- Last OnlineDec 27, 2024 9:24 PM
- GenderMale
- LocationCalifornia
- JoinedSep 6, 2015
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Other Stuff About Me Interests/Hobbies/Pastimes Watching anime & reading manga, checking out MAL, watching my local sports teams (basketball, football, and baseball sometimes), drawing, working out, playing video games, getting immersed in some binge of research online on a random topic, making various types of Google Docs, listening to music, journaling, and scrolling through Reddit or YouTube. An uneventful life, but I try to make due with what I got. I'm a bit of a homebody; it's debatable whether it's voluntary or involuntary. What I'll be doing depends on how lazy, or, conversely, how productive I'm feeling. What is my General Outlook on Life? What am I Like? Here's a great blogpost from some dude that describes me fairly well: http://www.miketuritzin.com/writing/are-you-leading-a-life-of-quiet-desperation/ Points 1-6 are a fairly accurate representation of my current world view. A lot of that sort of stuff comes from my own laziness, lack of ambition, apathy, lack of accountability, complacency, procrastination, etc. Whenever I get especially down about my life, I'll sometimes blame it on lack of opportunities, and wish that I'd be given a lucky break in life to get what I want. I know damn well that's not even close to the complete truth, but my mind likes to play mental gymnastics sometimes. There's always that inner desire that is just itching for more, and wants to make active changes to combat the dissatisfaction. It's a weird dilemma. On one hand, mediocrity and general satisfaction with comfort and security that I constantly strive for feels like it's enough (because I can be quite the lazy, complacent underachiever), but I know there's more to what I can do to feel fulfillment and happiness in life than just that. There are times when I can get in my own head about the lack of opportunities I feel that I have to make any meaningful, long-lasting impacts on my life, so I resort to laziness since things can get to feel a bit hopeless. I really, really want to capitalize on the opportunities that my youth provides me, but I'm not imaginative or agreeable enough to find something that I could buy into. I don't want to sound overly-deterministic in regards to how my personality traits affect my life, but anhedonia and lack of commitment/follow-through is largely the reason why I've under-accomplished in life. It can be incredibly difficult to maintain or spark any semblance of optimism or hope that things will change when every avenue toward meaningful change feels like I will be inevitably dissatisfied and come out with my time wasted. I suppose I can be brutally cynical and fatalistic about my position in life and what I can get out of it, but I remain composed until I can find the correct avenue for my fulfillment to be gained. All in all, there's not a whole bunch to me, it's not like there's "more than meets the eye" with me. In my eyes, I'm just a regular dude who generally keeps to himself. I would love to share some of my more positive attributes, but I feel like: a. that's a bunch of self-indulgent bullshit and b. nothing really comes off the top of my head. How I Score/Rate Scoring Scale 10 Masterpiece 9 Classic. Prime example of what the medium means to me and a landmark piece in my personal viewing records 8 Excellent show. Must watch. Has a "wow" factor. Has a strong feeling of, "holy fucking shit that was good" or just being awe-inspired instead of just "I really liked/enjoyed that". 7 Really memorable; distinct. Very good show. Has an "it" factor. Usually the baseline for withdrawal symptoms from viewing 6 Enjoyable and engaging. Liked it, but probably lacked "it" factor. Definitely found it worth watching 5 Indifferent about it. Solid at best, meh at worst. My baseline score for having an overall (at least slightly) positive outlook on the show 4 Somewhat tolerable, but was not worth watching. Mediocre in its worst form, usually 3 Bad. Actively disliked it, and could not really give a shit about any of the redeeming qualities 2 So bad it seems intentional 1 Utterly offensive and/or distasteful. Complete shitshow that words don't do justice to describe how bad it is What I'm Looking for When I Rate a Show I judge a show mainly based on personal impact, execution, and mainly enjoyment. If I had to give some arbitrary percentages, it'd probably be something like: 15% Personal Impact 30% Execution 55% Enjoyment Do note that these percentages do not apply to every show I've rated, this is just how I generally rate. Due to the nature of rating being so subjective, there's bound to be inconsistency in how I approach a show's end rating. I'm not thinking about these percentages whatsoever when evaluating a show, I've just found this is how I (generally) check to see if a show is good in my evaluation without even being completely aware of it. I pretty much evaluate this way subconsciously. Personal impact and enjoyment are both obviously subjective, but what about execution? I think execution is a healthy mixture between objective and subjective analyzation of a show, including: plot clarity and richness, the ability to deliver precise and structured storytelling to the viewer, the characters, the art and animation, having a distinct aura and/or consistent theme throughout the