to Gojo. However, he can't because Geto and Mahito don't need him anymore, leading to a fight. The animation and direction, Gosso cinema, remain solid at this point. There's a new opening that I loved from the first moment I heard it, and the ending fits the arc perfectly, although I have to say I liked it more towards the end, but I didn't dislike it initially.
The next two chapters were more or less okay. Well, Chapter 7 was more introductory, featuring the Mechamaru vs. Mahito fight, which was very well animated. I think they added a bit to the animation, as I didn't remember the fight being so long in the manga. Anyway, I'm not complaining because the fight was well animated with references to other anime and notable shots. The rest of the chapter involves a curtain set up in Shibuya to trap people, and they divide into various groups to enter the curtain. Gojo enters Shibuya alone in this chapter. He came out like a machine. As I mentioned earlier, this chapter was very introductory, and the next one was too weak. I'd say it's the worst of the entire Shibuya arc because it basically boils down to the fight with that grasshopper, which Gege thought was a good idea to explain the whole mating process and other things. I was falling asleep, but Gojo saved it by removing his eye bandages and giving them a look that says I'm going to mess you up. I also liked how they restrain Gojo and how all the blood flows with Choso's power, but nothing more. Two chapters well-adapted because it follows the manga exactly, but these chapters weren't Mappa's fault, it was Gege's
Chapter 9 and 10: These two chapters were very good, unlike the other two I mentioned. They were much better in terms of everything: animation, direction, OST. The piano soundtrack while Gojo takes down all the curses in the middle of the crowd was impeccable. The way he uses the Domain Expansion for 0.2 seconds, the time normal people can endure, taking down all the curses (which gave us a good meme, by the way). When they seal Gojo, they replicated very well what happened in the manga and even improved it with the silence and the entire plan. The soundtrack, especially the piano when Gojo is sealed, completely immobile, and it's revealed that it's not Geto who sees, with some notable shots, was impeccable. It was a very wise decision by Gege to seal him because I, and many people I know, were wondering what they were going to do with Gojo. He's the strongest person, but how was Gege going to handle it? Honestly, he silenced me and wrote it very well. This is just the beginning of the arc, and it's already the best.
After all this, there is a HUGE amount of text, thankfully saved by Gosso's direction. But it's important text, not useless like that grasshopper, and a lot of preparation for everything that's going to happen. I have to say, when Itadori kills the curses, they looked a bit odd, but I'm not complaining; they're just randoms (although the animation of the entire arm was very fluid, I'm not complaining about the animation here). And then, THE character Nanami appeared, another of my favorite characters in JJK.
Since I talked about Touji, it's time to say a few words about Nanami. He embodies everything that's right in a character for me—charismatic, crucial to the plot, and nothing that happens during the development of his story feels forced. His design is fantastic, and his personality is just THE CHARACTER. I love his introduction in the first season, how he despises working overtime, and imposes it as a ritual, a restriction that makes him weaker during regular working hours. But when he works overtime, he unleashes all his power. This is brilliant because if the fight takes a long time, it's genuinely challenging for him, and the longer it goes on, the better for him—a plus for quickly dispatching any curse that proves difficult. Another thing I like about the character is that he left the world of sorcery for the business world but realized it didn't fulfill him. It wasn't enough; something was missing. He discovered that he actually liked being a sorcerer. Well, objectively, he thought it was a crappy job, but it made him happy to help people. I like that he thinks the job is bad but continues to do it anyway because it gives him a sense of fulfillment. I'll continue talking about Nanami later; I think he's an amazing character, and I love how his story ends.
The next three episodes are something else. The weakest is episode 11 because the direction here failed me; it felt a bit odd. While some moments highlighted beautifully drawn frames, in others, you couldn't understand where the punches were directed, and the impact was barely felt. The fight itself was too weak, more due to direction than animation. The manga handles this fight much better, but I'm not too bothered. Touji is revived, and personally, I HATE character revivals, but Gege gives it a certain sense here since they can only revive someone without cursed energy due to the power of that grandma. It's well-written, and besides, he appears quite rarely, so I won't complain too much. Maki and Nobara also appear, fighting against the sword guy (can't remember his name, but I've wanted him dead since this episode). Fortunately, Nanami appears to purify him, and during every punch, Nanami is beautifully drawn. Meanwhile, on the other end, Itadori vs. Choso is happening. I love Choso's design, and I must say he's a character with a lot of potential in the future. The fight itself is an audio/visual delight from start to finish, and some consider it one of their favorite episodes. I'm not sure if it's my favorite because there are so many good ones in this arc, but it's a 10/10 for this episode in every technical aspect (OST, animation, direction). The color palette in this fight is great, especially when they enter the bathrooms. It lights up red for Itadori and blue for Choso, and the lighting is impeccable. Something I forgot to mention, and this episode reminded me of it, is that the setting plays a very fundamental role not only in this fight (like how the signs fall or when they explain something with a background warning in Shibuya, the lighting as everything gradually dims) but also in several others. In the previous Nanami fight, they played with the setting using electricity, and in the fight with Gojo, when he took down Hanami and finished him, there was a momentary power outage. I like these little details.
Chapter 14: The second-worst chapter for me, by far and with a significant difference. I love the beach fight and everything in the manga; you can clearly see the problems Mappa is having with the staff that left halfway and the contract they made their animators sign to prevent them from disclosing their working conditions. This seems horrible on Mappa's part and unnecessary because they were doing well! The episode is watchable, but everything was quite mediocre—the animation with too much contrast, excessive light, and poorly animated creatures. The direction was also quite odd. The standout here is the soundtrack, always solid; it was well done, and the beginning of the episode was not bad until the opening. From the opening onwards, it's horrible. In the manga, the octopus they fight against is imposing, but in the anime, it looks like a joke. Clarification note: The episode director posted tweets about the terrible working conditions, so the blame for this is 100% on Mappa for rushing everything and not giving the animators and directors enough time. I don't blame them; I'm perfectly aware that they are capable of creating absolute art, but those in charge above them don't want that. They want fast food, episodes to come out, and money. How sad.
Chapter 15: Now, this is much better, quite good. Well, Touji appears, which is fine, he's my favorite character, but it's quite a surprise for him to show up in the middle of what Megumin opens, haha. I prefer his entrance as a surprise more in the manga, but oh well. Touji's fight against the octopus has good choreography, he takes it down easily, and then sends Megumin flying. After that, Jogo appears and SUPPOSEDLY kills everyone, then goes to give Itadori the fingers to awaken Sukuna. How he rips off Jogo's arm with that look he gives and then killing the other two and challenging Jogo was well done. The episode was very good, and in terms of animation/direction, it delivered much better, especially in Touji's fight, very few downsides compared to the previous one. Well done, keep it up; I hope it continues this way.
Chapter 16: This chapter focuses on two fights: Touji vs. Fushiguro and Jogo vs. Sukuna. I loved both in terms of everything—the fight choreography, animation, direction. The animation's fluidity is well achieved in this chapter. There are scenes in the anime that are much better than in the manga, for example, when Megumi summons all the rabbits and Touji takes them down in one go. Throughout the fight, Touji was significantly superior to Megumin, and the most important part of this fight is that he dies. Now, the best character in JJK, Touji, dies in a remarkable way—asking for Megumi's last name. The way Touji's eyes light up and he smiles upon realizing that his son is not a Zenin, the clan that treated him so badly, was tremendous. That scene is sublime.
"No Zenin, huh? I'm glad."
The mere existence of Megumi, the greatest blessing of his life, allowed him to die in peace. God, this chapter is one of my favorites.
The fight against Jogo, well... I'm not sure if I can call it a fight since Sukuna was toying with him the whole time. The setting, always present (as mentioned above), and in this fight even more so, playing a very important role. The anime portrays and shows you better than the manga how everything is absolutely destroyed during the fight, providing details that I loved. For example, they show the temperature gauge just after the attack on the building, and after this, Sukuna grabs two buildings and throws them at Jogo for him to split in half, so to speak. The setting was very present in this chapter, and I wanted to emphasize this. I love it, and it maintains the fluidity I mentioned above in animation, like how Sukuna cuts through buildings, throws Jogo around as if he's playing, quite literally. And there's more because Jogo throws a freaking METEOR, causing half the city to explode. Before he makes the city explode, Sukuna appears in front of those random people and literally says not to move until he says so. The tension there is tremendous, Sukuna literally playing with everyone, and the others are scared out of their minds. The entire choreography of the fight was fantastic, and seeing Jogo's death with the famous animated arrow adapted like a masterpiece is simply great. What a chapter.
Chapter 17: No, no, no, no, no, why Mappa, WHYYYYYYY THE OPENING, YOU WERE DOING SO WELL. I DON'T CARE ABOUT THE LYRICS, IT DOESN'T FIT. No, I can't believe it, they ruined one of the best moments in Shibuya with the opening????? It literally doesn't fit at all. People commenting about the lyrics, I don't know what, okay, put a phonk metamorphosis theme and tell me 'it works because of this and that.' NO, man, it's completely offbeat, the theme doesn't fit because it's one of the MC's most traumatic moments, and you put a Shakira waka waka theme, and it doesn't fit, do you understand? It would have been much better with a calm background piano, a violin, THE ENDING IN THE BACKGROUND, a calm ost, JJK has tremendous osts, let's not forget, they could have done it easily, OR JUST SILENCE WOULD HAVE FIT MUCH BETTER, god, no, I still can't accept it. Well, aside from this, which was at the end of the episode BUT IT WAS NOT MINOR. The episode itself I liked, haha, yes, it seems like I'm joking, but aside from what I mentioned above, I liked the whole episode because the incident occurs at the end of the episode. I've read that they practically had no time to do it, so I applaud the animators from here. Perfect in terms of the entire technical department. I feel like I repeat myself too much saying that the animation is good, but I think I don't do it enough. The Sukuna vs. Mahoraga fight was incredible. Someone on Twitter mentioned that in one of the buildings that appear so much in the fights, there are measurements of the entire Mappa animation sector, that is, where they were practically working. I like that as a detail.
A detail that I really like in this fight is showing the people taking refuge and hiding. This gives much more impact to the fact that it shows how Sukuna is destroying the entire city and everything he's doing. It's directly showing that he's killing thousands of people, and the worst part is as if he's killing them as a byproduct of the fight, nothing more. This is better in the anime. Besides, in several sequences, you see people dying in the middle of the fight, giving it a nuanced touch. The OST is also excellent, tremendous animation, as I always mention throughout the fight sequence. It reminds me a lot of the second season of Mob Psycho, the episode that is incredibly animated (I think it's episode 5 or around there, but you know which one I mean), and I love that it only reminds me of that episode and I love it. Just applause, applause for the animators for the little time they had and what they achieved. And my father appears in the background, Nanami. I also like the beginning of the fight, how he summons Mahoraga and practically says: well, I summon him, he kills me, but he kills you too, and let's just wreck this creature.
Chapter 18: Well, in this chapter, they learned to use silence throughout (both at the beginning and in some parts with Nanami). Even if it wasn't animated or directed in the best way, I'll touch on that topic. Nanami's death is very well done with the silences, and that soundtrack hits hard in the heart, everything is very well done. Itadori vs Mahito, the fight itself doesn't seem bad at all, to be honest. It has some very good shots, BUT sometimes, the action isn't very clear; you don't know where the hits are going, and it feels a bit strange. Although I liked the fight itself, especially considering the animators had very short delivery deadlines, and not only that but this entire fight is original to Mappa, not in the manga, so I don't complain so much. Towards the end of the chapter, Nobara encounters Mahito and gives him a couple of cuts. Nobara's shots were very well done, and that whole part was very well animated, to be honest. The chapter wasn't that bad; the important thing was Nanami's death, and they portrayed it very well, focused on it.
Arguably, this is the best part of the Jujutsu Kaisen chapter, Nanami fighting while imagining himself on the beach, at peace with himself, to finally give us a warm smile and say goodbye to Itadori... In the manga, Nanami's death is cruel and unexpected. The impact is felt more from Yuji's side. In contrast, the anime gives us a deeper understanding of Nanami's desire, to have his own peace. It's quite nice to get different feelings from the same product.
Chapter 19: I loved this chapter. A quite bold chapter if I have to describe it in some way, as it removes a character from the trio of protagonists right in front of Itadori, who couldn't even process what happened with Nanami, and now this happens to the other. Very good writing in this chapter by Gege. The flashback itself, I feel, is a bit forced, like from the very second it appears, you know what's going to happen, and they try to make you shed a tear with the typical anime cliche of a character about to die and they bring in their childhood friends. Despite sounding like I'm complaining about this, I think the flashback is quite well done, not very bad nor very good, a bit forced as I mentioned, but not unnecessary. Perhaps it felt a bit long to me, but overall, very well executed.
Anyway, I talked about Nobara but didn't mention the beginning of the chapter where Nobara faces a copy of Mahito and Itadori faces the real Mahito. Here, I want to highlight the good animation and choreography in both fights, especially Nobara's. Everything I complained about in the previous chapter, where nothing was clear, was absent in this chapter, and it felt much better. Well done, Mappa, very well animated, and surprisingly, they put a lot of effort into the flashback as well. Good animation and tremendous backgrounds in the flashback. Also, in the fight, there were some amazing shots, like when you see all the nails on the floor as Nobara approaches. The entire sequence is excellent.
Itadori had good exchanges of blows with Mahito that I really liked, and the fight ends with Mahito touching Nobara. They show us the flashback mentioned earlier. The entire sequence of what happens, the climax of everything, the scene, everything feels dark, cold, with a glimpse of all the people Nobara met in the chairs. You see her as a child, and from one shot to another, you see her falling, you hear her body hit the ground, the silence is deadly, the camera pulls away, and so does Nobara. It creates a great contrast with the sweetness of the flashback, very well done. AND THERE'S SILENCE; I CAN'T BELIEVE THEY DIDN'T PUT IN THE OPENING, THIS IS HOW IT SHOULD BE DONE. The chapter had good sound as well. Brilliant direction. Everything was perfect, from the soundtrack to the entire team. Thanks to everyone involved. Simply cinematic.
'Itadori, tell everyone... it wasn't that bad.'"
Chapter 20: Pfffff, these last two chapters were 10/10 in everything. Well, let's discuss the chapter. It starts with a flashback of the trio, or better said, ex-trio, recalling one of their happy moments. The scene abruptly shifts from a cheerful moment to the supposed corpse of Nobara. Clarification: I say 'supposed' because even in this chapter, they say, 'Maybe she's dead, she might be saved, but don't get your hopes up.' And that phrase GENERALLY means she's coming back. This isn't a spoiler since I'm not up to date with the manga, but sooner or later, I have faith that she'll reappear, healed, traumatized, with a lovely eye patch—I have faith.
