Classroom☆Crisis

In Martian colony Fourth Tokyo lies a classroom of Kirishina Corporation's brightest minds spearheading aerospace development: A-TEC, led by genius engineer Kaito Sera, eagerly anticipating the arrival of their newest member. It soon becomes clear, however, that the transfer student is hardly ordinary—Nagisa Kiryuu, newly appointed chief of A-TEC and the younger brother of the corporation's CEO, is sent to shut the program down. To keep the classroom alive, Kaito and his students desperately work to develop a successor to their most powerful rocket, the X-2; meanwhile, Nagisa climbs the corporate ladder in pursuit of his own mission. In spite of this, their separate battles soon reveal that much more is going on in Kirishina Corporation than meets the eye.

Classroom☆Crisis follows Kaito and Nagisa, as well as Kaito's younger sister Mizuki and A-TEC's test pilot Iris Shirasaki, in a story of intrigue, political warfare, and, against all odds, romance. As Nagisa and A-TEC are dragged further and further into Kirishina Corporation's conspiracies, friendships grow and pasts are unveiled as they fight to avert their classroom crisis.

[Written by MAL Rewrite]

Kiryuu, Nagisa Main

Uchida, Yuuma Japanese

Sera, Mizuki Main

Ozawa, Ari Japanese

Shirasaki, Iris Main

Amamiya, Sora Japanese

Sera, Kaito Main

Morikubo, Shoutarou Japanese

Hattori, Hanako Supporting

Kobayashi, Yuu Japanese

Nounen, Yuna Supporting

Asumi, Kana Japanese

Yamaki, Subaru Supporting

Nanjou, Yoshino Japanese

Takanashi, Kaoruko Supporting

Horie, Yui Japanese

Kitahara, Kojirou Supporting

Toyonaga, Toshiyuki Japanese

Sonozaki, Takehiko Supporting

Ishizumi, Akihiko Japanese

Saitou, Shunsuke Producer

Maeda, Toshihiro Producer

Yonai, Noritomo Producer, Planning, Executive Producer

Nagasaki, Kenji Director, Storyboard, Assistant Director

Reviews

Sep 26, 2015

Mugisa

Recommended

Nice watch. Dependable male lead. Intriguing plot twists and action. Interesting space-age setting with heavy political overtones.

There were just a few hiccups for me:

The romance was contrived and devalued some of the characters, though perhaps it's just personal preference.

The story could have been more detailed overall; perhaps more worldbuilding, character backgrounds and development, and more explanation for each of the happenings. It may have made the romance worthwhile.

Wish it had a mature feeling, but at least you get the feeling that the young adults/children are young adults/children.

Reviewer’s Rating: 7

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Oct 12, 2015

NSpectre7

Mixed Feelings

Classroom Crisis was only a small interest of mine, and when I read some reviews I was not expecting much from the show. I went in with no expectations and at first was really pleased with what I saw. Unfortunately what followed after the first couple of episodes was a roller coaster ride of lack of interest and anger. I do not often find myself thinking that a show didn't live up to its potential. We all can look back on something and see what we think could have been better, or what we might change. Those are just opinions and generally the story pans ... out in such a way that I don't feel strongly about my own opinions. However I found myself thinking that this show really chose the worst path to follow. With that out of the way lets get into the different sections.

Story 6

The story is something that really had me torn. You start off with some business people panicking over some kidnap scenario. This is where we switch to what I'm going to call side A of the story. Side A contains a classroom full of rocket scientist and engineers who work on rockets for the school/company which they attend. The kidnapped person at the start of the show was supposed to be a new transfer student into their class. The class decides to rescue the kidnapped kid after they find out about it, and send their new ship and pilot to the place he was being held. The pilot crashes the ship due to technical difficulties and goes inside to find the student safe and sound.

Not a bad way to start, seems a little over the top maybe but not bad. I was hooked when the transfer student who is named Nagisa Kiryuu is frustrated at the pilot for saving him. The start of the next episode shows him back with the class and telling them that he is there to cut their funding and shut them down. This premise was exciting to me. However this story path never gets fully explored, and the story splits itself into two stories. Side A is the class and the genius teacher trying to keep their class alive and build their rocket. Side B is the political/business side story of Nagisa as he does many things.

Unfortunately in my opinion they focused to much into Side A. The classroom's story awas full of odd plot holes and strange behavioral and dysfunctions that only drag you out of the anime to make you think "Why is this situation allowed to even happen?". However this side of the story is pretty straightforward. Situations occur and the classroom has to deal with their situation and hopefully save their class by the end of it.