show, etc. Execution is the most vague category. I genuinely believe that there are certain unquantifiable qualities of a show that can just bring it over the top or make it incredibly boring that are very specific to the viewer. This is why I believe rating a show based on how few or how many flaws there are is quite simply idiotic; it ignores a show's "it" factor, and how it applies to each person. I've seen plenty of shows that I think didn't have any standout flaws, but I rated it lower than what might be expected of a show so absent of flaws (supposedly), simply because it didn't really do much for me. How I "feel" about a show is basically how I rate it. It seems a bit hyperbolic in my eyes to really try and justify why I believe something is truly good or bad in words because it doesn't capture any bit of how I feel; rather, it would just play along to the emotional response of another person reading into my words or ratings or whatever. Some things I love in shows: Authenticity, noticeable character development, witty dialogue, "good" characters (it's subjective, yo), characters navigating through seemingly insurmountable conflicts, "good" drama, accurate portrayals of self-hatred and loneliness (an incredibly hard thing to accomplish), and a memorable OST. If I had to make an ideal show, it would be a bittersweet (emphasis on the bitter), heartfelt psychological drama. What these things must ultimately do for me to really enjoy it is to create an atmosphere that immerses into the show, and/or captivates me. That is what's paramount to what I consider makes a show great while I'm viewing it. Also, shows that inspire me or that captivate me with a sense of wonder for tapping into latent feelings or extend beyond what I thought was possible in the medium are certainly indicative of my favorite shows. Another thing I really appreciate is when a show makes me feel like I empathize with the character's experiences---a feeling like I know what this character has been through in all the years of his life. So, even if I know a show is being noticeably heavy-handed with its themes or has plot holes, I'm usually willing to ignore it if I am absorbed by an interesting character arc. It's personal preference on my part. If I'm able to transplant my years of experience into the character, then I think the show's creators have done an excellent job. These feelings of empathy and connection to the character are usually further deepened after years of watching the show and self-reflection. One more thing to note is, although I try to keep my ratings accurate to how I view a show at my current state, some shows are outdated in their rating because I watched it so long ago that I can't truly recall anything accurate enough to substantiate a change in score. Additionally, as I've watched more anime, my scores have generally been getting lower and lower since I am a bit less easily impressed as I once was I was younger. So the combination of those two factors leaves some ambiguity for what the ratings are relative to my current views and whatnot. So, don't take all my ratings too seriously, they're nothing more than a vague representation of my thoughts and feelings in numerical form. Anime/Manga Goals & Milestones Goals Immediate goals: -Have fun! Don't completely tire myself or get completely bored of anime. -Complete around 400 anime, but finishing 500 would be icing on the cake. -Complete 100 manga, and finishing 150 being icing on the cake. -Find a couple more "10"s. Hunter x Hunter (2011) and Clannad: After Story are the closest anime I've encountered to a true 10. I'm in absolutely no rush though. I'm willing to finish these goals when I'm like 60 years old or something (obviously, given I'm still interested in anime, but I probably won't be), which is a long time from now. Just having fun and watching/reading good stuff is my first priority. I'm excited to complete these goals, and once I do, I'll probably drop anime altogether because I'll likely be severely bored of it. And who's to say I won't get bored of anime and manga way before I ever reach those goals? Milestones 1st Anime Completed: Naruto 200th Anime Completed: Kakegurui 250th Anime Completed: Shinsekai yori 300th Anime Completed: Fate/stay night Movie: Heaven's Feel - III. Spring Song 5,000th Episode Watched: Kanon (2006)---Rewatched 2/19/19 My Favorites My Favorites in Different Mediums (Not Including Anime and Manga) Favorite Live Action Films: The Dark Knight, Whiplash Favorite Animated Films: Cars, Toy Story 2 Favorite Albums: Illmatic by Nas, Madvillainy by Madvillain (Madlib and MF DOOM) Favorite "Kids" Shows: Spongebob Squarepants, Courage the Cowardly Dog, Drake & Josh Favorite Books: The Brothers K, On the Fringe Favorite Video Games: Paper Mario: The Thousand Year Door, Ratchet and Clank: Up Your Arsenal, Gran Turismo 4, Fable: The Lost Chapters Favorite Characters on My List Explained 1. Reki (Haibane Renmei) Reki is a really, really fucking good character. I've never seen a character that so closely embodied my coveted morals in their actions. (SPOILER ALERT) Reki's struggle to come to grips with who she truly is in order to find salvation was just beautiful. It really made me reflect on the purpose of my actions in my own life. Is it solely from selfish desire to be looked upon favorably by an elusive God and others, or is it my actual integrity that wills me to do