Hello and welcome to a world of eccentricity and confusion...
-Formerly GibbonTheTurtle, so-called for the breakneck pace at which I've devoured anime over the past ten years.
-Equal measures of serious and casual in my tastes, but overwhelmingly favour older works over newer ones
-Often my score isn't the whole picture, which is why I've since started providing descriptions in the Tags section of my animelist. Hopefully they should be able to give a clearer picture of just how much subjectivity factored into my scoring of any given anime (I do try to be forthcoming about it - wherever it catches my notice, of course)
-The Tags in my animelist are mostly self-explanatory, but the tag "Typical Gibbon Fare" is something I myself find hard to put into words, as it describes an odd kind of niche I've created for myself - typically consisting of mostly-forgotten or (more typically) ignored shows from the 80's, 90's or even early 2000's that lie somewhere between eminently-forgettable to enjoyably-bad, that I seek out not necessarily for ironic enjoyment, but rather for a certain indescribable aesthetic appeal
Likes:
-Retro aesthetics, especially from the 80's and a fair bit of the 90's as well
-Authentic depictions of Japanese (or any other) culture, both older and contemporary, as well as folklore
-A healthy dose of the silly, the frivolous, and the patently absurd and nonsensical
Pet Peeves:
-People with 300+ entries in their lists (or otherwise generally well-informed users) persisting with the Western convention for Japanese names ("Mamoru Oshii" is my biggest personal offender). I do realise that puts all but a small handful of users on this site in that bucket...
-Female voice-actors voicing adolescent/adult male characters, often in unconvincingly hoarse/raspy voices: I'll tell you what - why don't you have well-known male actors un-ironically voice female characters in falsettos not played for laughs, and we'll call it even.
These days I don't take anime very seriously, coming back only for the occasional so-bad-it's-good fare, or some typically obscure retro-OVA or such. And as such, I may not visit my account for several months on end. So sorry if you don't get a quick reply - or even a reply, period.
|
All Comments (157) Comments
I think the show looks that way because it's from the abh POV and specifically lafiel and jinto, the show knows how cruel and basically monster-like the abh are and jinto is thrown in malestrom, he's not some revolutionary, he's just a guy working for abh.
you have fair points though, great analysis.
As far as direction is concerned, Kakushigoto is pretty conventional. From what I've seen, this show doesn't offer much in the way of animation techniques. I'd still recommend it all the same.
It's a charming, heartwarming anime that cares about its main characters and their struggles. Kakushigoto offers a lot of amusing hijinks but it also tells a story of relationship issues (the father's attempts at hiding his true identity and the daughter's efforts to learn more about her dad) that you can really sympathize with.
Kakushigoto is my favorite anime of the season and I think it's something you might enjoy, too.
I believe my take on the mangaka's intentions probably should be revised if Jinto's intentions indeed were primarily driven by his desire to become a unblemished heir in the Abh governor system of incorporated territories. And as I recall Jinto was not a careful cautious personality (wears-one's-heart-on-their-sleeve) who was prone to lying to others about his inner beliefs/intentions.
Have you seen Castlevania by any chance? The physical and mental relationship dynamic between Lafiel and Jinto is similar to that between an immortal vampire and a human. Though the conflict as you so succinctly mentioned between the dominant and the subservient was much better explored in Castlevania, and in the context of challenging and accepting domination between 'master' and servant. Or even learning to love or hate the other species depending on their interactions.
Thanks for the lengthy response and friend request.
I finally got around to watching Rikyu (1989). Despite the idiosyncratic comic touches, there were surprisingly and pleasantly many parallels with Hyouge Mono at its core. I for one was doubly appreciative having watched Hyouge Mono first so that I could properly understand and appreciate the character’s intentions in the Rikyu film. Their sincerity, particularly Rikyu’s pure intentions, deeply moved me. One of which was Rikyu’s ardent opposition to the invasion of China and wanting to bring to bring the tea ceremony back to it’s spiritual roots
I completely agree with your comment. The actor’s performances especially Yamazaki Tsutomu were excellent, as was the politicking bureaucrat Ishida Mitsunara (Bando Mitsugoro X).