The entire chapter is well-directed (the Shaft director of the chapter, pfff, I love it, and it's quite noticeable). From the flashback to Nobara's corpse and all of Yuji's expressions, everything feels incredibly smooth. The animation played its role exceptionally well, and the noticeable strokes in the facial expressions are delightful—it lived up to expectations. Mahito's strikes feel like he's hitting something devoid of willpower and that can't resist any longer, accompanied by some illustrations of what he's saying (like the mountain of skulls, for example). The lighting in this chapter is also fantastic, illuminating the hallway when Mahito is hitting in complete darkness. Although the later lighting in the chapter is also good, we're still at the beginning.
BUT, when Mahito seems about to kill Yuji, MY ABSOLUTE F***ING DAD, MY BEST FRIEND, appears with that soundtrack playing—INCREDIBLE. He finds Yuji completely devastated and quickly helps him recover to resume the fight. I love Todo's ability, and the animation does it justice; you don't feel lost at any moment as he changes positions, all accompanied by a tremendous OST. Everything flows incredibly smoothly, and the fight shifts positions for Yuji to enter and give a massive punch to that guy.
Following this, we move to a flashback where Miwa and the robot have a conversation where Todo's involvement is explained a bit. The robot bids farewell to all of them. We quickly return to the fight we were watching earlier, and I already mentioned that the animation here looks fluid. Well, I think I've said it a few times, but let me say it once more—what animation! The lighting shifts from yellow when they're in Shibuya to blue when they break everything and are underground, giving Mahito more prominence. It makes him look more imposing, as if he's playing. The final scene has a soft greenish tone, almost dark, where the light is barely visible, creating a feeling as if they were practically in the sewers. It ends with the last scene featuring immersive fire, as if the background wants to tell us that they're in the very depths of hell.
Apart from playing with colors and palettes in each scenario, the lighting also varies within each scenario. For example, when Todo enters the curse train that Mahito creates, the inside looks as if it's inside a living being, while Mahito is lit with a greener and soulless light (as if the way Mahito is illuminated represents his soul, if I can explain it, but I love this). Doing all of this feels dynamic and perfect. They even recreate the original manga panel with the three of them in the final pose. It ends with Mahito unleashing an attack that destroys part of Shibuya, releasing a horde of curses. Simply beautiful, the entire technical aspect, the story, the adaptation—everything was brilliant. It's complete madness what they did, all of this in such a short time, and I love it, especially that it works so well. My hats off to the animators.
Chapter 21: Satisfaction in this chapter for the beating that Mahito received. The climax of the fight is in this chapter with its iconic panels as Mahito constantly evolves. He does the same as Gojo, the domain expansion in 0.2 seconds, almost killing Todo but leaving him totally incapacitated with only one arm and quite injured. I didn't expect that special sequence with Takada Chan. Many emotions in this tremendous chapter, which is a masterpiece. The technical aspect was excellent in this chapter—animation, almost dark lighting accompanying the background where there is nothing, I like that a lot, and the soundtrack, that's how I like it, not putting the opening...
Well, I got lost commenting on things. The point is that Mahito evolves constantly in the fight until he evolves into a definitive Mahito vs. Itadori with incredible choreography and tremendous animation against an all-black background, simply amazing. Both are quite worn out in the battle, both Itadori and Mahito. Just when it seems like Itadori is more affected, a character who seemed dead emerges from the shadows—THE CHARACTER TODO:
"An arm is just an ornament. The act of clapping is an acclamation of the soul."
And thanks to this tremendous moment (and a tremendous reference to HxH), Itadori can deliver the final blow to Mahito. Without any soundtrack or anything, the protagonist proceeds:
"Right, Mahito. I am you. I wanted to reject you, convince myself that you were wrong. But that doesn't matter anymore. I'm going to kill you. Even if you come back as another curse, I'll kill you. Change your name. Change your form. I'll kill you again. I don't need to find meaning or reason. Maybe a hundred years after my death, the meaning behind my actions will become clear. In the grand scheme of things... I'm probably just a cog. But I'll keep killing curses... as long as I can. That's my role in all of this."
Saying this speech almost expressionless, completely cold as if he were practically involved in causing Mahito to die in any way he wishes (and rightfully so). All of this is accompanied by the silence in Shibuya alongside the presence that Itadori imposes in this scene—cinematic moment of Jujutsu and a brilliant adaptation of this incredible moment. It was truly what I wanted to see. The wolf hunts the rabbit, a beautiful and entirely symbolic panel to the core.
Mahito's screams, completely terrified for his life, literally begging for his life, Itadori's determined walk fixed on his goal, the snow and silence of Shibuya, the rabbits and wolves representing the hunter and the prey, the resentment, the desperation, and the determination—all contribute to the absolute peak of Jujutsu Kaisen.
Chapter 22: God, the soundtrack in this chapter was incredibly solid, and the animation was top-notch, although during the Choso vs. Geto fight, there were attacks or hits that I didn't understand. Apart from that, which might have been just a few frames, the animation was very much up to the mark. There were some great shots, like the one of Miwa trying to strike Geto with a sword, and it breaks (useless till the end, like in the meme). Geto summons the Uzumaki spiral, a monstrous creature, and Miwa is in the background—this shot I really liked. They animated Itadori well, all bloody on the floor after Geto's hundred feet attack, although I didn't like the attack much as it seems to lack impact. The iconic panel of Itadori that I mentioned earlier is well-executed, and after that, Mahito leaves for the collection. Goodbye, my man, you were a great villain, but what makes you great is that you ended it here.
After all that, to no one's surprise, reinforcements come running... the Kyoto school... well, more than reinforcements, they are THERE. BUT, something interesting happens, and clearly, they are not who they seem to be. Choso discovers the revelation of who was actually in Geto's body: Noritoshi Kamo. He's an evil sorcerer from hundreds of years ago, apparently from the Kamo clan, labeled as the black sheep and broken, essentially. Choso falls under the influence of besto friendo, and now he's Itadori's big brother.
The fight between Geto and Uraume vs. Choso is so well animated. The fluidity is noticeable, especially with Choso's penetrating blood abilities, and then the blood appears on the floor, leaving Geto airborne. Geto summons some kind of flying manta ray, and then they engage in close combat, accompanied by that soundtrack that I love. The animation stands out, especially with the all-black background, making it look like they are in absolute nothingness when, in fact, they are in the middle of Shibuya or what was Shibuya.
NOTE: I continue to call him Geto even though I know it's not him, for better understanding. I won't change the entire text to his REAL name, and besides, I think it's clear when I refer to him that it's not him. Just a small clarification.
I like Uraume's ice ritual technique—the ability itself and how it immobilizes everyone, allowing Itadori to save his big brother with a kick and set him free. But when it seems like they're going to be crushed by the ice ritual, with a tremendous animated panel and beautifully executed lines, Yuki Tsukumo appears, and the chapter ends.
When I was reading this in the manga, I thought, "Here it comes. Now all the curses will be all over the world, and this is going to turn more into a dark fantasy apocalypse." I'm not up to date with the manga, but I would say it didn't turn out that way, but I'm not sure.
This episode was incredible; the pacing of the action and information in the script was on point. The OST, as mentioned above, was very good. The animation was a bit subdued at the beginning, but the fight between Geto and Choso was well executed. And Mahito's fate was very well written from start to finish, worthy of a villain.
LAST CHAPTER AND FINAL CONCLUSIONS: We've reached the end, I can't believe it. Well, there will be an overall conclusion at the end, but for now, let me share my thoughts on the last chapter and wrap things up. I think it was a very good conclusion to the arc. Geto cheated. He lied to us and Mahito's group when he said he wanted to help the curses, or rather, he never really stated what he truly wanted. Instead of a world where curses dominate, what he desires is a world in constant conflict and evolution, and now that Gojo is sealed, humans have lost their best card. By the way, Yuki looks fantastic.
And in the end, the one everyone was speculating about finally appears. Yuta shows up, where he was thought to appear earlier, but well, he arrives when everything is already over, confronting the higher-ups, claiming he wants to kill Itadori, or so he says. Itadori and Choso have a brotherly meeting.
A very solid and excellent season, hence the rating. Quite brave in the writing, Gege. Could it have been better? Perhaps, if Mappa's director hadn't reduced the staff by half and done what he did, it could have been better, but it lived up to being one of my favorite arcs and became a season I hold dear. Regarding the technical aspects, I've talked a thousand times in each analyzed chapter; needless to say, everything was impeccable, and the adaptation was very good. The pacing felt just right, and I enjoyed it immensely, which is the important thing, to enjoy and appreciate the art of this entire season. Impeccable overall. Hats off.
10/10
Review in Spanish
* Esta Review CONTIENE SPOILERS *
Bueno, la segunda temporada de Jujutsu Kaisen se divide en dos arcos: Hidden Inventory y el arco de Shibuya.
Estos dos arcos me los lei en el manga hace años y son de mis favoritos de todo JJK y en general es de mis arcos favoritos, cuando anunciaron esta temporada era lo que mas estaba esperando de todo lo que hay de anime. Voy a comentar, analizar, opinar y varias cosas mas que no se si puedo poner que me parecio toda esta temporada o esta obra maestra de temporada mejor dicho.
Hidden inventory: He de decir que hubo un cambio de director de la primera temporada a la segunda. El cambio de dirección de Gosso (es su forma abreviada de decirlo, se llama: Goshozono, Shouta) se nota bastante a mí en lo personal me encanta la dirección que tuvo no solo este mini arco si no toda la temporada en general parece otra serie literalmente y me da un poco vibes de Chainsaw Man (por lo menos en este mini arco en concreto), quizás soy yo el que piensa esto pero bueno idk, dicho director es de mis favoritos, aprovecho a decir, ya tenía experiencia trabajando en JJK, ya que fue el Storyboard del cap 17, y dirigió algunos capítulos de la primera temporada, que estuvieron animados re bien y estuvo implicado el (tambien trabajo en el cap 8 de CSM, en el 4 de Mob Psycho, el famoso cap 21 de Ousama Ranking, estuvo prácticamente en los mejor capítulos por lo menos hablando técnicamente de cada serie), pero bueno ya esta mucho Gosso volvamos al arco. Tanto el Opening como el ending de este mini arco me encantan aparte el ending va muy acorde al arco, como lento pero triste por un el pasado de Gojo del único amigo que tuvo y se fue por sus ideales me encanta me dan esas vibes el ending. La animacion es una locura la verdad, me encanta como encaja tan bien el escenario de 2006. Simplista, tonto y encantador en momentos funny y mas allá de eso está muy a la altura dicha animacion, la pelea que tiene en el capítulo dos con un random de la máscara vs Gojo esa coreografía me encanta. El ost que me encanta muy solida la banda sonora.
El capítulo tres aparte de lo que comento arriba de la dirección que no tuvo sentido en este capitulo en todo el buen sentido lo que hizo al final de este mismo con meter el ending, los seiyuu HERMANO los seiyuu hicieron un trabajaazo con la piba llorando tendiéndole la mano para cortar con el tiro y cortar con la música y todo, fue increíble la música, los planos del acuario, planitos de ellos recorriendo todo un parque con flores que fondos DIOOOS como me encanto todo este capítulo mira esos fondos, todo lo de Gosso no está teniendo sentido la verdad nunca dude. La banda sonora está siendo una cosa totalmente superada por la de la primera temporada por lo menos en estos primeros capítulos y hasta donde se, parte del staff solo 1 de los 3 compositores que hay en este temporada estuvo en la temporada pasada increíble la verdad el trabajo de estos tres muchachos, al principio del cap gojo resolviendo todo una trama que parece que iba a desarrollarse más pero al final NO PUM toma y ya rescatamos a la maid bueno pasa lo que comente arriba lo de los fondos guardaespaldas llegan a la guarida de Tensen para entregar a Riko y aparece mi PADRE Touji QUE PELEA DIOS MIO QUE INTENISIDAD QUE ANIMACION GOSSO CINE que ojos que tiene Gojo me encanta y toda la sangre y cuando está casi muerto. Definición de cine.
El capitulo 4 estuvo increible tambien pero no igual que el tercero el tercero es una cosa como pongo arriba en el texto. Y ya llegados a este punto de la temporada te das cuenta que tiene otro estilo totalmente diferente otra vibes esa seasson que me encanta. Me gusto este cap en cuestion de peleas Gojo vs Touji dicha pelea para mostrarte el morado con una hermosa banda sonora mientras pasa todo esto y en el cap en general y a Gojo se ve bastante perdido en la mirada que bien dirigido en cuestion de todo. Me encanta como esta en el cielo como parece que esta por tan por encima de Touji… y ya que estamos hablando de Touji. Creo firmemente que Toji también cargaba con un peso psicológico muy fuerte. Él había sido maltratado y repudiado toda su vida por su familia y constantemente se le trató como si no valiera nada, el haber conocido a Gojo lo hizo sentir miserable consigo mismo porque Satoru era un prodigio, había nacido con suerte, dones y una técnica muy poderosa, todos amaban a Gojo, Gojo no necesitaba probar de que era capaz a diferencia de él que constantemente luchó por tener aprobación, propia y ajena, Gojo era lo que el hubiera deseado de si mismo porque constantemente era referenciado como el hechicero más fuerte, para el, la carga mental de eliminar a Gojo era eliminar lo que lo acomplejó toda su vida, demostrarse a sí mismo y a los demás que era capaz de más. El error de Toji fortaleció a Gojo, y la tristeza que debía cargar fue algo que permaneció solo para el propio Toji.
Que personajazo que es Touji de mis personajes favoritos de JJK y eso que aparece poco pero lo que aparece destaca. Fue repudiado por el clan Zenin por no tener energía maldita, de igual manera el mismo clan sabia que era una máquina de peleas (y de matar) lo echan igualemente por tenerle miedo y cosas del prestigio del clan y mas huevad*s Y AL FINAL termino siendo el ser humano mas fuerte sin energía maldita y con dos huevos. Me encanta que mas adelante de irse del clan deja su apellido del clan y toma el de su esposa Fushiguro y se va laburar de asesino y tiene el apodo de “el asesino de hechiceros” que apodo que impone. Aparte de todo lo que mencione era una persona brillante en todo los sentidos no solo en destreza, fuerza sino también en inteligencia. Todo el plan que ideo para matar a Gojo, lo del tiempo limite de la recompensa para extenuarlo, el idear todo un plan y estrategia para vencerlo y para agarrarlo con la guardia baja una vez terminado el tiempo para luego idear todo el plan para matar a Rika me parece brillante. Y lo que mas me gusta es que lo hace ver a Gojo el personaje mas roto de todo el anime posiblemente como si fuese un niño ya que si Touji no le hubiera dicho todo el plan el ni siqueira se hubiera dado cuenta hablo de cuando saco la recompensa y todo eso pfff que personajazo. Una excelenete escritura tanto de personaje como de lo que hizo para vencer a Gojo, el como mato a Rika de una sin charla sin nada apareciendo de las sobras para cumplir su trabajo ASI SE HACE, hasta no haberlo matado a Geto para que no libere la maldicion ese que le daba un poco de miedo porque no sabía que hacía. Impecable personaje.