good? Am I really deserving of eternal freedom and salvation? It's questions like these which Reki seems to answer (with the help of Rakka, of course) in this show that make her utterly incredible. Her bouts of loneliness and seeking to find her true essence in her very livelihood hits very close to home. What's incredible about Reki is although she feels hopeless in her pursuit of salvation, she always looks for answers. Her virtuousness and selflessness in times of severe distress and isolation are admirable. It's even better, to me, that she eventually lost her balance, overcoming to pressure, because it really showed that a human can only go so far. Her unwillingness to show vulnerability and her stubbornness to the notion of accepting help are certainly relatable. I don't agree or see eye-to-eye with Reki on all things; e.g. her self-harm and her blaming others for always leaving her, but regardless, there's a lot to love with Reki. 2. Misaki Nakahara (Welcome to the NHK) Misaki is the greatest representation of having a low self-esteem, and perhaps more specifically, avoidant personality disorder, that I've seen in any medium. Broken and repressed by familial circumstances and distorted sense of self-worth, she feels completely powerless and timid in taking control of her life. When she eventually tries to break free, her "get out of jail" moments are evident of a person whose had years of no sense of control or ownership in her own life due to unfortunate circumstances. To blame God as evil in the hopes that every part in life she's at fault at is to blame on something much greater and much more evil than herself. To seek the company of others she could only consider more worthless than herself in the hopes that she can feel what it's like to be worthwhile and superior; a result of of her twisted perception of self-worth. Misaki is desperate; she needs to feel validated, she needs to feel like she has a reason to keep on living. She's a character who acts on selfish whims, and does detestable shit. I fucking love how she's handled as a character. Misaki knows that these illusions she puts up in her life and the optimistic front she puts on with Satou are mere distractions to the harsh reality of worthlessness she attributes to herself that sticks with her against her will. Misaki is quite the pitiful character; not in a cute way (although she has her moments), but in a very unnerving, saddening way. I also very, very, very deeply resonate with Misaki's theme song: https://www.youtube.com/watch?v=apBktnOgZzQ (SPOILER ALERT) Even though Misaki is ultimately a large reason why Satou eventually gradually from his hikikomori lifestlyle, it's important to understand that she, although very human-like, does not exist. Yeah, yeah, it sounds obvious, but let me elaborate. Being familiar with the background of the original author of this series, Tatsuhiko Takimoto, I know that this series is ultimately a fictional representation of what can go right if one puts the work in to change their lives for the better. Misaki helps teaches a great lesson in trying to avoid escapism; her suddenly showing up in Satou's life is not an excuse to wait for some girl to come along and save you. 3. Urara Shiraishi (Yamada-kun and the Seven Witches) I fucking love Shiraishi. Simply put, Shiraishi is best girl. She puts Yamada in his place when need be, is unobtrusive in other people's privacy, does not get caught up in misunderstandings at all, can take care of both herself and others, is extremely intelligent, only gives genuine smiles, is honest (although she's forthright, she's still endearing as hell), and shows clear affection to Yamada only (doesn't beat around the bush, either). Yeah, yeah, her character design's okay, but that's not the point; a shit ton of other characters are designed better than her. Ain't nothing beats Shiraishi for the girlfriend material shit though. C'mon now, there's no debate for me. 4. Kazami Yuuji (Grisaia No Kajitsu Visual Novel) Very, VERY important to note he is my favorite from the visual novel, NOT the anime. Yuuji in the visual novel made it a solid 9/10 at the very least for me. Yuuji's ability to come up with vulgar, yet witty jokes at any moment were always hysterical. The dude's a fucking tank, can kick ass, and is a workout monster. A lot of his inner monologues in the VN are legitimately some of the most interesting and thoughtful stuff I've read. Overall, he's a blast to have as a protagonist because you know he's fun as hell, yet always cool and stoic about his every action. He just gets shit done. 5. Naoyuki Okazaki (Clannad series) Another who reminds me of myself, but for the bad reasons. When I think of my future as a father, and if I were to go under the same awful circumstances of Naoyuki (losing his wife, spontaneously hurting his son when coming home drunk), I believe I might end up the same as him: apathetic, an isolationist, and unattached. The thing is, Naoyuki really is a good person at heart. Despite our best efforts to upkeep good relationships and obligations, circumstances derail us as human beings much more than we'd like to admit. This dude worked his fucking ASS off even after his wife died. Naoyuki then took it upon himself to raise his son, bearing the burden of an intense depression and a heavy workload as a single father, but he never made any complaints. Unfortunately, he took off more