If you don’t mind me asking, where do you procure these classic japanese films? Is there for example a video streaming service that has these classic films on server?
That PS: comment was hilarious. I completely agree .Though it is not always the case, I always tend to shunn any films that just enlist popular celebrities with no acting chops. Films that come to mind are comedy movies that just enlist popular comedians working with terrible scripts and hoping that their names are enough to fill seats in cinemas.
I admit I am not too knowledgeable about Japanese history in general. Yes, I think an overly positive portrayal of Ishida Mitsunari is unwarranted; however if I were to interpret Japanese historiography in the same manner as Chinese and Korean historiography then I am naturally inclined to consider whether Mitsunari has been negatively portrayed by later traditional academic scholars on the basis that he had lost and Tokugawa had won. Or in the opposite case, Mitsunari's allegiance and then death in the service of Hideyoshi could be lionised in instances like the oath of the peach garden.
Of course that is not to say that scholars living in Tokugawa era would irrationally portray certain historical figures on the losing side as overwhelmingly negative. I am also aware that Japan was still operated by a much more decentralised feudalistic system (clan priority in the Taiho code, preference of blood over meritocracy) that might allow for a wider differing amount of opinions and records from different authors compared to the centralised stateworks of Korea or China.
I wonder if later historian works post-Tokugawa lended a more sympathetic perspective on Mitsunari in the same way that Cao Cao was given a much less negative depiction and Liu Bei a much more scrutinising light by scholars from, say, the Qing dynasty. But on a more critical light I think these biases do tend to creep in.
Haha I guess I wouldn't mind a loosely historical fictional work(though it is not preferred) so long as it is riveting. Though from the sounds of it, it sounded like the director was obssessed with Mitsunari to the point of disbelief in the film. I don't know how the director thought that Mitsunari was a high-minded idealist. Where the heck did that come from?
I also had the chance of reading through some of your reviews. One of particular interest was the Crest of the Stars and the sequel.
I watched them such a long time ago I can barely remember the details of the series. On the otherhand my initial feelings after watching the series was in the same vein that LotGH was narrated from a historical type of perspective. Though in the case of crest of the stars from a biased historically revisionist point of view.
I have not done any research about the mangaka's personal beliefs or political leanings but I thought the story was quite frustratingly sad.
(The Abh origins themselves are the product of east-asian ultranationalists who genetically engineered slaves for deep space exploration with a sort of founding victim complex to their history.)
I thought the story was clearly showcasing the viewpoint of an overwhelmingly powerful coloniser. I never considered the idea that the mangaka was actually being un-ironic in his positive depictions of the Abh.
Jinto the main character and most prominent Terran in the series is typically sent as a hostage to the Abh capital (or military) to learn the ways of the Abh so that he would be a sympathetic puppet for the Abh empire. I found it very relatable compared to human history [Mali (Songhai princes), Ottomans (European princes), Oda/Tokugawa (daimyo families in the capital), India (Arthashastra), China (Warring States princes), Rome (subjugated peoples and client states, Arminius) etc.] Especially the Ottoman case where Ottoman princes might grow up alongside the hostage sons of European monarchs.
Jinto would eventually become so integrated into Abh culture and it's military institutions to the point that he could not even think to try to rebel against the Abh empire such as the case was for Germania, Songhai and Wallachia.
Furthermore it was frustrating that Jinto would feel so helpless that his moral compass eventually settled into appeasement and settling to his future role as a subservient Abh puppet administrator charged with keeping Terrans below the rank of the 'superior' Abh for the sake of preventing genocide against Terrans.
Again, I must emphasise that it had been such a long time since I have watched Crest of the Stars and Banner of the Stars.
And again thanks for the recommendation mate.
Also, Gunsmith Cats is my #1 favorite manga, so right on!
If it's a really misleading rec I could always delete it.