Bueno ya que nos desviamos demasiado les comento mis personajes favoritos de toda la temporada y en general: Touji, Gojo, Nanami, Itadori, Maki (aunque ella esta un poco por lo que pasa después de todo esto pero tiene que estar Maki) y pondira a Sukuna también me gusta como impone pero siento que me falta algo para el pero serian ellos básicamente. Me encantaría seguir con cada uno de los siguiente personajes pero siento que me fui demasiado por las ramas y sigamos por donde estábamos aparte que ya les va a llegar su momento a cada uno.
Ultimo capitulo del mini arco: comienzo el capitulo y ya paso un año desde la pelea del cap 4 y Gojo ya es el mas fuerte de todos y Geto ya se está cuestionando todo teniendo tanto tiempo solo y habiendo tantas maldiciones a raíz de todo lo que paso parece que hay una plaga y se cuestiona que para que sirve hacer todo esto si al final se mueren todos. Después aparece una waifu y le dice dos maneras en las que no hallas espiritus malignos la humanidad: una que la humanidad controlo la energia maldita y otra que sean como Touji entiendo
bueno termina el capitulo con una direccion espectacular para lo que es el manga que era puro texto y estan hablando todo el tiempo y Gosso juega con la direccion a todos los sentidos con los aplausos transición de la lluvia los planos funny y animacion fluida con una buena direccion y muy buen ost y contraste. Geto se cambia de bando chocando con la ideología de Gojo y en medio de la calle nos deja una frase icónica:
”Eres el más fuerte por ser Satoru Gojo o eres Satoru Gojo por ser el más fuerte ”
me gustó mucho el capítulo y este mini arco del pasado de gojo es espectacular el cap 3 sigue siendo mi favorito de todo el arco porque no tiene sentido y el 4 es especular también pero no a al nivel del 3.
El incidente de Shibuya: Que eterno se me hizo el parón de un mes pero volvió con EL arco. Bueno el capitulo seis arranca con que quieren recomendar al trio protagónico para ser hechiceros de primer grado básicamente son los que enfrentan a los bichos fuertes. Pero para ser hechiceros de primer grado no basta solo con la recomendación, si no también en cómo se desarrollan en dicha misión y lo que hacen para que te puedan ascender . Después el resto del cap se resume en la piba esta de la infancia que le gustaba Itadori pero no le dice nada. Por cierto pense que dicho personaje se habia puesto por algo o que iba a tener mas relevancia no se si en este arco pero mas adelante pero no ajsdja gege lo puso ahí para rellenar calculo para ver un poco el pasado de itadori quizás? No se, bastante irrelevante todo eso pero en fin. La otra mitad del cap parece que hay un topo ,que en realidad no es topo pero eso se sabe después , y es mechamaru, tiene info de shibuya y se la quiere llevar a Gojo. Cuestión que no puede ya que Geto y Mahito no lo necesitan mas y pelean. La animacion y direccion ,gosso cinema, sigue solida en este punto. Y hay opening nuevo que del primer momento que lo escuche me encanto y el ending va perfecto tambien acorde al arco, tambien tengo que decir que el ending me gusto mas al final pero no me disgustaba.
Los dos próximos capitulo estuvieron maso menos. Bueno, el 7 fue más introductorio estuvo la pelea de Mechamaru vs Mahito que estuvo muy bien animada y creo que rellenaron un poco con la animacion, ya que no me acordaba que era tan larga la pelea en si en el manga, de igual manera no me quejo ya que dicha pelea estuvo muy bien animada con referencias a otros animes y planos destacables. El resto del cap es una cortina que ponen en Shibuya para que la gente se quede atrapada, dividen en varios grupos para que entren en dicha cortina. Y Gojo entra solo a Shibuya en este capítulo. Sali de ahí máquina. Y como marco arriba este cap fue muy introductorio y el que le sigue estuvo demasiado flojo diría que es el peor de todo Shibuya ya que básicamente se resume en la pelea con el saltamontes ese que a Gege le pareció una buena idea explicarme todo el proceso de apareamiento y demás cosas que me estaba durmiendo pero lo salvo gojo sacándose las vendas de los ojos y mirándolos con cara de los voy a hacer mierda, también me gusto como lo retienen a Gojo y como pasa toda la sangre con el poder de Choso, pero nada mas dos capítulos muy bien adaptados porque pasa tal cual en el manga pero sin mas acá no fue culpa de Mappa estos capítulos, sino de Gege.
Capitulo 9 y 10: Los dos capítulos muy bien a diferencia de los otros dos que comento, estos dos estuvieron mucho mejor en cuestión de todo: animacion, dirección, ost. La banda sonora del piano mientras Gojo se baja a todas las maldiciones en medio de toda la multitud esa, impecable, como usa la expansión de dominio durante 0,2 segundos que es el tiempo que aguanta la gente normal y bajandose a todas las maldiciones (que nos dio un buen meme por cierto), cuando sellan a gojo supieron replicar muy bien lo del manga y hasta mejorarlo con el silencio y todo el plan en si, y buena banda sonora especialmente, el pianito cuando gojo queda sellado ahi totalmente inmóvil y se revela que en realidad no es Geto el que ve con unos planos bastante destacables, impecable, una muy sabia decisión por parte de Gege el sellarlo, ya que yo, y mucha gente que conozco también, se preguntaba el que iban a hacer con Gojo? Porque okey es la persona mas fuerte de todos pero como iba a hacer gege para que esto no sea cualquier cosa y la verdad que me callo la boca e hizo una muy buena escritura por su parte ante todo esto muy bien y solo esta arrancando el arco lo mejor.
Bueno, luego de todo esto hay una BARBARIDAD de texto que lo salva la dirección de Gosso por suerte pero bueno texto IMPORTANTE lo bueno y no texto al pedo como el saltamontes ese y mucha preparación de todo lo que va a pasar, tengo que decir que cuando itadori mata las maldiciones se veían un tanto raras pero no me quejo son unos randoms (aunque la animacion de todo el brazo estuvo muy fluida la verdad, no me estoy quejando de la animacion aca) y aparecio EL personaje Nanami, otro de mis personajes favoritos de JJK.
Ya que hable de Touji me toca hablar un poco de Nanami. Es todo lo que esta bien en un personaje para mi, tiene carisma, es super importante para la tramada, nada de lo que ocurre durante el desarrollo de su historia se siente forzado, el diseño estas tremendo, su personalidad en fin es EL PERSONAJE. Su introducción de la primera temporada me encanta, como odia trabajar con horas extras y se lo impone en su ritual a modo de restricción de que el tiene menos fuerza en horas laborales pero cuando trabaja horas extras desata todo su poder esto es brillante ya que si tarda mucho el combate es porque realmente le cuesta y mientras mas largo se haga mejor para el, un plus para matar rápidamente a cualquier maldición que se le ponga difícil. También otra cosa que me gusta del personaje es que se fue de la hechicería para irse al mundo de los negocios pero se dio cuenta que no llenaba eso, no le alcanzaba le faltaba algo, se dio cuenta que en verdad le gustaba ser hechicero bueno en realidad le parecía una cagada desde una mirada objetiva pero a el le hacía feliz el poder ayudar a personas y eso me gusta que le parezca malo el trabajo pero que lo siga haciendo igual porque te sentis realizado. Mas adelante voy a seguir hablando de Nanami me parece un personajazo y hasta de como termina me encanta.
Los tres capitulo que vienen son una cosa. El mas flojo es el 11 ya que la dirección acá me fallo siento que estuvo medio raro, en algunos momentos destacaba algún que otro plano lindo dibujado pero en otras no se entendía nada hacia donde estaba dirigido los puñetazos o el impacto de los mismo no se sentía nada. Demasiado floja la pelea en si pero por tema de dirección mas que por animacion el manga aca esta mucho mejor esta pelea pero igual me da un poco igual. Reviven a Touji, miren que a mi en lo personal ODIO que revivan a los personajes pero acá Gege le da cierto sentido ya que solo pueden revivir a alguien que no tenga energía maldita por el poder de la abuela esa así que está bien escrito y aparte aparece bastante poco así que no me estaría quejando. Y también aparecen Maki y Nobara peleando contra el loco de la espada que no me acuerdo su nombre pero que desde este capítulo quiero que se muera. Y por suerte aparece Nanami a hacerlo pure básicamente, y durante todos los golpes que le está dando que bien dibujado que esta Nanami. Y a su vez, en el otro extremo están peleando Itadori vs Choso. Como me gusta el diseño de Choso me encanta y he de decir que es un personaje que promete mucho en un futuro no se lo que pasa después pero promete. La pelea en si es un deleite audio/visual de principio a fin y algunos lo tienen de sus capítulos favoritos, no se si es mi capítulo favorito ya que hay tantos buenos en este arco que es complicado quedarse con solo uno pero es un 10/10 este capitulo en todo el apartado técnico (ost, animacion, dirección) también la paleta de colores en esa pelea me gusto cuando entran en los baños como se ilumina de rojo a itadori y de un azul a Choso y la iluminación también todo impecable todo eso. Algo que se me olvido comentar y que este capitulo me hizo acordar es que el escenario juega un papal muy fundamental no solo en esta pelea (como se van cayendo los carteles, o cuando explican algo y te lo muestran con un aviso de fondo en shibuya, la iluminación en si como se van apagando todo) sino tambien en varias mas en la anterior de nanami jugaron con el escenario con la electricidad en la pelea de gojo cuando se bajo hanami y lo remato como que hubo un segundo de corte de luz me gustan esos pequeños detalles.
Capítulo 14: El segundo peor capitulo en lo personal, de lejos y con diferencia. La pelea de la playa y todo eso en el manga me encanta se notan mucho los problemas que está teniendo Mappa con todo del staff que se fue la mitad y lo del contrato que le hicieron firmar a sus animadores para que no digan como estaban trabajando eso me parece horrible por parte de Mappa e innecesario porque lo estabas haciendo bien!! a ver se deja ver el capítulo pero fue bastante mediocre todo la animacion y con mucho contraste demasiada luz, muy flojo los bichos animados, la dirección también bastante rara. Lo destable acá es la banda sonora siempre solida estuvo muy bien y el principio del capítulo no estuvo nada mal hasta el opening. del opening para adelante es horrible, en el manga el pulpo con el que pelean impone un montón y en el anime parece un chiste. nota de aclaración: el director del cap puso tweets diciendo la pésimas condiciones de trabajo así que la culpa de esto es 100% a Mappa por hacer todo esto y no darle los tiempos a los animadores y directores no les culpo a ellos soy perfectamente consciente de que son capaces de hacer absoluto arte pero los que están arriba no quieren, quieren el fast food y que salgan los capítulos y dinero que triste.
Capítulo 15 : Ahora sí, mucho mejor este bastante bien. Bueno, aparece Touji, que está bien que es mi personaje favorito pero es un guionazo que aparezca en medio de lo que abre megumin ajsdja pero bueno. Que dicha entrada de guionazo encima me gusta más en el manga pero buen en fin. peleíta de Touji contra el pulpo buena coreografía en la pelea y se lo baja fácil y después lo manda a volar a Megumin. Después aparece Jogo y SUPUESTAMENTE mata a todos y va a darles los dedos a itadori para que despierte Sukuna. Pfff como le arranca el brazo a Jogo con esa mirada que le lanza y después matando a las otras dos y retando a Jogo estuvo muy bien el cap muy bien y en animacion/ dirección cumplió bastante mas en la pelea de Touji muy pocos altibajos como en el anterior muy bien sigan así espero.
Capítulo 16: Este capitulo se centra en dos peleas: la de Touji vs Fushiguro y Jogo vs Sukuna. Ambas me encantaron en cuestión de todo la pelea coreografía, animacion , direccion la fluidez en la animacion esta re bien lograda en este capítulo, hay escenas que en el anime están muchísimo mejor que en el manga como por ejemplo cuando Megumi invoca a todos los conejos y Touji se los baja de una, toda la pelea en si Touji estaba recontra re por encima de megumi en la pelea y lo mas importante de esta pelea en si, es que se muere, ahora sí, el mejor personaje de JJK Touji y de la mejor forma preguntado el apellido de Megumi, la manera en la que a Touji le regresa la luz a las ojos y sonríe al ver que su hijo no es un Zenin, el clan que tanto lo basureo, fue tremendo esa escena es sublime.
"No Zenin, ¿eh? Me alegro."
La sola existencia de Megumi, la mayor bendición de su vida, le permitió morir en paz. Dios este capítulo es de mis favoritos.
La pelea contra Jogo, o bueno… no se si decirlo pelea ya que Sukuna estaba jugando con el todo el tiempo. El escenario siempre presente (como comente arriba) , y en esta pelea más todavía, jugando un papel muy importante en esta pelea. Ya que se ve y te lo muestra de manera mejor el anime que en el manga como se destruye absolutamente todo al paso de la pelea poniendo detalles que me encantaron, como por ejemplo que pongan el medidor de temperatura justo después del ataque en el edificio ese y después de esto agarra los dos edificios y se los tira a Sukuna para que el los parta al a mitad por decirlo así. El escenario estuvo muy presente en este cap y quería recalcar esto y me encanta aparte que sigue esa fluidez que comento arriba en animacion el como corta los edificios como tira a Jogo de un lado para otro como si estuviera jugando Sukuna literalmente. Y todavía hay más encima porque Jogo le tira un puto METEORITO haciendo estallar media ciudad y antes de hacerla estallar la ciudad aparece Sukuna en frente de esos randoms y dice que literalmente que no se muevan hasta que el lo dice, la tensión que se siente ahí es tremenda, hermoso literalmente sukuna jugando con todo el mundo y los otros re cagados mal y si. Toda la coreografía de la pelea fue general y ver la muerte de Jogo con la famosa flecha animada adaptada como los dioses es simplemente genial. C A P I T U L A Z O.
Capitulo 17: No no no no no, porque Mappa PORQUEEEEE EL OPENING, LO ESTABAS HACIENDO MUY BIEN. ME DA IGUAL LA LETRA, NO PEGAAAAAAAA. No, es que no lo puedo creer arruinaron uno de los mejores momentos de Shibuya con el opening????? Es que literalmente no pega nada, la gente comentando es que letra no se que no se cuánto, a dale pone un tema de phonk metamorphosis y decime “no pasa que la letra pega por que esto y lo otro” NO, loco es totalmente ritmito el tema y no pega por eso, ya que es uno de los momentos más traumático del MC y vos pones un tema de Shakira waka waka y no pega por eso entienden?. Hubiera estado muchísimo mejor un piano de fondo tranquilo, un violín, EL ENDING DE FONDO, un ost tranqui que tiene tremendos ost JJK no nos olvidemos pueden hacerlo tranquilamente O EL PUTO SILENECIO HUBIESE PEGADO muchísimo mejor dios, no no lo puedo asimilar todavía. Bueno, sacando esto que fue al final del capitulo PERO NO FUE MENOR. El capitulo en si me gusto ajsdjas si parece que estoy jodiendo pero sacando lo que comento arriba todo el capitulo me gusto ya que el momento incdent ocurre al final del cap. Estuve leyendo que prácticamente no tuvieron nada de tiempo para hacerlo así que yo desde aca les doy un aplauso para los animadores. Perfecto en cuestion de todo el apartado tecnico ya siento que me repito demasiado diciendo que la animacion esta bien pero creo que no lo hago lo suficiente la pelea de Sukuna vs Mahoraga estuvo increible, una persona puso por twitter que en uno de los edificios que tanto aparecen en las pelea hay uno que estan las medidas de todo el sector de animadores de Mappa, es decir donde estaban trabajando prácticamente, me gusta como dato ajsdjas.