than he can chew, as things really went sour in his relationship with Toyoma when Naoyuki was drunk and out of control and busted his Tomoya's shoulder. Afterwards, you can see that Naoyuki becomes quite unattached to Tomoya and is always sleeping, passed out from becoming too inebriated. He had more or less kept his promise to his wife to raise Tomoya by that point, and he'd become burnt out beyond belief. With no hobbies, no friends, no passion in life, and no close confidant he could rely on, he became a living sad sack. Criticize him all you want for putting of his eggs in one basket in life with his wife, but this is just how some people find value in life. Personal relationships are at the core of Clannad in the first place, so this is no surprise. Circumstances wait for no one; so despite Naoyuki's attempt to make life right for Tomoya's sake after his wife's death, it became clear that he would be unable to handle the load. Naoyuki is a great lesson in doing the right things, but ultimately falling short. He made me question if redemption is possible, and if so, what would one do with the opportunity to redeem themselves. Favorite Characters Not on My List Just Missed the Favorites Cut Kaname Chidori (Koi Kaze) GOAT friend. Doesn't justify Koushirou's bullshit at all, but shows compassion where it's needed. In the eyes of the moral absolutists, people would hate this woman, but she is pretty much all you could ask for in a friend. Yuuichi Onodera (Oyasumi Punpun) His struggles with love were some of the most raw, yet accurate representations of the human condition I've ever seen, maybe only second to one other book, but that's completely beside the point. Yuuichi exemplifies the difficulty of maintaining sustainable joy throughout your life no matter what you do. Even through the apathy he might feel towards the world, he still somewhat keeps a moral center, and lives with his difficult reality. In his struggles to accept the past, he had to really come to terms with himself. He maintains being an asshole in his life, but that's how it is. It's interesting to see a character who just truly shows what it means to be a person who lives with the unintended consequences of suffering when trying to pursue one's own happiness. Deishuu Kaiki (Monogatari series) He's very easy to hate at first because he put Araragi in a shitty situation in Nisemonogatari. But, as we learn more about him in Monogatari: Second Season, we learn that Kaiki is actually a good person at heart, and all his fronting for how bad he is is just as much of a lie as the con-artist shit he always pull off in the first place. I mean, come on, the whole basis for his character is basically being a liar, a "fake specialist". His attitude makes his screentime some of the best in the Monogatari series; his lukewarm energy always on display and the constant deception makes for some hilarious parts with Kaiki. Meme Oshino (Monogatari series) "Did something nice happen to you? You're so full of spirit."Meme is the perfect side character: limited screen-time presence, but helps Araragi (the protagonist) through all his trials and tribulations with ambiguous advice. It always seems like problems are non-existent when Meme is on-screen; his laid back approach to everything and anything seems to trivialize high-pressure situations. Although Meme seemingly helps Araragi, the fact that Meme never picks a side always seems to shroud his intentions, adding to the uniquely weird character that he is. Listen to Meme's musical theme, and I think you'll get a good sense of who he is: https://www.youtube.com/watch?v=OS4IavesMaU Toua Tokuchi (One Outs) You know those (debatably) insanely smart anime protagonists like Light Yagami, Lelouch, etc? He's the best version of those types I've encountered thusfar. Since we don't know his thought process, we don't know what he's thinking till after he performs his confusing actions that always get him a win. That doesn't hinder how good he is at all, though. Toua is the most cold blooded, conniving, and confident protagonist in the best way possible. His reasoning for his thought process when obtaining his complicated wins is always incredibly intelligent and actually makes sense. He (seemingly) never pulls anything out of his ass unlike other MCs. He's also great because even though people try to take advantage of him by putting in him in harshly disadvantageous situations, he never gets taken advantage of, and makes the other people pay. Franken Stein (Soul Eater) When Franken Stein underwent insanity, the distinction between good and bad that he struggled with in his mind was some of the best anime I've ever seen. His thought process is complex and very well thought out in my opinion, and for the enlightenment he gave me, he became one of my favorite characters. Even more, his character design is some of my favorite with the built-in screw on his head, and the lab jacket w/ glasses he's always wearings. Something about the way the character design all goes together for Stein is just awesome. Furthermore, Stein keeps it calm 95% of the time, but when you incite it from him, he's completely nuts. He's equally enjoyable in both scenarios. Molester Man (Molester Man) Probably one of the better self-insert characters out there. Since this story was based on actual events, you can see how human this character is, and therefore, how relatable he is. His