Side B was what I was truly interested in. I love the way they presented Nagisa. I had the Amagi Brilliant Park vibe coming from him and I was drawn to that. Most of the first part of the show however is mostly about Side A and the odd mixture of student/boss relationship between Nagisa and the class. However as this story line progress's in a less straightforward manner, it allowed for twists to crop up at the end. The last section of the show is dedicated to learning more about Nagisa, the corporation hes working for, the mysterious pilot and many other interesting tidbits of story that involves Nagisa.

I don't want to complain a lot about the story because I feel that if the characters were made better, it wouldn't have been as big of an issue. The story is interesting and the twist's at the end were not outrageous or poorly planned. I felt that the show was paced well and had a solid backbone to build an interesting anime around.

Art & Sound 7

Art was beautiful. The characters and scenery were truly well done. The sound again was decent. Nothing outstanding however nothing terrible either.

Characters 4

Now we can get into what really makes me frustrated about this anime. Anime is always full of interesting or odd characters. This show however has stupid characters + stupid interactions.

Lets start of with Nagisa. Nagisa seems to be a young genius business man. The second hes introduced he seams intimidating in that leadership fashion. When he does speak or handle a situation you see how well he does it and how fast he does it. His age may make you think he is a novice, but through actions and rumors the viewer finds out he really is amazing at his job. However when he goes to class he is constantly picked on by his classmates/workers. Nobody respects or listens to him and ultimately his position turns into tragic back story character. His role is to learn about friendship, compassion, and begin to heal with the new "family" he has joined. This was a let down to me. At first they seemed to be trying to balance the power's between Nagisa and the teacher by having Nagisa weak at school but strong in business and politics and vice versa. This would have been acceptable but then Nagisa just became a worthless tool to progress his backstory and only ever turned back into his original persona to conveniently finish off some business items.

His classmates consist of Sera Kaito, who is the genius engineer who teaches the class. Sera Kaito is an over excited idiot outside of building rockets. He often thinks something can happen with just saying that he will make it happen and through the show runs into trouble because he has no foresight. Later in the show he does have fatherly and sagely moments that don't fit him. The other two important characters to mention are Sera Mizuki, who plays as the wizened teenage girl who is to heal Nagisa and also act as the cheerful middle man between Sera and Nagisa. She is cheerful and nosy to the point that you cant help but hate her. She mellows out eventually but by that point its really hard to accept her. Then you have Iris shirasake, who plays into Nagisa's backstory and is really only there for that purpose. She really has no depth at all. Even at the end, with the emotions she posse's you hardly can empathize with her at all.

Then you have the pointless class room fillers. There are about 10 characters in the classroom and they only serve the purpose of being snobby little brats.You start with getting to know a little bit about everybody but it doesn't really matter. Eventually some classmates have a falling out and leave but soon enough they come back and rejoin the others without so much as an apology and the others accept them without a single bit of resentment. Skipping over this amazing showing of human goodness we can talk about what else they do. They constantly bother Nagisa and seem to not have any concept that they are workers. I should say that this in itself wouldn't bother me if it wasn't such crazy amount of harassment. They might have been more interesting if they spent more time developing their odd quirks like the super hacker classmate or the lab coat engineer girl..etc. That how you will have to remember them because that's how little attention these characters get.

Other than these characters you have certain political and business characters and again little is to be said about them. They are there to progress the tragic kid, coming into adulthood story.

In summary you have insanely annoying characters with little to no development and odd interaction among one another that doesn't really fit into the typical mold of today's society.

Enjoyment 5

I was fully prepared to write a shining review for this anime but I just cant after I finished it. The story has several interesting angels to explore and I cant really complain about it. There are a few plot holes, or possibly things I don't understand about it but again nothing so bad as to detract from the experience. The art and sound are fine enough to watch without being distracted in a negative way. The characters are what kills this anime. Between the odd mood swings and questionable judgment calls from the characters you hardly have enough time to find enjoyment in even some of the more relaxed and smile driven episodes. This anime is not terrible, and I think people should give it a try.


TLDR; Watch it, its not terrible. I think it could have been better, but who am I to judge that.

Reviewer’s Rating: 6

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Sep 28, 2015

Flawfinder

Not Recommended

Without giving too much away about my personal life, I work in IT. My job involves tinkering with technology that helps improve people’s lives in ways they didn’t know they were being helped whilst never getting the recognition involved with being involved. Whilst I’m not the most knowledgeable when it comes to what’s current or how it’s implemented or how to use Linux for everyday life, I do know that this is a tough career path and even getting started can be a big pain. Interviews suck, especially when you pass many of them only to fail at the final stretch. The learning process is ... worse than Dark Soul’s. Multiple failed projects. Corporate decisions screwing you over. The works.