Un detalle que me gusta mucho en esta pelea es que se muestre a la gente refugiada y escondida por todo esto le da mucho más impacto el hecho de que se muestre como esta destruyendo toda la ciudad y todo lo que está haciendo Sukuna, te está mostrando directamente que está matando miles de personas, y lo peor es como si las estuviera matando de paso como si fueran efectos colaterales de la pelea y nada mas. Esto en el anime esta mejor, aparte de cómo te muestran la gente en varias secuencias se ve gente muriendo en medio de toda la pelea y le da un detalle. El ost también muy bien animacion tremenda como comento siempre en toda la secuencia de la pelea me recuerda mucho a la segunda temporada de mob psycho el capitulo que esta tremendamente animado(creo que es el 5 o por ahí pero saben a cual me refiero) y me encanta que solo me haga acordar de ese capítulo y me encanta. Aplauso simplemente aplauso para los animadores por el poco tiempo que tuvieron y lo que hicieron. y aparece mi padre de fondo, Nanami. Me gusta tambien el inicio de la pelea como invoca a mahorada y dice prácticamente: bueno. lo invoco, me mata, pero tambien te mata y que haga mierda todo este bicho ya ta.
Capítulo 18: bueno en este capitulo aprendieron a poner silencio en todo (tanto en el inicio hay silencio y en algunas partes de la Nanami). Aunque no estuviera de la mejor manera animado o con la direccion, ya voy a tocar ese tema. La muerte de Nanami está muy bien con los silencios y esa banda sonora tocaba muy fuerte en el corazón, todo muy bien. itadori vs Mahito la pelea en si no me parece muy mala la verdad tiene algunos planos muy buenos, PERO a veces, la acción no se entiende muy bien los golpes como que no sabes a donde van y se siente medio raro aunque me gusto la pelea en si y más si los plazos de entrega de los animadores es muy corto bastante que pudieron hacer algo, y no solo eso si no que toda esta pelea es original de mappa no está en el manga así que no me quejo tanto. Por el final del capitulo en si, Nobara se encuentra con Mahito y le hace un par de cortes Nobara los planos de nobara estuvo muy bien y muy bien animada toda esa parte la verdad. No estuvo tan mal el cap lo importante fue la muerte de Nanami de este cap y lo reflejaron muy bien muy bien como lo enfocaron.
Probablemente esta es la mejor parte del capítulo de Jujutsu Kaisen, Un Nanami mientras pelea imaginándose en la playa, estando en paz consigo mismo para al final darnos una cálida sonrisa y despidiéndose de Itadori...
En el manga la muerte de Nanami es cruel e inesperada. El impacto se siente más desde el lado de Yuji. En cambio, el anime nos da un entendimiento más profundo del deseo de Nanami, tener su propia paz. Es bastante lindo conseguir diferentes sensaciones con el mismo producto.
Capítulo 19: Este capítulo me encanto. Un capítulo bastante valiente si tengo que describirlo de alguna manera ya que se saca de en medio un personaje del trio protagonista enfrente de itadori que ni siquiera pudo procesar lo de Nanami y ahora la “mata” a la otra. Muy buena escritura de este capítulo por parte de Gege. El flashback en si siento que esta puesto un poco forzado como que desde el segundo 1 que aparece ya sabes lo que va a pasar y tratan de sacarte la lagrimita para que veas con el típico cliche del anime de que un personaje está a punto de morir y te ponen a sus amiguis de la infancia a pesar de que parece que me estoy re quejando de esto creo que esta bastante bien el flashback ni muy malo y muy bueno un poco forzado por lo que comento pero tampoco innecesario quizas se me hizo un poco largo pero muy bien.
Llegue al limite de texto en MAL ni siquiera sabia que habia pero bueno son como 30 paginas de word asjdas, en la version en ingles sigue la review, traduzcan. Perdon si fuera por mi la subiria entera.
Dec 28, 2023
Jujutsu Kaisen 2nd Season
(Anime)
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Recommended
*** This review contains spoilers ***
Review in English and Spanish – Below is the same review in Spanish Well, the second season of Jujutsu Kaisen is divided into two arcs: Hidden Inventory and the Shibuya arc. I read these two arcs in the manga years ago, and they are among my favorites in all of JJK. In general, they are some of my favorite arcs. When they announced this season, it was what I was looking forward to the most out of all the anime. I'm going to comment, analyze, share my opinions, and several other things that I'm not sure if I can mention ...
Reviewer’s Rating: 10
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Dr. Stone: New World
(Anime)
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Not Recommended
This review CONTAINS SPOILERS
Review in English and Spanish Yes, this third season is the worst of Dr. Stone. But well, briefly, I want to explain what the first season was and why I think this way: At the time, when the first season came out, I remember that only the idea of the series caught my attention: humanity petrified and practically returned to the Stone Age, and the protagonist would have to save humanity by depetrifying everyone. It was a spectacular idea that immediately grabbed my attention, and it's true, I personally love the first season and recommend it to everyone. It feels like a breath of ... fresh air in the shonen genre. It's interesting to see how the protagonist is rebuilding humanity from scratch. Apart from all this, the pace of the series never felt slow or too fast to me. The good OST and memorable moments like Christmas or when Senku climbed on top of the to chrome's house and illuminated it, or even when they made the cell phone—wow, that moment blew my mind. Not only making a cell phone in the middle of the jungle but also the whole process to achieve it. It was the only series that made me think about how much effort it takes to accomplish something, to what extent humanity has gone. And it also provides you with information that, on more than one occasion, left me thinking, "How interesting, let's see how they make this thing." (Well, I watched it a while ago, and it's true that not all explanations were interesting, and sometimes they explained things like making soap, but you get my point.) In summary, I've gone on too long, but the first season is fantastic. It has a good pace, a good OST, tremendous moments, few but well-developed characters like Senku, Kohaku, and Gen, among others that I may have missed, and they know how to handle the moments. I would really like to talk more about Senku and Kohaku, who I think are great characters, but I would go on for too long. My point is that what they tell me is INTERESTING. As you can see, I loved the first season, and unfortunately, the next season (Stone Wars) seemed quite average to me. At first, I liked the idea of two factions with different opinions and perspectives fighting each other, but in the end, it felt too much like a typical shonen, and that's not what I was looking for. I wanted it to return to being more like the first season, and in this season (New World), they leave all of that aside, and I said, "Well, NOW it's going to get good. It's going to be like the first season, right?" Well, now, after this long introduction, I'm going to comment on each episode and what I thought of this season: The first three episodes were entertaining, despite their illogical aspects. The second episode ends with Senku referencing the famous photo of Albert Einstein, and that moment was good, to be honest. But that's not relevant. I want to comment on two things from this episode. First, I have no idea how the hell he made a camera. He explained it to me and everything, but I said, "Well, whatever you say, Senku." And the second thing is when the girl approaches him and asks for a favor in exchange for nitroglycerin liquid (which she had). I thought the girl wanted a dildo, to be honest, the way she asked for it. I can't be the only one who thought that, please. Aside from those points, the exploration chapters with the cameras were not significant. Chapter three liked me at the time, but now that I finished the series, it left me indifferent. It was quite obvious that they were going to leave the subject aside, but I had faith that they would work more on the petrification theme. It was the first time they touched on it seriously with that cliffhanger at the end of the chapter. Except for that scene, the chapter was quite relaxed and entertaining, disregarding the ridiculous things that happened, like the boar pretending to be a friend and the chef who always seemed to have everything prepared. It felt like watching a childish cartoon where there aren't many explanations for the events, just for the sake of comedy. But honestly, it seems quite ridiculous to me (I didn't investigate much about it, but maybe it's because it's aired on Cartoon Network and they add these elements. I'm not sure). From chapter 4 onwards, I realized that this season was turning out to be very bad, to be honest. Saying that Senku is a walking Wikipedia falls short; he's a walking internet. The guy is not just a scientist; he is whatever the plot needs him to be: an engineer (in all branches and variations), a physicist, a mathematician, a DOCTOR (who even does medicine out of thin air on the ship in chapter 6, now he's a doctor), a nurse, WHATEVER THE PLOT NEEDS, Senku will be it. Calling him a walking Wikipedia falls way too short; he's a walking internet. This was somewhat true in the first season, but with a bit of chemistry and scientific stuff. But in this season, THEY WENT OVERBOARD. Senku is just too much. Going from one chapter to another, advancing to the industrial era as if it were nothing, pulling inventions out of nowhere. Senku, besides that, every two minutes of the chapter, they say, "Look, another discovery," and add some comedy. I don't know, it felt like they were speedrunning through the story. Where did the mystery from the previous season go? What about the interactions with the characters or the step-by-step discovery process, where you see them fail 500 times but keep trying, like in the first season? Here, there's a discovery every 3 minutes, and in one chapter, we jump to the industrial era. And if you blink for two seconds, we're already in the modern era. God, it's disgusting. In chapters 5 and 6, I officially realized that the adaptation was being bad. Everything felt rushed, especially the backstory of the bald guy on the ship (I don't remember his name) and the CGI ship. God, it looked horrible, THE SHIP, how ugly it was. And supposedly, it's something that appears briefly. What would it cost to animate it properly, even if it's just for the presentation? Speaking of the ship, it's an excuse to get rid of all the secondary characters and leave only the main characters on the ship. THANKFULLY, THIS HAPPENS because there were still too many secondary characters. In the first season, there were only a few standout characters, and there was time to develop them properly. In this season, it's like this: a character appears, says two sentences (maybe accompanied by a joke or not), and that's it. It's like they're showing you, "DON'T FORGET THIS CHARACTER. Look how funny it is," and then quickly move on to the next invention. We have 11 episodes, and we're not getting anywhere. WE'RE NOT GETTING ANYWHERE, COME ON. I'll comment on something positive while I'm at it. The ending song is awesome. At first, I didn't pay much attention to it, but after hearing it so many times, it's one of the best things about this season. The opening song isn't that bad either. Chapter 7: I honestly didn't expect someone to have a tool to petrify people, and it leaves me with several questions. But to be honest, at this point, I was quite disconnected from the series. They arrive on an island and talk to a girl from the island they encounter (Amaryllis). Coincidentally, they speak the same language despite crossing the sea, and they are literally 3000 years behind civilization. But hey, they speak fluent Japanese, of course. Speaking of the girl, she's completely expressionless. Poor thing, she's with people who come from another island, talking about the secret of petrification and wanting to steal that tool. Senku says a lot of things that she should have no knowledge of, and at no point does she show surprise or, at most, distrust. It's like she already trusts them right away. My god. Additionally, the island follows the same modus operandi as Senku's island, with the same tribe that seems to emerge in the same way as Senku's island. They even have the same BRIDGE! The characters even look alike. God, build something different, at least. There's the palace, which seems different, and the tribe that appears to be different. You could have different aesthetics for the tribe, make it more related to another religion with different customs. Make it more attractive. It seemed like poor writing to me. But the worst part is not this; the chapter ends with Senku pulling tear gas out of his back to use against the guards. He just pulls it out of thin air, like the microscope, which they explain is a recycled invention from one of the 500 inventions in chapter 3. But for me, there's no excuse. How is he so prepared? It's like he can predict the future, Senku. Horrible, really. Chapter 8 was terrible, not only because of what I mentioned earlier, that I was completely disconnected from the series, but also because the pace of the series was bad. The way the characters interacted and acted was horrible. Amaryllis doesn't ask anything at any point, NOTHING, not even where they got that gas or what Senku is talking about humanity and what he says. The rest of the chapter is humor... they need to make the other girl more feminine, and I don't know, I'm falling asleep. There's a lot of humor, but I didn't laugh in any scene. But well, humor was never the strong point of Dr. Stone, not even in the first season that they talk so much about. The thing is, they need the laboratory that's on the ship, which is taken by the island people, with heavy surveillance all over the ship. What does one of Senku's genius crew members, Ginro (remember, he was hiding because he didn't get petrified as he was outside the range of that petrification tool), do? HE JUMPS OUT OF THE BARREL and starts jumping with his arms open in the middle of all the surveillance, "HEY, I'M HERE!" he seems to shout, and then he hides because someone sees him. Of course, it's obvious, AND HE GETS AWAY WITH IT. I can't believe it. What am I watching? I mentioned it earlier, but this is very childish, like a cartoon for kids, with bad writing. And those bad guys who took over the ship are the typical generic bad guys from the tribe. I'm sure that at the end of the series, there might be some kind of evangelization or something. God, horrible chapter. Chapter 9 and 10: Equally horrible, both of them. At this point, I considered dropping the series, but then I realized I only had two more episodes left, so I made a final effort to finish it. In this chapter, they recover the laboratory. How do they do it? Suika infiltrates and manages the laboratory, being practically blind, and out of nowhere, she finds time to go to Ginro and take him away. And get this, NO ONE NOTICES. Nothing makes sense in this episode. It was quite unbearable, very childish, and predictable in many instances. Horrible chapter. The last episode... well, it was a finale. It sums up everything I said before. I lost all interest in what was happening. The character who appeared in the third chapter, which seemed like it would bring answers about the petrification, never showed up again. Instead, this horrible plot appeared that I didn't like at all. This season is the worst of Dr. Stone by a wide margin. If they announce another season, I won't be following it. I've completely lost interest in a series that I used to enjoy in the beginning 5/10 *Esta reseña CONTIENE SPOILERS* Reseña en inglés y español Así es, esta tercera temporada es la peor de Dr. Stone. Pero bueno brevemente quiero explicar lo que fue la primera temporada y porque pienso de esta manera: En su momento, cuando salió la primera temporada, me acuerdo que solo la idea de la serie me llamo la atención la humanidad petrificada prácticamente volvieron a la edad de piedra y el protagonista tendría que salvar a la humanidad despetrificando a todos. Una idea espectacular ya solo eso me llamo la atención y es cierto la primera temporada a mí