misunderstandings and thoughts about the girls are utterly hilarious, and are the exact sort of shit I might think of/do. His everyday events are completely unfiltered, so you get to see how pathetic or sometimes cool he is. His overreaction to small things is also spectacular. Tatsuhiro Satou (Welcome to the NHK) Most of what I said for Molester Man applies to Satou. To add on, though, Satou's relationship with Yamazaki was also a great joy to watch. Those guys have great friendship chemistry on screen together, and it's because we get this story through the eyes of Satou, we see how he always urges Yamazaki to believe something completely ridiculous. Satou is also a good character because we see how embarrassing being a hikikomori really is. Seeing the shitty lifestyle choices of Satou (regarding maintaining one's self through money, a social life, and health) helped me understand myself, and how destructive my actions in life were/could be. Satou helped me have a wakeup call. He definitely comes with his flaws, including being a complete dick to Misaki, being completely oblivious of any things a hikikomori would probably already know about, being a bit bipolar in how socially available/proficient he is, among other things. My point still stands, Satou is a great character because we get to see his imperfections. God (Oyasumi Punpun) God from Oyasumi Punpun is the embodiment of dark humor done right. His face is so damn perfect for the role he fills in the story. His constantly smiling face, saying some of the nasty thoughts that lie within the dark recesses of Punpun's head elevates the idiosyncrasy of this story to a whole new level. Other than one other change of expression that comes by rarely, the unchanging, indifferent smile of God in Oyasumi Punpun is just fantastic for the story. Mikoto Urabe (Nazo no Kanojo X) Some of the writing for Urabe is dumb---like the scissors attack she commonly does after Tsubaki oversteps his boundaries with her, but other than that, Urabe is amazing. Especially when she's flustered or happy, she's absolutely adorable. Her aloof, independent nature makes it all the more rewarding for those who are able to become close to her. Kou Kitamura (Cross Game) His chill demeanor, and just how he carries himself is kind of like me. He also has my same neutral expression. Always fun seeing how he treats other characters, too. Kakashi Hatake (Naruto) Best character on Naruto. Always a good time when he's on screen. One of the best trolls. Mayoi Hachikuji (Monogatari Series) Hachikuji is such a genuinely grateful, supportive, real friend. Her maturity and ability to put up with Araragi's antics are what makes her so awesome. Araragi looks to Hachikuji for advice, and she is more than willing to talk about it and offer grounded, useful insight while cracking jokes and bringing general levity to otherwise serious problems. She's a great character and "person"; chill big sister type beat. I get they have a schtick with the biting the tongue bit and the sexual assault/molestation thing, which are absurd, but their relationship is so realistic. The balance between immaturity (her physical body plus antics she puts up with) and maturity (showing genuine kindness, being there to offer sound advice) is what makes Hachikuji somebody to aspire to be like. Araragi Koyomi (Monogatari Series) Araragi is one crazy motherfucker, and the character that ultimately makes the Monogatari series so entertaining. Itsuki Koizumi (The Melancholy of Haruhi Suzumiya) You gotta love how Koizumi acts as a complete yesman to Haruhi, and almost always says some vague, weird shit with a fake smile on his face. I find him to be a hilariously weird and suspicious character. It's almost like he's the weird friend in the group that's there for no reason. Other Enjoyable Characters that Stood Out Yuiko Kurugaya (Little Busters! series) The great thing about Yuiko is that she can take care of her damn self perfectly fine, but obviously thrives when she's with her romantic interest, Riki. Even better, she's fiercely intelligent, can kick someone's ass when someone pushes her, speaks honestly, initiates romantically, and has an attractive character design. She also seems to be very level-headed, which is a major plus. Dosu Kinuta (Naruto) My friend and I used to joke about this character a lot. Funniest character design. Isaac Netero (Hunter x Hunter [2011]) I of course love Netero as a character, but he is near the top as one of my favorites because he has the best quote I've ever come across in anime: "Don't underestimate the human race, Meruem... Meruem, king of ants, you understand nothing... of humanity's infinite potential for evolution!" Tomoko Kuroki (WataMote) Single most hilarious character. Tomoki Kuroki (WataMote) Tomoki's reactions to Tomoko are hilarious; he's had enough of her shit. He reminds me of myself if I were in his shoes. Shizuku Sangou (Kampfer) My OG best girl. Touma Kazusa (White Album 2) Best girl in White Album 2, does her best not to interfere with the original relationship w/ Ogiso which was cool (even tho she's clearly best girl). Tomoyo Sakagami (Clannad) Takes care of Tomoya, is direct in her approaches, doesn't really care about her reputation, kicks ass? That's a good character. Takamatsu (Angel Beats) Best comic relief character. It was scary how similar this guy is to one of my classmates, which made him extra