So I guess in a way, there is some merit in Classroom Crisis portraying that part of my life. Doesn’t change the fact that the show can go fuck itself though. You wouldn’t defend the more boring iterations of the Assassin’s Creed series solely based on how much effort was put into accurately portraying the time periods said games take place in. And it doesn’t help that the show’s actual handling of business politics is about as insightful as a Captain Planet episode - although I’m pretty sure Sly Sludge had more smarts than anyone in this mess.

Classroom Crisis is once again another show following the trend started by Jun Maeda in that it’s written by a sort-of-established visual novel writer who had the same stupid “how hard can it be?” thought all of his predecessors had before proceeding to spontaneously combust himself due to his inability to escape the trappings of his preferred medium, ironically at the same time as Maeda’s own second combustion. But say what you like about Charlotte - I certainly have - at least stuff happens in it! Guy finds he has power, proceeds to abuse it, gets punished, is roped into a strange place, finds out he's part of something bigger, deals with tragedies, reverses a few only to run into something irreversible, sacrifices himself, and ultimately grows as a result even if his brain is too damaged to remember said growth. On the other hand, after three anime, Fumiaki Maruto still hasn’t seemed to grasp the definition of the word “story” at all. And with this show he seems to have forgotten the definition of the word “character” as well.

Maruto’s last anime, Saekano: How To Be A Boring Heroine, shot itself in the foot before it left the starting gate with its intentions to focus on “character” at the expense of “story”, but at least the characters had identity. This time around, ninety percent of the cast don’t even get so much as a description worthy of a gaming instruction manual. They’re just a bunch of faceless gimmicky extras, led by a teacher who couldn’t be any more obnoxious unless he suddenly turned into a racoon who’d give you rabies every time you answered a question wrong. Actually I don’t recall the teacher doing anything in the show at all - let alone teach - unless you thinking talking big counts as doing something (it doesn't). The ratio of things that happen to him as opposed to things that happen by him is so one-sided I don’t think there’s a scale big enough to represent the number on the former side.

The only character who actually has some semblance of characterization that doesn’t make me want to blow my brains out is the transfer student and arrogant rich boy, Nagisa Kiryuu. And I’m being very generous here, because his characterization is pretty much Chazz Princeton’s from Yu-Gi-Oh GX without the unintentional humor in that he’s a brat from a respected family who gets beaten down by his older brothers because being rich equals being a Lex Luthor wannabe who doesn’t get that the guy was articulate in his evilness. Oh, and he eventually becomes nicer after being forced to work alongside the idiots surrounding him and discovering they’re not all that bad. Fan-fucking-tastic character writing. Next we’ll be showering critical accolades on a character story about a young boy who has his innocence shattered when he discovers that people die in war.

There’s this girl named Iris aka Rei Clone #4395714, and the show beats you over the head that she knew Nagisa in the past so ham-handedly that it might as well have had a neon sign pointing that shit out over her head every time she so much as appeared. But apart from that, she has absolutely no identity whatsoever and barely interacts with Nagisa or do really anything of significant importance whenever said neon sign isn’t turned on. She’s less of a character and more of “plot mcguffin with tits”. Not that being an emotional girl is any better, as Mizuki (had to look up her name because she’s that forgettable and unimportant to anything going on) discovered the hard way with her “I’m nice and maybe have a crush on this bad boy” routine. Maybe if you didn’t devote large sections of your show to explaining a bunch of political business stuff that I couldn’t give two shits for, I’d actually see these characters as someone worth giving a damn to get invested in.

So the characters are boring with no relatable or interesting flaws whatsoever, but that doesn’t mean...well actually yes it does mean your show is doomed from the start, especially when your story leans so heavily on them. But even if you had gotten the cast of The Breakfast Club to star in this thing, it’s been awhile since I’ve seen such an awful case of “story driving characters” rather than “characters driving story”. Again, like Saekano - and White Album 2 to a lesser extent - there doesn’t seem to be much of a driving element to Classroom Crisis’s plot at all. As such, I don’t know what I’m supposed to care about or even who’s supposed to be the main hero that holds everything together.

After the anime starts with the world’s most boring and throwaway terrorist scenario, Nagisa informs A-Tec upon his rescue that their group is dissolving and they’ll have to go their separate ways, but that’s literally all there is. Why should I care if they dissolve? Will they lose their homes if they do so? What dreams do they want to accomplish by being in A-Tec? What is the importance of building these machines? Well we never know, because the situation is resolved due to some legal loopholes without much of a struggle on the characters’ end and there’s still two-thirds of the anime to go. It’s like watching an episodic family sitcom scenario except stretched to four times the length and without any laughs in it.