personalmente me encanta y la recomiendo a todo el mundo me parece un aire fresco al propio genero del shonnen es interesante ver como el prota esta reconstruyendo a la humanidad desde cero aparte de todo esto el ritmo de la serie no se me sintió en ningún momento lento o que iba demasiado rápido esto acompañado de un ost bueno y momentos memorables como el de navidad o cuando senku se sube arriba de la cabaña y da luz o sin más allá cuando hicieron el celular pff ese momento me voló la cabeza no solo por hacer el celular en si en plena selva sino por todo el proceso para llegar a hacerlo fue la única serie que me hizo pensar en el sentido de mira todo lo que hay que hacer para hacer tal cosa hasta qué punto llego la humanidad y aparte te nutre de información que en más de una ocasión o a mí personalmente me dejo pensando “que interesante a ver como hacen x cosa”(a ver bueno la vi hace bastante tiempo y es cierto que a veces no todas las explicación eran interesantes y había momento que me explicaban como hacer un jabón pero bueno se entiende mi punto). En resumen que me extendi demasiado que la primera temporada esta buenísima tiene buen ritmo, buen ost, tremendos momentos, los personajes había pocos y me los trabajan bien algunos como senku, Kohaku, gen un poco pero bueno que lo desarrollan y alguno que otro más que se me debe escapar y saben tratar a los momentos. Realmente me gustaría hablar más de senku y kohaku que me parecen buenos personajes pero me voy a extender demasiado ya que estoy analizando la primera temporada pero bueno se entiende mi punto a lo que voy es que lo que me cuentan es INTERESANTE. Como pueden ver la primera temporada a mí me encanto y la siguiente temporada (stone wars) lamentablemente me pareció bastante mid. Al principio me había gustado la idea de que bueno se peleen dos bandos con diferente opinión y puntos de vista pero la verdad a la larga me pareció bastante shonen y yo no estaba buscando eso yo quería que vuelva a ser más como la primera temporada y en la temporada que viene, es decir esta (new word), dejan todo eso de lado y yo dije bueno AHORA SI VIEJO ahora si se va a poner bueno va a ser como la primera temporada no? Bueno ahora si después de esta larga introducción voy a comentar capitulo a capitulo lo que me pareció esta temporada: Los tres primeros capítulos fueron entretenidos la verdad con sus cosas ilógicas pero bueno. El capítulo dos termina con senku haciendo referencia a la famosa foto de Albert Einstein que estuvo bueno ese momento siendo honesto pero bueno no viene al caso quiero comentar dos cosas de este capítulo. La primera que no sé cómo carajo hizo una cámara, me lo explico y todo pero dije bueno está bien lo que vos quieras senku y la segunda cosa cuando se acerca la chica a pedirle que le haga un favor a cambio de líquido de nitroglicerina (que tenía ella) yo pensé que la chica quería un consolador la verdad por como lo pide y todo no debo ser el único que pensó eso por favor. Dejando esos puntos, capítulos de exploración con las cámaras y poca cosa. El capítulo tres me gusto en su momento, pero ahora que termine la serie me dejo indiferente era bastante obvio que iban a dejar el tema de lado pero yo tenía fe en que se trabaje más el tema de la petrificación que era la primera vez que tocaban el tema enserio con ese cliffhanger al final del capítulo. Salvo por esa escena el capítulo estuvo bastante chill/entretenido haciendo omisión a las cosas ridículas que pasaban como por ejemplo lo del jabalí haciéndose el amigo y la chef que parecía que tenía todo preparado siempre parecía que estaba viendo una un cartoon infantil en donde no hay muchas explicación de los hechos si no más para hacer comedia pero la verdad para mi queda bastante ridículo (no sé no investigue mucho al respecto pero quizás es porque se trasmite esto en CN y agregan esto no tengo mucha idea). A partir del capítulo 4 es donde me doy cuenta que esta temporada estaba siendo muy mala siendo honesto. Senku me queda corto decir que es una Wikipedia andante es un internet andante. Literalmente el loco no solo es científico es lo que la trama necesite que sea: Ingeniero (en todas las ramas y variantes), físico, matemático , MEDICO (que encima en el capítulo 6 hace medicina de la NADA en el barco dios AHORA ES MEDICO), enfermero, LO QUE LA TRAMA NECESITE senku lo va a ser se queda cortísimo el termino de Wikipedia andante es un internet andandate. Esto en la primera temporada era un poco así pero con cosas un poco de química y científicas por decirlo de alguna manera pero en esta temporada SE PASARON es loco es demasiado senku. Que de un capítulo a otro avancen a la era industrial COMO SI NADA y sacándose inventos del culo senku aparte que cada dos minutos del capítulo te decían miren otro descubrimientos y algo de comedia y no se loco parecia que estaban haciendo speedruinning a la historia en donde quedo el misterio que había en la temporada pasada o las interacciones con los personajes o el hecho de hacer un descubrimiento paso a paso y que veas que fracasa 500 veces pero lo seguís haciendo como la primera temporada no nada acá hay un descubrimiento cada 3 minutos y en un capítulo pasamos acá a la era industrial y si te descuidas dos segundos ya vamos para la era moderna dios que asco de capitulo. En el capítulo 5 y 6 ya me di cuenta oficialmente que la adaptación estaba siendo mala la verdad todo muy apurado y rusheado tanto el pasado del pelado del barco que no me acuerdo su nombre, como el barco en CGI dios que horrible se veía EL BARCO que feo que es y en teoría es algo que aparece poquito que les costaba animarlo bien aunque sea solo la presentación. Que dicho barco es una re excusa para eliminar a todos los secundarios y que en el barco queden nada más lo personajes principales. POR SUERTE PASA ESTO ya que había un montón de secundarios igual sigue habiendo demasiados secundarios, en la primera temporada destacaban pocos no había nadie y daba tiempo para desarrollarlos bien en esta temporada es lo siguiente aparece un personaje dice dos frases (QUIZAS acompañada de un chiste o no)y ya esta es solo eso es como que te lo muestren como PERO NO TE OLVIDES DE ESTE PERSONAJE míralo que gracioso y dale al siguiente invento rápido sale que son 11 capítulos que no llegamos NO LLEGAMOS DALE Voy a comentar algo positivo ya que estamos el ending llegados a este punto está tremendo, al principio no lo escuchaba mucho pero después de escucharlo tanto, de lo mejor de esta temporada el ending y el opening tampoco esta tan mal. Capítulo 7: No me esperaba la verdad que alguien tenga como una herramienta para petrificar a gente y la verdad me deja varias preguntas esto pero para que mentir a este punto estaba bastante desconectado de la serie. Cuestión, llegan a la isla hablan con una chica de la isla que se encuentran (Amaryllis)casualmente hablan el mismo idioma a pesar de cruzado el mar y literalmente están 3000 años de lo que fue la civilización pero bueno el japones fluido claro, ya que estamos hablando de la chica es totalmente inexpresiva la pobre estas con gente que viene de otra isla que te hablan del secreto de la petrificación que quieren robar la herramienta esa y que senku dice un montón de cosas que ella literalmente tiene que desconocer y en ningún momento muestra sorpresa o A LO SUMO desconfianza es como que ya entra en confianza de UNA DIOS. Pero bueno aparte dicha isla tiene el mismo modus-operandi de la isla de senku la misma tribu que encima parecen surgir de la misma manera que la isla senku hasta tiene el mismo PUENTE! Hasta los personajes se parecen dios construime algo diferente que si que esta el palacio y que parece algo diferente la tribu. Podes poner otra estética diferente con relación a la tribu hacerla más de otra religión con otra estética con otras costumbres inclusive que sea algo más atractivo no se me pareció una escritura pésima. Lo peor no es esto si no que termina el capítulo con senku sacando gas lacrimógeno de su espalda para darle a los guardias, y se lo saca de la manga eso como también el microscopio que bueno que me explican que eso es un reciclado de uno de los 500 inventos del cap 3 pero igual para mí no hay excusa cómo es posible que estes tan preparado ya es que también lee el futuro senku. Horrible la verdad. El capítulo 8 fue horrible no solo por lo que comentaba arriba de que estaba desconectado totalmente de la serie, sino que el ritmo de la serie también estaba siendo malo los personajes el cómo interactúan y actúan es horrible, Amaryllis no pregunta nada en ningún momento NADA ni de donde sacaron el gas ese O QUE ESE EL GAS ESE que tienen o que habla senku de la humanidad y que carajo o palabras que dice senku que ella no tiene el conocimiento. El resto del capítulo es humor… con que necesitan hacerla más femenina a la otra chica y no sé qué me estoy durmiendo, bastante humor y no me reí precisamente en ninguna escena, pero bueno el fuerte de Dr. Stone nunca fue el humor ni en la primera temporada que tanto hablo. Cuestión que necesitan el laboratorio que está en el barco tomado por la gente de la isla con mucha vigilancia en todo el barco parece que ni puntos ciegos hay. Que hace uno del elenco del gran senku genio GINRO (que recordemos estaba escondido porque no quedo petrificado al no estar en el rango de la herramienta de petrificación esa) SALE DEL BARRIL y se pone a saltar abriendo lo brazos en medio de toda la vigilancia EH ESTOY ACA parece que grita y después se esconde porque lo ve alguien claro es obvio y SE LIBRA DE TODOO NO LO PUEDO CREER. ¿Que estoy viendo? Ya lo comenté arriba pero esto es muy infantil de caricatura para nenes con mala escritura encima que dichos malos que tomaron el barco por cierto son los los típicos genéricos malos de la tribu que seguro al final de la serie quizás hay una evangelización o algo parecido dios horrible capitulo. Capitulo 9 y 10: igual de horrible ambos en este punto me planteé dropear la serie pero me di cuenta que me faltaban dos capítulos e hice un último esfuerzo por terminarla. En este capitulo recuperan el laboratorio que como lo recuperan? Suika se infiltra y maneja el laboratorio siendo ella prácticamente ciega y de la nada le da tiempo para ir a Ginro y llevárselo. OJO todo esto sin que se den cuenta NADIE. No tiene sentido nada en este cap se me hizo bastante infumable también toda esa parte y muy infantil también y predecible en muchas ocasiones horrible cap. El ultimo capitulo bueno fue un final no saca todo lo que dije anteriormente poco que comentar ya que comento varias veces perdí total interés por todo lo que pasa el que aparece en el tercer capitulo que parecía que iban haber respuestas de la petrificación no apareció más y apareció esta trama horrible que no me gusto para nada. Esta temporada es la peor de Dr. Stone con bastante diferencia y por lo menos si anuncian otra temporada yo no lo voy a seguir más perdí total interés en una serie que al principio me gustaba. 5/10
Reviewer’s Rating: 5
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Bakemonogatari
(Anime)
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Mixed Feelings
*This review CONTAINS SPOILERS*
Review in English and Spanish Well I'm a little late to watch bakemonogatari but hey, the anime premiered when I didn't even watch anime *I started watching anime a year later (2010)* and currently that I'm watching a lot, they forced me to watch this because of a bet I lost. Before watching it, the little I knew about monogatari was op 4 “Sengoku Nadeko” and the famous toothbrush scene from the second season and the occasional YouTube video of the characters talking. In other words, I came with too low expectations and the truth is that I didn't really want to see ... it, but well, I also saw that it was some people's favorite anime, so I watched it and in the end it didn't seem so bad to me. But what is bakemonogatari about? Reading the synopsis of MAL and the very demographics of this, you might think that it is going to be some kind of epic series where there are demons, gods, spirits and that there is going to be a bit of romance. And... not really, it's not much less about romance and wanting to tell you something... let's see... I'm going to explain myself better. There is a LOT of TEXT, dialogues, conversations and so on in all the chapters, ALL of them, I would say that 90% of monogatari is talk, talk, talk? But talk about what? That's the problem, I don't have any problem with them talking all the time, but the vast majority of the conversations are irrelevant and are set up so that you sympathize with the characters, but the truth is that I can't do it with me or that's what I think why there is so much text. And besides, there was a band of repeated text with the same dialogues at times, or the same joke that the girl stuttered, or the same situations such as when Araragui-san gropes the loli or they simply fight and then the main character shits himself. Literally laughing at having won (this often happens or sometimes they just fight, it can vary), or also THE SAME CONVERSATIONS I CAN'T BELIEVE IT, I feel like there's a filler band in some episodes, maybe they spend 20 minutes talking about why the protagonist stayed with such a waifu and not with the other, BUT a minute after 20 minutes maybe they tell you ONE INTERESTING THING at the end of the chapter and you stay like ah well. Well, I lie the truth. There is only one chapter that made me sympathize with Senjougahara, which is the most rated chapter of bakemonogatari, the famous chapter 12. Well, the problem is precisely that that JUST in chapter 12 made me sympathize with her. You may be wondering and before chapter 12 what happened? Throughout the rest of the series this character behaves in a way that makes you think that it is better that he is not in the series, insulting the main character and having arrogant behavior, believing himself to be better at everything than the mc, apart from the fact that he feels a love reciprocated between the two characters as they do not love each other. Senjougahara feels that she is indebted to Araragui because she helped her with her supernatural illness and so they come out of it. Apart from everything mentioned, all this that I name that happens are the first chapters (the relationship thing and all that) then they leave the girl in the background, 40 more waifus appear and she appears in chapter 12 out of nowhere as HEY HELLO I'M HERE And clearly all the people who suffer from said supernatural diseases mentioned above have to be waifus girls so that the very same araragui-san has the harem and that he helps them all and say kiritio-kun. And as I said before, this disease thing is in the background because from one moment to another scenario and well now to talk, oh no, this girl is sick, well, don't worry, it will be solved in no time, now she commits 20 minutes of dialogue that it is not relevant at all. And well, since we're talking about the girls, let's talk about how I don't understand the characters. The main character is practically immortal and wants to fix everything by talking, one of the examples that occurs to me is when he wanted to talk about the illness of the girl with the monkey's arm WHEN SHE WAS POSSESSED and clearly she wanted him dead and the best she could That's what happens, oh no, but he hopes that the oshino friend just knew that this was what he was going to do and called Senjougahara to save him just in time... of course. My God, this chapter was a script as much as it has. And by the way, oshino can literally tell just by sight what supernatural disease he has, the crazy one is Dr.House from monogatari. Only that House is an infinitely better character than this character since only one knew how to diagnose illnesses but he was useless in everything else, but hey I went too far with this comparison perhaps. Apart from the fact that there is so much dialogue, no character was developed for me, they all seem to me to have 0 depth in ALL. Kanbaru, the girl holding the monkey's hand doesn't do anything other than spend more time with the main character than with her girlfriend and becoming a little obsessed with him. In one of the last chapters I remember that the main character calls her by phone to look for Shinobu and she literally says OKEEY TO UNDRESS I didn't understand that scene or maybe it's a type of humor beyond my capabilities. I think the humor of this series is sometimes very Japanese from old anime Ah, yes, and there's a