funny. Fuhrer King Bradley (Fullmetal Alchemist: Brotherhood) Complex intentions, plus my friend and I always talked about this character. Badass. Ryuu Yamada (Yamada-kun and the Seven Witches) My man Yamada. In a hypothetical sense, would it be fun to hang out with this dude? Hell yeah. That makes him a good character to me. Yamada is a highly entertaining character that can kick ass while still being friendly. And his chemistry with best girl Shiraishi is off the charts. I mean hell, all four of the main characters are fun to watch. Ichigo Kurosaki (Bleach) Ichigo appealed to me as a character because he just seemed like a guy I'd want to hang out with. Similar to Yamada, the delinquent with a good heart type of character usually make for entertaining, friendly, and sometimes relatable characters. Although I enjoy eccentric and weird characters, it's annoying sometimes when dumb character quirks take away from an anime experience for being too idiotic. That's why Ichigo stood out among the pack of characters when I first started viewing anime. Ichigo seems like a cool dude, especially at the beginning of Bleach, and his transformation near the end is most definitely some of the most badass shit I've ever seen. Don Kanonji (Bleach) I sang about this character w/ my friend lol. The "Don Kanonji" song. Favorite People (Not Characters) Not on My List Saori Hayami (voice actress/seiyuu/singer) Notable work: Urara Shiraishi from Yamada-kun and the Seven Witches, Yukino Yukinoshita from Oregairu, Yononoki Otsugi from the Monogatari series Nao Touyama (voice actress/seiyuu/singer) Notable works: Yui Yuigahama from My Teen Romantic Comedy SNAFU, Chitoge Kirisaki from Nisekoi, Karen Kujou from Kiniro Mosaic, Tsuki Ga Kirei's opening theme singer Rie Takahashi (voice actress/seiyuu) Notable work: Takagi from Skilled Teaser Takagi-san (my only gripe was Takagi's laugh---it was awful), Megumin from KonoSuba Yui Makino (voice actress/seiyuu/singer) Notable work: Misaki Nakahara from Welcome to the NHK Jun Maeda (composer) Notable work: Clannad & Clannad After Story OST (Shoutout to Shinji Orito and Magome Togoshi too) Chiaki Yamada (sound director) Notable works: Clannad After Story and Hunter x Hunter (2011) Takuma Yokota (mangaka) Notable work: Molester Man Laura Bailey (English voice actress) Notable work: Maka Albarn from Soul Eater Johnny Yong Bosch (English voice actor) Notable work: Itsuki Koizumi from The Melancholy of Haruhi Suzumiya, Ichigo from Bleach, Lelouch from Code Geass Dave Wittenberg (English voice actor) Notable work: Kakashi from Naruto My Google Docs Anime-related: My Plan to Watch List Anime-related: What the Typical Veteran Anime Viewer's Favorites List is Like Movie-related: My Movie Plan to Watch List Music-related: Rap & Hip-Hop Plan to Listen Music-related: Pop, Alternative, & Post-Rock Plan to Listen Music-related: Punk, Grunge, & Indie Rock Plan to Listen Music-related: Rock Plan to Listen Music-related: Metal Plan to Listen Sports-related: My All Time Greatest Starting Lineups (basketball) Cars-related: Extensive Best Cars Ever Made List Cars-related: My Personal Favorite Cars List, Ranked READ THIS LATER Utsuro no Hako to Zero no Maria: https://katdon.files.wordpress.com/2015/02/utsuro-no-hako-to-zero-no-maria-volume-14.pdf Welcome to the NHK light novel: https://7chan.org/lit/src/Tatsuhiko_Takimoto_-_Welcome_to_the_NHK_novel.pdf Also, Molester Man (manga) original chat text: https://molester-man-original-threads.firebaseapp.com Note to Self: 1. Put how many times I've re-watched certain series. 2. Start marking when I've finished a show. |
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Shangri-La Frontier: Kusoge Hunter, Kamige ni Idoman to su 2nd Season
Nov 13, 2024 6:49 PM
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Days: 26.1
Mean Score:
5.95
- Total Entries139
- Reread1
- Chapters4,332
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You aptly pointed out that there is extremely minimal comic relief in Koi Kaze (I believe Koshiro's co-worker, Odagiri was meant to fulfill that role and a dual function of serving as a contrast) and this is true. There is also no fanservice. The only moment which elicited a chuckle from me in the entire series was actually Zenzo, the father, and one of his exaggerated mannerisms. I don't enjoy scripted comedy in general even outside of anime because I have a somewhat idiosyncratic and dark sense of humor and also a very random one, and draw from a genuine, deep wellspring of rejuvenating humor based off of happenings in real life more than an intentionally set up joke. So I appreciate that it's ironically one of the most down to earth, simple and plain-seeming, naturalistic, and played as straight-laced anime out there, or certainly number one that I've seen (Usagi Drop, a show with a completely removed plot but actually a few striking similarities, is another). Ironic because it has this straight face in approaching what many people who think of themselves as "normal" don't really entertain as a subject in their head. It is about taboos, but even if you are a person who cannot fathom or physically feel like you cannot relate to loving your sister in such a way in actual life, beyond the incest and beyond even the romance and love, it's also asking what I see as an extremely provocative and important question which would be inflammatory whether posited in Japan