Hi, I'm Milky and I like to watch anime. Well, I've definitely seen a ton of it to say the least, and more than anyone's share of 80s and 90s stuff respectively.
My grades are merely a matter of personal taste and don't indicate how I feel others should rate certain anime programs.
Also I believe anime can be made however the creator wishes, because at the end of the day there isn't merely a right or wrong way for an anime to be made, but rather, there is only an anime that entertains me or an anime that doesn't. It's that simple. ^_-
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All Comments (254) Comments
I'm trying to reunite the folks of C3F on discord. Got Chim, hawk, darky, Jeff and a bunch of others in there already.
For details: https://lynkformer.com/2019/03/24/the-anime-crisis-center-returns/
~ Lynk Former of The Anime Crisis Center
Oh yes Vampire Princess Miyu is some top notch stuff. I'm really loving it. One more episode to go...
Robot Carnival....Robot Carnival....Robot Carnival...been wanting to buy this on VHS for years now...One day man...one day it shall be mine. As for Kite I re-watch this like every six months. Last re-watch I was drawn to how effective the music was. That dark, powerful, and intense jazz score that goes through the whole show cuts deep down to the bone. But I could totally imagine listening to it outside of the show, on public radio or over the speakers at port authority. It's "that" kind os music. I just love it. Can't think of many other anime with truly authentic jazz in it. Sure there's tons of jazz-inspired soundtracks, but nothing like this, that works so well with the mood of the show.
I live in the Waukesha area.
There's a lot of subtly in the facial expressions, the details in the background. So good. But there's one thing I'm just still unclear over; Riquinni immediately forgiving Lhadatt for sexually assaulting her. Even APOLOGIZING for hitting him over the head to protect herself. At first, I found it so baffling and ridiculous. But this time around, I'm just trying to come up with my own conclusion, here. Only thing I can think of was that Riquinni wanted to end the situation before it got too melodramatic, or maybe she really is that forgiving of a person.
I appreciated that Lhadatt took that night as a hint to distance himself from her for a while. Only telling her that he has to go before he leaves on the train, with Riquinni accepting what he was attempting to do and just leave it at that.
I don't feel any anger towards Lhadatt, though. Because it is immediately shown that he did feel regret over what he did, opening up to Matti even over this moral situation. I think part of his speech when he made it to space, stemmed from his own guilt towards hurting her like that. And wanting forgiveness for his actions.
Amazing ending song, btw. As silly as it may sound. I think it's one of my favorite things about the film. Sometimes a good composition or song can help overlook any fault I found in something, and Sakamoto, Ryuichi is a composer I've come to respect lately.
It's up there with Ghibli films in terms of astounding Japanese animated Cinema works.
Yeah, it probably does you in your case.... :P I have yet to see Patlabor movie 2, btw. Which I'll have to fix whenever I'm up for it. I have a bad attention span when it comes to watching slow films on my PC...
What did you think of Sky Crawlers? Lot of people like it, but personally I found it a little heavy handed and unpleasant. It was Oshii at his most cynical, it felt.
Yeah. I have a friend on here who's really big into Natsume, so I will have to start the first season one of these days. So much anime, so little time.
I think my overall problem is that I had goals. I had previously lived without any and I can't recall ever being so miserable. It was whenever I had them that I felt sick. I think I just need to take it easy and be a farmer or a recluse.
I fear that I might have 'not gotten it' quite completely, first time around. It's one of those things that needs to be pondered for a while. At this point in time, I think that's something I appreciate. From what I understand, it is about that, essentially. With the girl being symbolised as the last touch of innocence in a world of corruption of darkness. The man taking her egg and destroying it could have meant that he(the world) eventually destroyed what innocence there was left in the world. One thing I'd like to understand more would be the part with the giant coelacanths shadows. :P
I think it's one of the few Oshii titles I've gotten something out of though, aside from his UY directed works.
I'd say go for Dirty Pair since Natsume has enough material to provide even more seasons. I wouldn't be in a huge rush.