lot of fanservice that doesn't help either... or yes... no lie, it doesn't help. And it doesn't help those notes that pass at the speed of light that I find out that there are people who were pausing frame by frame to see what it says, that already seems excessive to me and also that they are posted. They cut me off the pace of the series if I have to be pausing like a patient to see what she says that is relevant. I refuse in my case. In the last chapters they are looking for Shinobu because she was lost and well she left, they don't specify much, but the thing is that she is lost and well they need her to cure a nekko kawai girl with glasses that is tremendous. It turns out that this girl had said neko disease due to stress and that the protagonist Araragui-san was the cause of it, so what the girl decides is to kill him to get the root problem out. Since if he is the cause of the stress, if he is not there, maybe he disappears, they have a fight, it seems that the protagonist is going to die BUT just before the protagonist dies, it turns out that Shinobu appears FROM THE MC'S LEFTOVER and they were able to save the girl, let us remember that they were looking for her. When I saw this I said, well they are going to explain something related to all that to me now. Ah... that doesn't explain anything? WHAT IS THIS tremendous script. Beyond the reasons for wanting to kill the main character that there is no logic, all this felt very absurd and worst of all is that in the last chapters is where there is less filler, but they do this to me. Anyway, as a conclusion I am going to put everything that I liked or at least part of what I liked to close because it seems that I did not like ANYTHING when in reality I saw it in 2 days. Despite the fact that the series is 90% text, dialogues blabla as a name above everything in the review the direction seemed SUBLIME to me, one of the best I've seen in my life for sure or one of the best directions I've seen, it was even entertaining in some moments only by direction. And well, some other dialogue I liked TO SEE from so much text, some conversation or some text that is there, I have to like it, right? Apart from this, I liked the soundtrack, it was quite good and the animation too, the way they animated some fights was quite good, the truth is, it looks very good for an anime from 2009, and some animated things reminded me of madoka magica but hey They are from the same studio. I liked op 4 too, the rest of the opening and ending I didn't like at all, really. In my opinion I would not recommend it to anyone bakemonogatari 5/10 *Esta reseña CONTIENE SPOILERS* Reseña en inglés y español Bueno llegue un poco tarde para ver bakemonogatari pero bueno, el anime se estrenó cuando yo ni miraba anime *arranque a mirar anime un año después (2010)* y actualmente que estoy mirando bastante, me obligaron mirar esto por una apuesta que perdí. Antes de mirarlo, lo poco que conocía de monogatari era el op 4 “Sengoku Nadeko” y la famosa escena del cepillo de dientes de la segunda temporada y algún que otro video en YouTube de los personajes hablando. Es decir que venía con las expectativas demasiado bajas y la verdad que no tenía muchas ganas de verlo, pero bueno veía también que era el anime favorito de algunas personas, así que me lo vi y al final no me pareció tan malo. ¿Pero, de que va bakemonogatari? Leyendo la sinopsis de MAL y la propia demografía de esto, podés pensar que va a ser una especie de serie épica en donde hay demonios, dioses, espirtus y que va a haber un poco de romance. Y… la verdad que no, no va de eso mucho menos de romance y de querer contarte algo… a ver… me voy a explicar mejor. Hay MUCHO TEXTO, diálogos, conversaciones y así todos los capítulos, TODOS, diría que el 90% de monogatari es hablar, hablar, hablar? Pero, hablar de qué? Ese es el problema, yo no tengo ningún problema con que hablen todo el tiempo, pero la gran mayoría de las conversaciones son irrelevantes y están puestos para que vos simpatices con los personajes, pero la verdad que no lo logro conmigo o eso es lo que opino del porqué hay tanto texto. Y aparte había una banda de texto repetido con los mismos diálogos a veces, o el mismo chiste de que la chica tartamudeó, o las mismas situaciones como por ejemplo cuando Araragui-san manosea a la loli o simplemente pelean y después el prota se caga de risa literalmente de haber ganado(pasa seguido esto o a veces simplemente pelean puede variar en eso), o también LAS MISMAS CONVERSACIONES NO LO PUEDO CREER, siento que hay una banda de relleno en algunos caps a lo mejor se pasan los 20 minutos hablando de porque el protagonista se quedó con tal waifu y no con la otra, PERO un minuto después de los 20 minutos quizás te dicen UNA SOLA COSA INTERESANTE al final del capítulo y vos te quedas como ah bueno. Bueno, miento la verdad. Hay un solo capítulo que me hizo simpatizar con Senjougahara que es el capítulo más puntuado de bakemonogatari el famoso capítulo 12. Bueno, el problema es justamente eso que RECIÉN en el capítulo 12 me hizo simpatizar con ella. Te estarás preguntando y antes del capítulo 12 que paso? Todo el resto de la serie este personaje se comporta de una manera que te hace pensar que es mejor que no esté en la serie, insultando al personaje principal y teniendo comportamiento arrogante, creyéndose mejor en todo que el mc, aparte que se siente un amor correspondido entre los dos personajes como que no se quieren. Senjougahara siente que está en deuda con Araragui porque la ayudo con su enfermedad sobrenatural y por eso salen. Aparte de todo lo mencionado, todo esto que nombro que pasa son los primeros capítulos (lo de la relación y todo eso) después la dejan medio de fondo a la chica, aparecen 40 waifus más y aparece en el capítulo 12 de la nada como HEY HOLA ESTOY ACA Y claramente todas las personas que padecen dichas enfermedades sobrenaturales antes mencionadas tienes que ser chicas waifus para que el mismísimo araragui-san tenga el harem y que el las ayude a todas y digan kiritio-kun. Y como dije anteriormente esto de las enfermedades queda en segundo plano porque pasan de un momento a otro escenario y bueno ahora a hablar, ah no cierto que esta chica está enferma, bueno tranquilo que se soluciona en nada, ahora comete 20 minutos de diálogo que no es para nada relevante. Y bueno, ya que estamos hablando de las chicas, hablemos de como no entiendo a los personajes. El prota es inmortal prácticamente y quiere arreglar todo hablando, uno de los ejemplos que se me ocurre es cuando quiso solucionar hablando lo de la enfermedad de la chica del brazo del mono CUANDO ESTABA POSEÍDA y claramente ella quería muerto y lo mejor que se le pudo ocurrir es eso, ah no, pero espera que el amigo oshino justo supo que eso era lo que él iba a hacer y llamo a Senjougahara para que lo salve justo a tiempo… claaaarooo. Dios mío este capítulo fue un guionazo como mucho que tiene. Y por cierto, oshino puede saber literalmente solo con la vista qué enfermedad sobrenatural tiene, el loco es el Dr.House de monogatari. Solo que House es infinitamente mejor personaje que este personaje ya que uno solo sabia diagnosticas enfermedades pero era un inútil en todo lo demás, pero bueno me fui demasiado por las ramas con esta comparación quizás. Aparte que de tanto diálogo que hay no me desarrollaron ningún personaje, todos me parecen que tiene 0 profundidad en TODOS. Kanbaru, la chica esa de la mano del mono tampoco hace otra cosa más que estar con el prota más tiempo que con la novia y obsesionándose un poco con él. En uno de los último capítulo me acuerdo que el prota la llama por teléfono para buscar a Shinobu y ella literalmente dice OKEEY A DESVESTIRME no entendí esa escena o quizás es un tipo de humor por encima de mis capacidades. Creo que el humor de esta serie a veces es muy japonés de anime viejo Ah, si, y hay mucho fanservice que tampoco ayuda… o si… no mentira, no ayuda. Y tampoco ayuda esas notas que pasan a la velocidad de la luz que me entero que hay gente que estuvo pausando frame a frame para ver que dice, ya me parece un exceso eso y también que las hallan puestos. Me cortan el ritmo de la serie si tengo estar pausando como un enfermo para ver que dice de relevante. Me niego en mi caso. En los últimos capítulos están buscando a Shinobu porque se había perdido y bueno se fue, no especifican mucho, pero la cosa es que está perdida y bueno la necesitan para curar a una chica nekko kawai con lentes que ta tremenda. Resulta que esta chica tenía dicha enfermedad de neko por el estrés y que el protagonista Araragui-san era el causante de eso, entonces lo que decide la chica es matarlo a él para sacar el problema de raíz. Ya que si él es el causante del estrés, si no está quizás desaparece, tienen una pelea, parece que el protagonista va a morir PEROOOO justo antes de que el prota se muera, resulta que aparece Shinobu DE LA SOBRA DEL MC y pudieron salvar a la chica, que recordemos que la estaban buscando. Al ver esto dije, bueno me van a explicar ahora algo relacionado con todo eso. Ah... que no explican nada? QUE ES ESTOOO tremendo guionazo. Más allá de los motivos de querer matar al prota que no hay lógica todo esto se sintió muy absurdo y lo peor de todo es que en los últimos capítulos es donde menos relleno hay, pero me hacen esto. En fin, como conclusión voy a poner todo lo que me gusto o por lo menos parte de lo que me gusto para cerrar porque parece que no me gusto NADA cuando en realidad me la vi en 2 días. A pesar de que la serie es 90% texto, diálogos blabla como nombre arriba de todo en la review la dirección me pareció SUBLIME de lo mejor que vi en mi vida seguro o de las mejores direcciones que vi, se me hizo hasta entretenido en algunos momentos solo por la dirección. Y bueno, algún que otro diálogo me gusto A VER de tanto texto, alguna conversación o algo de texto que hay ahí me tiene que gustar no? Aparte de esto la banda sonora me gusto estuvo bastante bien y la animación también, el cómo animaron algunas peleas estaba bastante bien la verdad, se ve muy bien para ser un anime del 2009, y algunas cosas animadas me hacía acordar a madoka magica pero bueno son del mismo estudio. El op 4 me gusto también, el resto de opening y ending no me gustaron nada, la verdad. En mi opinión no se la recomendaría a nadie Bakemonogatari 6/10
Reviewer’s Rating: 6
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*REVIEW WITH SPOILERS*
Review in English and Spanish I saw S1 at the time and the truth is that I didn't like it even at the time, but when I saw the premiere of this second season I remembered the previous season with a little affection and decided to give it a try. Not only that, in the "Top Light Novels" section of MAL it is the second most valued. So he had reason enough to give it a try. Without having read a single page of LN, it shows that it is quite poorly adapted. Not only because of the animation, which sometimes seems to be good ... and sometimes better, I'm not even talking about, but also because of the plot, which I'm going to talk about. OMG. What intrigues me the most is why are those quotes at the beginning of each chapter? I mean, it doesn't bother me, but why? It's funny to me, it's like adding some depth just for the sake of it. I also have to say that the fanservice in this season is quite reduced, I said that it is reduced not that it is not there and in these 12 chapters I did not see a cringe chapter like the famous chapter where they go to a pool from season 1 WHICH ON TOP OF IT DID NOT CONTRIBUTE NOTHING THAT CHAP. The exam carried out on the cruise that would become the first arc of this season appears in a totally sudden and anticlimactic way, since we come from the island test (season 1) and out of nowhere another exam appears that is a kind of AMOGOSUS (which, by the way, I may be less interested in this game!!! I was sleeping in this first arc, god. Not counting all the drama scenes that take place in the arc because if to create drama out of nothing.) and ends out of nowhere in the same way that I start and so with most of the games that appear. It seems that they want to rush the story at all costs and it leaves me quite indifferent... This is horrible for the plot and for everything in general since you can't even delve into the characters or ANYTHING. And speaking of the characters, my god, speaking of the characters… I didn't like any of the characters, the truth is that they focus a lot on the games and on the competition to see which class is going to be the winner, leaving all the characters in the background. In the second exam, Horikita's relay race from one second to another went from being the introverted little girl to literally being the class leader because yes, there is no explanation or anything or a turning point of the character, because she changed so much, I do not know something, even if it is something minimal, give me a reason, very lazy. Ayanokouji leaves me indifferent as the character himself is, he had his grace last season, perhaps, but in this one I was expecting a bit of his past, perhaps because it was like that or perhaps see him more as an antagonist of the story, I DON ' T KNOW SOMETHING, I did not expect a Johan from Monster but A PIXEL of something yes. Kushida the truth is that she is the only one that I like???? And I put it between question marks because I feel that she is the only one who developed well and that's it. In the first season I have to say that I liked this character, it was quite unusual to see a character with a dual personality in a school anime and that caught my attention. Her past is fine without being so remarkable, but I felt that every time she got together with Ryuuen this character lowered points, I felt that every time they showed her it was for us to say "look how bad she is, she has a face like that because she's bad”. Quite the opposite of last season that tried to hide his double personality at all costs. And well, some other conversation with Horikita and Ayanokouji that I highlight but nothing out of the ordinary, it's a meh. Ryuuen is literally the generic bad gangster of an anime literally, he sees that you can make good "bad gangsters" but this guy definitely isn't and he isn't a good character. It has the worst dialogue of all and the most useless scene of all, too, which is when he goes to look for Rokusuke and a lot of randoms appear that don't matter and the worst thing about that scene is that nothing happens, and I wanted everyone to shut up. My God. Let's talk about Karuizawa. Well, he appears a lot but I don't know what to think since as I said at the beginning they don't delve into almost any character and this character didn't delve into ANYTHING, so I don't really know what to say since what they told us was very poor and not only that if not that they put it out of nowhere, last season I didn't even know who she was and this season little else and she's the main character. I like her design, the relationship with the main character, I would say so too, although the main character uses her as a tool and she sees him as a friend, I guess I like that. I would say that the scene in which they torture her was really strange since everything happens very fast and absurd at the same time since they torture her with…with WATER? Ok, I get the point that it was snowing outside, and she was undressed and she throws water on him so he dies of hypothermia, but since you want to create a shady scene torturing someone you can do it well and highlight Ryuuen's twistedness. But seeing that almost seems comical, my God. Since we are in this field, the famous chapter 12, the one that many people were waiting 5 years to see animated. Really? I mean, I don't know what I expected to be honest at this point, but I don't know. It's literally a fight for everyone against Ayanokouji, which I don't even remember the names of the ones he fights because they are irrelevant to the series except for Ryuu. It's well animated I guess, but I don't know why they were waiting so long for this chapter the truth. When Ayanokouji lowers everyone and is 1vs1 with Ryuu I guess seeing how Ayanokouji destroys Ryuu while he does it without expressing emotions I guess that would be what the vast majority liked but for me it was quite obvious in that scene how he was going to react And everything, it would have been 10 times better to see him with another type of reaction that is not his own, it would be more shocking, I don't know, accompanied by some flashbacks from his past, but well we have this at the end. Is that even the dialogues are predictable and poor. Personally, I didn't like that chapter, or how it unfolds, or anything. Who else am I missing? Arisu? The one with black stockings? He appears 3 minutes in the last season and in this one he appears less. At this rate in the next season, if it comes out, it doesn't even appear. And it has irrelevant dialogues, it makes the "I'm superior to you because I'm from class A look at me" and it's terrible generic both in design and in the character itself. My God, take her out and take her black stockings off, I want them by the way. Airy? She shows up to go to karaoke and in the end she goes but the main character has to go save the other one who is being tortured with water. 