and East Asia, the Western bloc states, or any other civilization about why humans accept any taboo or prescribed generational wisdom or rule for living if it's not conducive to their desired way of life and actualizing happiness. It could be who you choose to love and how the line is blurred between platonic, familial and romantic or sexual. It could be your career choice or lack of one. Or even not living in a traditional home. It asks the average person: "Could you knowingly take the plunge to willingly choose to excommunicate yourself from society through your actions if you knew in your mind and heart the alternative was never being allowed to be happy or live freely as who you are?" That can apply to so many different scenarios, countless ones, which people are willing to cast judgment on others for over prejudice, taboos, appeals to collective wisdom or historic/past precedent even if it completely doesn't take the current individual circumstances into account. I would be willing to bet there are so many who have come up against such a pervasive attitude in their lives over any number of issues from family and communities, workplaces, schools, and supposed friends and social networks that preach happiness but only want people to act on within very restrictive lines and parameters. The series just shows the logical thought processes and circumstances past and present of those who are about to be deemed the next outcasts and disgusts, disgraces to their family etc. and invites the viewer to a conversation without making any authoritative moralizing pronouncement either way. If the show has any identifiable moral or ethos at all, perhaps it's just that every single individual situation in life is worth examining and if you want to render a judgment on anything you're entitled to an opinion, but you should at least know all the details first. For it's easy to end up on the "monster" side in the eyes of any society just based on the ebb and flow of your life up to that point and a series of coincidences. I'm simplifying it here but it's something which can have weight and meaning and cut to the core psyche of every thinking person. It's funny (and by "funny" I mean in many ways infuriating, supremely off-putting, and inducing of general malaise) that simply living earnestly and allowing your true feelings to manifest, even mutually with one who shares them, can still get you branded by the mob - society at large, mainly strangers, but even many who might become former friends and estranged family, as a dirty beast in the same category with serial killers or child rapists in the hive eyes just for crossing some invisible lines regardless of reason.
The fact that it was a romantic drama when I'd only previously seen the subject in anime take central focus either played for comedy in ecchi and harem titles or for arousal and titillation in hentai (pornography) already propelled it half of the way to be something worthy of consideration in my eyes, but then I didn't expect the writing, pacing, music, and art to do the legwork of the other 50% and then some and create a classic. And similarly in Western media, I had only seen it used comedically as a joke about disparaging people from certain regions of the U.S. as backward and uneducated/illiterate or in horror as something grotesque and to be feared as lurking in the woodland interior of the country and equated with belligerent malcontent mutants and murderers. So yeah, when you have a certain vision hammered and pounded into your head through media exposure for many years and it's one of rank ugliness, deformity, danger, shame and ridicule and then it's juxtaposed against such majesty of form, something special was born. I've always favored certain heavy romances and psycho-sexual fare - particularly anything with a deviant or transgressive bent (like sizable age gap, android love, one of the concerned is a fugitive killer, etc.), but romance was far from a top genre for me. As someone with a background coming from prioritizing and caring most for sweeping historical war epics and period pieces, transhumanist cyberpunk and grand cataclysmic, apocalyptic works, and cosmic horror, I never once stopped to think any romance could be so damn existential.
I'll be certain to read the attached links going forward (the one included in your follow-up post about Koi Kaze and also the one further down the post addressing your perspective on epistemic humility). I have several other thoughts I'd like to include, but I'll refrain until I've read more thoroughly your linked document. And yes, I'll mention now that it goes without saying you have my permission to include anything of that nature of mine in the present or future. I'm not one of those multinationals patenting and trademarking everything who will be coming after you for royalties on Intellectual Property rights or some malarkey.
After your thorough description, I would be curious to know where you believe your differences set you apart from that close friend you mention or even myself (admittedly that's more limited since we only know one another as online acquaintances through a few recent exchanges). I would like to believe, and so far haven't been disproven, that there isn't a single thing in this world which I don't care about to the extent of never wanting to read about. That's a unicorn or a purple bucking kelpie - it doesn't exist.