We then spend the next third having the characters live their lives. No seriously, that’s it. They just live their lives with the only central mechanic being Nagisa warming up to them - which as I’ve stated earlier doesn’t count as a story at all and certainly doesn’t have anything challenging about it - whilst dealing with their projects in the most saccharine way possible. They spend graduation by going to a beach, Nagisa has to pass a test, the characters resolve another random hostage situation that to be fair is better executed than the first one, the characters attend a school festival, and all I can think about whilst watching that shit was “wow, I am really bored. Hey, wasn’t there a plot point about the company stealing money for their own personal reasons? Are we ever going to get back to that? I feel like I’m watching Dragon Age: Origins’ ‘epic elements with no central narrative’ plot if it was channeling Dragon Age II’s ‘daily life of some random jackass without making anything actually happen’ snorefest”.

What is up with visual novel writers and wanting to assemble all the pieces first before putting them altogether at once anyways? Not only do I not see why you can’t just put them together as you introduce said pieces, but you can still make mistakes when going all in at once when said assembly is complete. This becomes particularly true when Nagisa is forced to make a sacrifice in order to save his friends by involving himself into the company’s inner-workings in the final third of the show, putting him in a position of betrayals and internal danger. Sure it makes no sense why he couldn’t explain his plan to the others or why it took so long to get to some conflict that actually might go somewhere, but I’ll take it if it means we can finally have some actual driving tension to what’s going on.

Unfortunately, even that is badly handled, because the show still won’t install any sense of importance to the proceedings to the point that everything feels padded. We have to sit through long long long scenes where Nagisa has to talk about business politics with characters we don’t know, and they barely affect the plot or involve the characters he’s supposed to be saving, making them incredibly tedious. The only part that resembles an actual driving conflict where stuff actually happens comes right near the end when the show reveals why A-Tec’s money has been withheld from them, along with some more plot twists that were sort of hinted at earlier on involving characters that barely contributed anything before now. Not going to spoil them, but let’s just say I didn’t throw out that Captain Planet reference in the beginning of this review lightly.

So you want to know what said conflict leads to? What actual character struggles result from their new discoveries? What these sudden plot developments actually lend to the narrative? So the fuck would I. Because Classroom Crisis thinks the best way to conclude itself would be to get sidetracked again with a kidnapping scheme caused by a boring asshole that exists solely to have a convenient excuse to have the characters utilize their individual skills for an agonizingly bad happy ending that was as soulless and token as they come. Mild spoilers: there's literally nothing to that ending but the good guys triumphing over the bad guys with no meaningful sacrifice or journey whatsoever, the shallowly naive message that dreams beat corporate, tons of loose ends that never added to anything, an incredibly tensionless rescue scene capped off with a nauseating and crowbarred-in love triangle element that made me want to hurl vomit all over my computer screen (seriously, what is up with Maruto and his fetish for love triangles?), and LOTS. OF. TALKING. The show literally just assembled the pieces, let them do the work, and then went off to have a milkshake without realizing that the autopilot navigation system has been faulty for months.

That's got to be the most anticlimactic way to pay off on all your buildup since that godawful Robotics;Notes anime! And speaking of R;N, this show sure seems to take an awful lot from that anime in addition to how it ends, doesn't it? Like the character types, poor pacing, sci-fi setting, saccharine humor, large sections of the plot, and even being written by a visual novel writer who's gone completely downhill after his breakout hit. As the 40-year old virgin's friends said in regards to the only date he's ever had in his life, "fuck that".

I don’t usually spend this long on a review talking about the story, but it’s absolute dreadfulness kind of overshadows everything else. But that doesn’t mean everything else gets a free pass. The animation is really terrible, like something from a bad 90s OVA bar the OreImo designs. And the music is bland across the board, from the opening credits to the actual OST. Out of curiosity, I went to Wikipedia to find out what amateur composed this anime’s piece of air and found it to be none other than...the guy who did the triumphant bombast of Haikyuu and Gundam Build Fighter’s soundtracks? As well as Death Parade’s? I soon saw he also did Robotics;Notes’ blandness and it all made sense. Obviously, this is a guy who realized the same thing I did in that there’s no future for anime written by VN writers and vowed to bring that across in his compositions. And if the music guy thinks your anime is shit, who are you to argue?

We should really start listening to these semi-major anime industry guys more, less we end up with more cartoons like this fucking atrocity.

Reviewer’s Rating: 2

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