5/10. Perhaps it deserves less note with all the negative points that I mention, but the truth is that by the final stretch of the series the chapters were not boring or slow, I was simply holding my head and saying that it could be better. Apart from the opening and the ending I liked them a lot and I didn't even mention them. I didn't really expect anything and even so I was disappointed, the truth is incredible. *RESEÑA CON SPOILERS* Reseña en inglés y en español Vi la S1 en su momento y la verdad que no me gusto ni en su momento, pero cuando vi el estreno de esta segunda temporada recordé la anterior season con un poco de cariño y decidí darle un try. No solo eso, en la sección de “Top Light Novels” de MAL es la segunda más valorada. Así que tenía motivos suficientes para darle una oportunidad. Sin haberme leído ni una página de LN se nota que está adaptado bastante mal. No solo por la animación que a veces parece que está bien y otras mejor ni hablo, sino que también por la trama que ya voy a hablar de eso. Dios mío. Lo que mas intriga me da es ¿por qué están esas citas al inicio de cada capítulo? Es decir, no me molesta, pero ¿por qué? Me causa gracia, es como añadir algo de profundidad porque sí. También tengo que decir que el fanservice en esta temporada está bastante reducido, dije que esta reducido no que no halla y en estos 12 capítulos no vi un capitulo cringe como el famoso capitulo en donde van a una piscina de la season 1 QUE ENCIMA NO APORTABA NADA ESE CAP. El examen realizado en el crucero que vendría a ser el primer arco de esta temporada aparece de una forma totalmente repentina y anticlimática, ya que venimos de la prueba de la isla (season 1) y de la nada aparece otro examen que es una especie de AMOGOSUS (que, por cierto, me puede interesar menos este juego!!! me estaba durmiendo en este primer arco, dios. Sin contar todas las escenas de dramas que trascurren en el arco porque si para crear drama de la nada.) y termina de la nada de la misma forma que arranco y así con la gran mayoría de los juegos que aparecen. Pareciera que quieren rushear a toda costa la historia y me deja bastante indiferente… Es horrible esto para la trama y para todo en general ya que ni siquiera se puede profundizar en los personajes ni en NADA. Y hablando de los personajes dios mío hablando de los personajes… Ningún personaje me gusto la verdad se centran mucho en los juegos y en la competición para ver que clase va a ser la ganadora que dejan a todos los personajes en segundo plano. En el segundo examen, la carrera de los relevos Horikita de un segundo a otro paso de ser la minita introvertida a literalmente ser la líder de la clase porque si, no hay explicación ni nada ni un punto de inflexión del personaje, porque cambio tanto, no se algo, aunque sea algo mínimo dame una razón, muy flojo. Ayanokouji me deja indiferente como es el propio personaje, tenia su gracia la temporada pasada ,quizás, pero en esta me esperaba un poco de su pasado quizas el porque era así o quizas verlo mas como un antagonista de la historia, NO SE ALGO, tampoco me esperaba un Johan de Monster pero UN PIXEL de algo si. Kushida la verdad que es la única que me gusto???? Y lo pongo entre signos de preguntas porque siento que es la única que desarrollaron bien y hasta ahí no más. En la primera season tengo que decir que este personaje me gustaba, a ver era bastante fuera de lo común ver un personaje con doble personalidad en un anime colegial y me llamo mucho la atención eso. Su pasado esta bien sin ser tan destacable, pero senti que cada vez que se juntaba con Ryuuen bajaba puntos este personaje, sentía que cada vez que la mostraban era para que digamos “fuaa mira lo mala que es tiene la cara así porque es mala”. Todo lo contrario a la temporada pasada que trataba de ocultar su doble personalidad a toda costa. Y bueno alguna que otra conversación con Horikita y Ayanokouji que destaco pero nada fuera de lo común, es un meh. Ryuuen es literalmente el malo pandillero genérico de un anime literalmente, mira que podés hacer buenos” malos pandilleros” pero este sujeto definitivamente no lo es y ni es un buen personaje. Tiene los peores diálogos de todos y la escena mas inservible de todas tambieeen que es cuando va a buscar a Rokusuke y aparecen un montón de randoms que no importa nada y lo peor de esa escena es que no pasa nada, y quería que se callen todos. Dios mio. Hablemos de Karuizawa. Bueno aparece bastante pero no se que pensar ya que como decía al principio no profundizan en casi ningún personaje y este personaje no lo profundizaron NADA, así que no sé muy bien que decir ya que lo que nos contaron fue muy pobre y no solo eso si no que lo metieron de la nada, en la temporada pasada ni sabia quién era ella y en esta temporada poco más y es la prota. Su diseño me gusta, la relación con el prota diría que también, aunque el prota la use como herramienta y ella lo vea como un amigo eso me gusto supongo. La escena en la que la torturan diría que fue raro la verdad ya que pasa todo muy rápido y absurdo a la vez ya que la torturan con…con ¿AGUA?. Okey, entiendo el punto de que estaba nevando afuera y estaba desabrigada y le tira agua para que se muera de hipotermia, pero, ya que queres generar una escena turbia torturando a alguien lo podes hacer bien y así remarcas lo retorcido de Ryuuen. Pero al ver eso hasta casi parece cómico, dios mío. Ya que estamos en este terreno, el famoso capitulo 12, el que mucha gente estuvo esperando 5 años para ver animado eso. ¿En serio? Quiero decir, no se que esperaba la verdad hasta este punto, pero no se. Es literalmente una pelea todos contra Ayanokouji, que encima ni me acuerdo los nombres de los que pelea porque son re irrelevantes para la serie salvo Ryuu. Está bien animada supongo, pero no sé porque estaban esperando tanto este capítulo la verdad. Cuando Ayanokouji baja a todos y esta 1vs1 con Ryuu supongo que ver como Ayanokouji destroza a Ryuu mientras lo hace sin expresar emociones supongo que eso seria lo que le gusto a la gran mayoría pero para mi resulto bastante obvio en esa escena el como iba a reaccionar y todo, Hubiera estado 10 veces mejor verlo con otro tipo de reacción que no sea propio de el ,seria como mas impactante no se, acompañado de unos flashback de su pasado, pero bueno tenemos esto al final. Es que hasta los diálogos son predecibles y pobres. A mí en lo personal no me gusto ni ese capítulo, ni como se desarrolla, ni nada. ¿Quién más me falta? Arisu? ¿La de medias negras? Aparece 3 minutos en la temporada pasada y en esta aparece menos. A este paso en la próxima temporada, si es que sale, ni aparece. Y tiene unos diálogos irrelevantes, se hace la “soy superior a vos porque soy de la clase A mírame” y es terrible genérica tanto en diseño como en si el propio personaje. Dios mío, sáquenla y sáquenle las medias negras que las quiero de paso. Airi? Aparece para ir al karaoke y al final va pero el prota se tiene que ir a salvar a la otra que la están torturando con agua. 5/10. Quizás merece menos nota con todos los puntos negativos que mencione, pero la verdad que por la recta final de la serie los capítulos no se me hicieron aburridos ni lentos, simplemente me estaba agarrando la cabeza y diciendo que podría ser mejor. Aparte el opening y el ending me gustaron mucho y ni los mencione. No esperaba nada la verdad y aun así me decepciono, increíble la verdad.
Reviewer’s Rating: 5
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Paripi Koumei
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Mixed Feelings Spoiler
*This review CONTAINS SPOILERS*
*Below is the same review but in Spanish Well, Paripi Koumei. I have to say that I don't really like musicals in general, but it was different with this anime. Let's see, I don't think this anime is so much but I liked it at least. I liked all the songs that Eiko sings and I listen to them from time to time. Both the Opening and the Ending I loved and the ost is quite good. The animation is quite good and it's fine. I quite liked the idea of the inverted isekai. I mean instead of someone dying and being teleported ... to a world of fantasy and magic or waifus. Kogming, a tactician in the war, in the era of the three kingdoms of China dies and reincarnates in present-day Japan. With the skills that Kogming has, he helps Eiko to succeed in the world of music. The idea of the story is good, really, but I didn't like how it developed. Let's talk about the characters and also about the story not only about them but in general: Eiko: Honestly, he was the only character I liked in the play and I didn't like him very much either. Let's see, even though I liked the character, I didn't like how they developed it for me and what really was the reason why he sang. Do you want me to tell you about Eiko's past? -I'm sad, I'm going to commit suicide by throwing myself on the train -says Eiko- -No, don't jump, come with me to a concert. -Says a random- That's it, Eiko after seeing the concert decides that the only thing that will keep him alive is music. And this happens in a 3-minute scene, and I'm not exaggerating. Let's see, it is the reason of the protagonist of the work plus ALL her past they should have delved deeper into it, show us a reason why she is sad, her problems, see that no one was with her, show us that she does not have a clear objective in life (I'm throwing ideas) I don't know, DEVELOP the CHARACTER more, this is a fundamental part of the story and they do it like this... Kongming: When this guy appears in the first chapter I had a lot of questions. How is he going to apply the tactics of war to something like music? How is it going to adapt to today's Japan? Knowing that it comes from another era, how does it taste Japanese, BUT if it is Chinese? Society has changed so much since he died until he reincarnated that even the ways of expressing and communicating is completely different. How are you going to do it? Is that the first chapters I liked and well hahaha! I really preferred not to answer any questions, the truth is that they were answering me as the series progressed and I really got carried away by the script. If you're curious about the answers to those questions, rest assured that a wizard did it. Let's see I don't want to be unfair, I understand that this series is to entertain and that's it. At the very least, it would have been fun for Kongming to live together with Eiko. It has a scene that I really like despite all this, which is when he remembers his war comrades in the past life, Googles one and sees that he died, and Eiko plays the song “i'm still alive today”. The rest of the series is a walking script. When Eiko has a problem, the great Kongming solves it for you. But you don't have to ask how. Neither he nor he should know. Oh god let's talk about the worst part of the play: Nanami, Eiko's rival. Eiko finds Nanami singing in the street (it seems that Kongming already knew about this and sent him on purpose with her. Now, why did he know? This guy is a walking script indeed) and they become friends in short. Later, Nanami's identity is revealed to us, which Eiko did not know at the time. Literally only Eiko did not know her because for the viewers of the play IT IS EVIDENT THAT IT IS SHE. Nanami really for me has 0 depth, 0 charisma, all the things they say do not contribute anything and are predictable. The worst of the work. And well, he tells us about his past. Nanami's past: Nanami likes music a lot, but he doesn't listen to her and her family doesn't listen to her. He meets a very bad guy who wants to use these girls to earn money, he is a very good producer, he makes them super famous and always tells them that they have to do what he tells them. I WROTE SOMETHING ELSE CLICHE. Oh, he lost his dream and now he does it for money. omg. The rapper, lmao the rapper. Another character that I didn't like. He appears out of nowhere. He doesn't like him for a single moment and he's obnoxious. And they dedicate several chapters to him, in one a rap battle (an entire chapter) that gives me the same. I don't care about him, his past that they told me and I also didn't contribute anything, his friends, everything. AND WHAT DOES THIS CONTRIBUTE TO THE MAIN PLOT?????????? The other characters seemed just as horrible to me and they did not contribute or anything or even worse I realized that I am throwing more hate at him when I put that I liked him on top of everything. Let's see, the work is a 6/10. For me it's good to see it without having to think too much, disconnect a touch and listen to the music is fine. Chikichiki banban'nt *Spanish review with SPOILERS* *Esta reseña CONTIENE SPOILERS* Bueno, Paripi Koumei. Tengo que decir que a mi los musicales en general no me gustan mucho, pero fue diferente con este anime. A ver, no me parece para tanto este anime pero me gusto por lo menos. Las canciones que canta Eiko me gustaron todas y las escucho de vez en cuando. Tanto el Opening como el Ending me encantaron y el ost esta bastante bien. La animación cumple bastante y está bien. La idea del isekai invertido me gusto bastante. Quiero decir en vez de que alguien se muera y sea teletransportado a un mundo de fantasía y magia o waifus. Kogming, un táctico en la guerra, en la era de los tres reinos de china se muere y reencarna en el Japón actual. Con las habilidades que tiene Kogming ayuda a Eiko para que triunfe en el mundo de la música. La idea de la historia esta buena, en serio, pero no me gusto como se desarrolló. Hablemos de los personajes y también de la historia no solo de ellos sino en general: Eiko: Sinceramente fue el único personaje que me gusto de la obra y tampoco me gustó mucho. A ver, a pesar de que me gusto el personaje no me gustó nada como me lo desarrollaron y cual realmente fue el motivo de porque cantaba. ¿Queres que te diga el pasado de Eiko? -Estoy triste, me voy a suicidar tirándome al tren -Dice Eiko- -No, no saltes ven conmigo a un concierto. -Dice un random- Ya está, Eiko tras ver el concierto decide que lo único que lo va a mantener con vida es la música. Y esto pasa en una escena de 3 minutos ni estoy exagerando. A ver, es el motivo de la protagonista de la obra mas TODO su pasado tendrían que haber profundizado mas en ello, mostrarnos un motivo del porque esta triste, sus problemas, ver que no estaba nadie con ella, mostrarnos que no tiene un objetivo claro en la vida (estoy tirando ideas) no sé, DESARROLLAR más el PERSONAJE esto es una parte fundamental de la historia y lo hacen así… Kongming: Cuando aparece este sujeto en el primer capitulo tuve un lio de preguntas. ¿Cómo va a hacer para aplicar las tácticas de la guerra en algo como la música? ¿Cómo se va a adaptar al Japón actual? Sabiendo que viene de otra época ¿Cómo sabe japones, PERO si es chino? La sociedad cambio tanto desde que murió hasta que reencarno que incluso las maneras de expresaron y comunicarnos es completamente diferente ¿Cómo va a hacer? Es que los primeros capítulos me gustaron y bueno Jjajajajajajaj!!! Verdaderamente prefería que no me contestara ninguna pregunta, lo cierto es que me la fueron respondiendo a medida que iba avanzando la serie y me deje llevar por el guion verdaderamente. Si tiene curiosidad por las respuestas de esas preguntas quédense con que un hechicero lo hizo. A ver no quiero ser injusto, entiendo que esta serie esta para entretener y ya está. Por lo menos, hubiera estado divertido que Kongming viviera junto con Eiko. Tiene una escena que me gusta mucho a pesar de todo esto, que es cuando recuerda a sus compañeros de guerra en la vida pasada, Googlea uno y ve que murio, y Eiko toca la cancion “ i'm still alive today”. El resto de la serie es un guion andanante. Cuando Eiko tenga un problema El gran Kongming te lo soluciona. Pero no tenes que preguntar cómo. Ni el debe saber. Ay diosss hablemos de lo peor de la obra: Nanami el rival de Eiko. Eiko se la encuentra a Nanami cantando en la calle (parece que Kongming ya sabía de esto y lo mando apropósito con ella. Ahora bien ¿Por qué lo sabía? Es un guion andante este tipo de verdad) y se hacen amigas resumiendo. Después se nos revela la identidad de Nanami que Eiko no conocía en ese momento. Literalmente solo Eiko no la conocía porque para los espectadores de la obra ES EVIDENTE QUE ES ELLA. Nanami verdadermanete para mi tiene 0 profundidad, 0 carisma, todas las cosas que dicen no aportan nada y son predecibles. Lo peor de la obra. Y bueno nos cuenta su pasado. El pasado de Nanami: Nanami le gusta mucho la música, pero no la escucha ni su familia. Se encuentra a un tipo muy malo que quiere usar estas chicas para ganar plata, es un productor muy bueno las hace super famosas y siempre les dice que tienen que hacer lo que el les diga. ESCRIBI ALGO MAS CLICHE DALE. Ay perdió su sueño y ahora lo hace por plata. Dios. El rapero, dios el rapero. Otro personaje que no me gusto. Aparece de la nada. No simpatizas con el un solo momento y es odioso. Y dedican varios capítulos a el, en uno una batalla de rap (un capítulo entero) que me da iguaaaaaal. Me da igual el, su pasado que me contaron y también no aporto nada, sus amigos, todo. Y QUE APORTA ESTO A LA TRAMA PRINCIPAL?????????? Los demás personajes me parecieron igual de horribles y no aportaron o nada o incluso peor Me di cuenta de que le estoy tirando de mas hate cuando arriba de todo puse que me gusto. A ver, es un 6/10 la obra. Para mi esta buena para verla sin tener que pensar mucho, desconectar un toque y escuchar la música esta bien. Chikichiki banban’nt
Reviewer’s Rating: 6
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0 Show all Jun 15, 2022
"Oshi no Ko"
(Manga)
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Recommended Preliminary
(83/? chp)
Spoiler
*This review contains spoilers up to chapter 83 of the manga*
*Below everything is the same review but in Spanish Ok, the synopsis of this manga didn't catch my attention and as I was reading the first chapter I was still on the same page and I was about to drop it but I said: "Akasaka wrote, I'm going to give it a try" and I don't really regret it. I have to say that the reading is quite dynamic, the drawings and the artistic section are very good. It's not Miura clearly who made you a page with all the details of the world and it took ... him 1 week to make just that page, but the drawings feel fluid and dynamic I don't know how to explain it... they're fine, reading is quite enjoyable in that section. Apart from all this, he makes a very good critique of the world of entertainment / entertainment, everything that comes with becoming famous with the good and bad parts. And also very good character development past the prologue (I'll comment later) it's not a generic waifus harem isekai the girls, GOOD CAST, and to close: Akane>>>>Kana. Ahh, where do I start. It caught my attention that this was an isekai because you have to do it very well for me to like it. In the prologue I would have liked Aqua and Ruby to develop more as a character. It is that all the characters have a very good development after the prologue! I hate to compare but well this is my review: In Mushoku Tensei the development of Rudeus is perfectly seen, how he takes advantage of all the time in the world that he did not have in his previous life to study languages, learn more about the world, learn more about the environment, magics etc. In oshi no ko they didn't give importance to them as boys, they only developed it for me (very good by the way). It would have been nice to see how Aqua and Ruby studied together, investigate a little what happened to everything, crazy about your little boy with the memories of your past life that you were 30 years old and you were a doctor, the amount of information you can retain as a child is a literal power. It would have been nice to see how Ai taught Ruby to be an idol too. But she barely spends time with them because her schedule is full and on top of that she has to hide them from her children. And well, since we are on the subject, Ai's death seemed very good to me without anything else to say what she said to Aqua and Ruby before dying is perfect, I loved that. Once Ai's death happens, we have a jump in time, we see them as teenagers and now Aqua has the objective of finding who provided the information to the murderer of this whole issue. As we already know the murderer committed suicide after this but he wants to find the person behind it… His father of him? Seriously because his father, I didn't understand that. On top of that at some point in the story Aqua says that he has to be someone from the world of entertainment, someone who knows Aqua's mother very well. BUT BECAUSE HIS FATHER HAS NEVER SEEN OR KNOWN HIM. After this he finds out that his father died a few years ago and he is relieved and that's it ¿?¡?¡?¡? Don't be too anticlimactic all over there. However, I really liked the methods she uses throughout the play to get information about her father out of her. Approaching anyone who can give you information or who has a connection to Ai. Like for example the director of that show or Akane who uses her as a tool because she is very intelligent, she sees him as a boyfriend and Aqua sees her as nothing more than useful. After Aqua finds out about her father's death, he is relieved. They make a trip to make a promotional video for I don't know what, that the place coincides with the place where Aqua was killed in his life as a doctor and Ruby also died in the hospital. Ruby separates from the group A GIRL APPEARS OUT OF NOWHERE and tells him “look there were two of your mother's murderers, you still need to find another one” AND SHE GOES qqqqqqqq?? So far this girl seems the worst to me, literally it's a walking script that girl that waves. They could have been more subtle to do that, since it's very important to the plot. And well, now the roles are reversed, what was Aqua at one point, is now going to be Ruby . I'm going to delve into that last one: I liked that the papers are inverted, in fact it should have been like that from the first moment but good. It makes more sense that Ruby is the one who feels this way now after seeing the corpse of someone I loved in his past life and seeing how they kill his mother who was someone he also loved both in his new life and the past, I liked it no It MAYBE could have been carried out in a different way, but well, I liked it. To finish, I liked Oshi no ko a lot, it was an 8/10 for me until chapter 83 of the manga, the story is still going on and this grade can go down or up, it depends on Akasaka, he has many things to write and I trusted him. *Spanish review with SPOILERS* *Reseña en español con spoilers* *Esta reseña contiene spoilers hasta el capítulo 83 del manga* Okey la sinopsis de este manga no me llamo nada la atención y a medida que iba leyendo el primer capítulo seguía en las misma y estuve apunto de dropearlo pero dije: “ akasaka escribió esto vamo a darle una oportunidad” y no me arrepiento la verdad. Tengo que decir que la lectura es bastante dinámica, los dibujos y el apartado artístico están muy bien. No es Miura claramente que te hacia una pagina con todos los detalles del mundo y le tomaba 1 semana hacer solo esa página, pero los dibujos se sienten fluidos y dinámicos no se como explicarlo… están bien, la lectura es bastante disfrutable en ese apartado. Aparte de todo esto hace una muy buena critica del mundo del entretenimiento/espectáculo, todo lo que conlleva hacerse famoso con las partes buenas y malas. Y también muy buen desarrollo de personajes pasado el prologo ( mas adelante lo comento ) no es un harem de waifus genérico isekai las pibas, ALTO ELENCO, y para cerrar: Akane>>>>Kana. Ahhh, por donde empiezo. Me llamo la atención que esto fuera un isekai porque hay que hacerlo muy bien para que me guste. En el prologo a mi me hubiera gustado que se desarrolle mas Aqua y Ruby como personaje. ¡Es que todos los personajes tienen un desarrollo muy bueno después del prólogo! Odio comparar pero bueno esta es mi reseña: En Mushoku Tensei se ve a la perfección el desarrollo de Rudeus, como aprovecha todo el tiempo del mundo que no tuvo en su anterior vida para estudiar idiomas, conocer mas el mundo, aprender mas del entorno,magias,etc. En oshi no ko no le dieron importancia a ellos de chicos solamente me la desarrollaron a Ai (muy bueno por cierto). Hubiera estado bueno ver como Aqua y Ruby estudiaban juntos, investigar un poco que paso con todo, loco sus un nene chiquito con los recuerdos de tu vida pasada que tenias 30 años y eras médico, la cantidad de información que podes retener de chiquito es un poder literal. Hubiera estado bueno también ver como le enseñaba Ai a Ruby ser una idol también. Pero prácticamente no pasa ni tiempo con ellos por que tiene la agenda llena y encima tiene que esconderlos a los hijos. Y bueno ya que estamos en tema, la muerte de Ai me pareció muy buena sin nada mas que decir lo que le dijo a Aqua y Ruby antes de morir es perfecto, me encanto eso. Una vez pasa la muerte de Ai, tenemos un salto en el tiempo , los vemos de adolescentes y ahora Aqua tiene como objetivo encontrar a quien le proporciono la información al asesino de todo este tema. Como ya sabemos el asesino se suicidó después de esto pero quiere encontrar la persona detrás de esto…¿Su padre? Enserio porque su padre, no entendí eso. Encima en algún punto de la historia Aqua dice que tiene que ser alguien del mundo del entreteniendo, alguien que conozca mucho a la madre de Aqua. PERO PORQUE SU PADRE SI NUNCA LO VIO NI LO CONOCE. Después de esto descubre que su padre murió hace unos años y se alivia y ya esta ¿?¡?¡?¡? no se muy anticlimático todo ahí. Sin embargo, me gustó mucho los métodos que utiliza a lo largo de la obra para sacar información de su padre. Acercándose a cualquiera que pueda brindarle información o que tenga conexión con Ai. Como por ejemplo el director del show ese o a Akane que la usa como herramienta porque es muy inteligente, ella lo ve como un novio y Aqua la ve útil nada más. Después de que Aqua se entera de la muerte de su padre se siente aliviado. Hacen un viaje para hacer un video promocional para no se qué, que el lugar coincide con el lugar en donde lo mataron a Aqua en su vida como médico y a Ruby también murió en el hospital. Ruby udy se separa del grupo APARECE UNA NENA DE LA NADA y le dice “mira que fueron dos los asesinos de tu madre, te falta encontrar otro” Y SE VA qqqqqqqq?? Hasta ahora esta nena me parece lo peor, literal es un guion andante la nena esa que onda. Podían haber sido más sutil para hacer eso, ya que es muy importante para la trama. Y bueno ahora se invierten los papeles lo que era Aqua en un momento ahora lo va a ser Ruby. Voy a profundizar en eso ultimo: Me gusto que se hallan invertido los papales, de hecho tendría que haber sido así de un primer momento pero bueno. Tiene mas sentido que Ruby sea la que se sienta así ahora después de ver el cadáver de alguien que amo en su vida pasada y ver como matan a su madre que era alguien que también amaba tanto en su nueva vida como la pasada, me gusto no se QUIZAS se pudo haber llevado de otra manera quizas pero bueno me gusto. Para terminar, Oshi no ko me gustó mucho es un 8/10 para mi hasta el capitulo 83 del manga, la historia todavía sigue y esta nota puede bajar o subir depende de Akasaka tiene muchas cosas que escribir y yo confió.
Reviewer’s Rating: 8
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0 Show all Apr 28, 2022 Not Recommended
*Review with SPOILERS*
I will divide the review into the good and the bad: The good: Technically and in terms of direction it is quite beautiful. It has some still shots that are beautiful. And in some moments the animation and the art stand out a lot but not in the whole movie. The very wit animation when they do parkour (reminds me of when they animated snk with the three-dimensional maneuvering team). The animation DECENT does not seem to me something so remarkable but well I had to fill it with something good. Let's close in what seems to me more or less, more more than less ... but that's it. So… why four? Well here's the bad: The script was written by Urobuchi, a scriptwriter who wrote two of my favorite anime. And in this movie he unfortunately he did anything for my taste. Sawano did not stand out as much as he commented above on the good side either. Let's see the soundtrack of the movie is fine but I expected more coming from him. The story is lousy, the world building is horrible, the characters are re-contra re-cliches. It is that of the characters not one stands out, NOT ONE. They are all horrible. The protagonist is as generic as he could be, Uta doesn't tell me ANYTHING (and apart literally). When he already learned to speak Uta it seems that he is going to say something super important but nothing, very disastrous dialogues. As for the rest, they all seem bad to me. The movie lasts almost 2 hours and NOTHING happens. But when I say that nothing happens, it means that nothing happens. When the movie was an hour old I thought it was going to come with the entire climax of the movie, but NO! Nothing happened. What is the climax of the movie? That they kidnap Makoto? And they make a race to rescue her and that's it... that's it? Or maybe I'm focusing too much on the climax and the idea of the movie was just to have good animation, do parkour AND A WAIFU!. And where is everything else??? This movie really doesn't say anything. And they don't explain anything. Why did the bubbles attack Tokyo? Hibiki's mother? Also, between the main characters, it was barely explained why they were attracted to each other in the first place, or why they made some of the decisions they made apart from the Prince and Mermaid fairy tale. I came with very high expectations and unfortunately they did not meet. 4/10. *Spanish review with SPOILERS* *Reseña con SPOILERS* Voy a dividir la reseña en lo bueno y lo malo: Lo bueno: Técnicamente y en cuestión de dirección es bastante bonita. Tiene algunos planos fijos que son hermosos. Y en algunos momentos la animación y el arte destacan bastante pero no en toda la película. La animación muy de wit cuando hacen parkour (me hace acordar a cuando animaban snk con el equipo de maniobras tridimensional). La animación CUMPLE no me parece algo tan destacable pero bueno tenia que rellenar con algo en lo bueno. Cerremos en que me parece maso menos, mas mas que menos pero hasta ahí. Entonces… ¿Por qué el cuatro? Bueno aca va lo malo: El guion lo escribió Urobuchi un guionista que escribió dos de mis animes favoritos. Y en esta película lamentablemente hizo cualquier cosa para mi gusto. Sawano tampoco destaco tanto como comentaba arriba en lo bueno. A ver la banda sonora de la peli está bien pero esperaba mas viniendo de el. La historia es malísima, la construcción del mundo es horrible, los personajes son recontra re-clichés. Es que de los personajes no destaca ni uno, NI UNO. Son todos horribles. El protagonista es genérico a mas no poder, Uta no me dice NADA (y aparte literalmente). Cuando ya aprendió a hablar Uta parece que va a decir algo super importante pero no nada, diálogos muy nefastos. Del resto lo mismo me parecen todos malos. Dura casi 2 horas la película y no sucede NADA. Pero cuando digo que no pasa nada es que no pasa nada. Cuando llevaba una hora de película pensaba que iba a venir con todo el climax de la película, pero NO! No paso nada. ¿Cuál es el cilmax de la película? ¿Que secuestran a Makoto? Y hacen una carrera para rescatarla y ya esta... eso es todo? O quizas me estoy centrando mucho en el climax y la idea de la película era solo que tenga buena animación , que hagan parkour Y UNA WAIFU!. Y donde esta todo lo demás??? Realmente esta película no cuenta nada. Y aparte no explican nada. ¿Por qué las burbujas atacaron tokio? La madre de Hibiki? También, entre los personajes principales, apenas se explicó por qué se sintieron atraídos el uno por el otro en primer lugar, o por qué tomaron algunas de las decisiones que tomaron aparte del cuento de hadas del Príncipe y la Sirena. Venia con las expectativas muy altas y lamentablemente no cumplieron. 4/10
Reviewer’s Rating: 4
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