I'll say on the topic of gauging and assessing mental health and everything you mention, while it's far from any expertise or primary interest on my part, it isn't anything new to me either as for years I've been reading up on the very nuanced latent differences between a schizoid and someone like myself, so I do have some opinions on SPD, but it's really important to stress the following - While most contemporary books or any website you seek out wanting to encourage responsible behavior tells people not to self-diagnose and I agree with this, I also am leery of even actual in-person diagnoses by doctors on any neurological condition which is tested for through behavior, self-assessment, history and wellness/behaviorally disabling/societal adjustment metrics rather than neuroimaging (as for example, conditions like bipolar disorder and Alzheimer's or dementia onset is tested for) or a more absolute genetic or blood-based test. Just because I think it's incredibly more subjective, dubious, and up to the discretion of an individual being evaluated and the professional individual doctor or staff evaluating them who are all prone and subject to falling prey to prejudices and fallacies about themselves or about any certain condition. I don't trust any human for impartiality, to be some machine or godlike entity who can 100% of the time see outside of themselves and everyone and everything else like that. And modern psychiatry is considered a relatively young field still undergoing enormous growing pains and maturation just in these past 100 years alone. So I really hesitate to say and would never say with an absolute belief someone definitively is or isn't anything - condition X, without there existing some form of physical test of their brain architecture and wiring or neuron arrangement, blood, or genes; might sound extreme to many, but I'm sticking to that.
If you know you're in an at-risk group more likely to fall prey to the worst excesses or side effects of something, then it makes sense to exercise extreme caution before you've gathered all the facts about the situation or yourself, like dipping your toe into the water. It's one of the several reasons why, despite having some other unhealthy habits, I never once had any desire to touch or dabble in any psychotropic drug or substance because I value the exact manner in which my brain chemistry and neurological wiring works now and don't want to risk altering it even .5% for a lifetime. Psychologically it would be the death of me and I wouldn't survive it, since my mind is my everything and I've read a lot on the increased risks of psychotic breaks, inducing a form of lasting schizophrenic visual and auditory hallucinations for either bipolar cases or those on the autistic spectrum. So, as I said, not so much on the drug topic as that's not a main thing of mine anyway apart from regular intellectual curiosity, but just down the general list of perceptible and subtle distinctions I had been into examining SPD vs. ASD differences for a while. I don't know that you necessarily struck me as schizoid though. You have to explain and define for yourself if you've ever derived real pleasure from having the things you aspire to and how much that conflicts with any yearning to escape or be free.
Yes, there are a lot of cases studied of schizoids being borne from trauma, but I'd say that just from what I've seen reading it's a contentious and not very settled subject. There are venues online where schizoid folk will congregate and share their stories and many testify and swear up and down about having happy childhoods and being from non-abusive backgrounds where they were never excluded but were seen eventually as weird for consciously, as early as they could remember, not visibly and audibly reacting to things they were cued and expected to react to and excluding themselves based on an internal feeling as getting no satisfaction or pleasure from the same activities as other people, like a lacking dopaminergic response functionality or other neurochemical imbalance reported in those with depression.
I believe it's possible to be a "rugged individual" principled type loner with some deep-seeded introversion without necessarily being neurodivergent, but what defines that range of normative neurology, whether divergent neurological profiles are just a subset and expression of the natural range of variation found within the human genome is subject to an extensive ongoing debate and unlikely to have definitive proof either way soon, since neuroscience is still considered as possibly in its most primitive early stages even in the wealthy and developed countries. Even if they're the minority, I say "neurotypical" loners exist even if general introverts are a minority and are usually much more moderate in how they apply it to daily life. With me though, being both quite asocial in daily life and an aromantic, I had known for some time about actually being neurodivergent (but knowing the outline of diagnostic criteria for schizoids/SPD from the DSM-5 was incompatible and incongruous with me).
You're probably right that most who choose the solitary path aren't usually mentally or physically optimal. Mentally because there are several mental disorders which lead those with them to isolate, even though that obviously doesn't mean that everybody who isolates has any of them. But also, more controversially, because mental disorders as I said above are still a fiercely contested and debate subject which have a degree of ideological and philosophical coloring and bias and there may be basic and natural ways of human existence which are categorized as a mental illness today but may be seen differently in the collective culture years or generations from now and de-listed, just as there are phenomena which were medicalized in the past (like homosexuality) which are now seen in many cultures widely as a legitimate naturally recurring thing and effectively benign or nothing more than a cosmetic distinguishing feature and personal choice, as long as it remains confined to a minority of the populace. And physically because many sadly who either are already mentally ill or are not but are scorned for their life choices or behaviors have a lot of internalized self-hatred they imbibe by putting a lot of unnecessary stock in basing their own sense of self-worth on what others think of them, devalue themselves, and commit early suicides, self-harm like cutting and mutilation, drug and alcohol abuse, etc. Or are like 600 pounds and housebound.
Finally, I'm truly happy to see others show some respect and acknowledgment for the show which I consider as literally changing and having this transformative effect on my life. Whether it surprises you or not, I have actually had a few other folks through MAL question why I wasn't doing reviews on the site or requesting reviews. I suppose the reason has just been because, while I love writing, I usually feel like I'm writing for myself with a lot of idiosyncratic detail, which is why I can't really normally expect meaningful feedback from other people or post/promote it, like on MAL or a blog webpage or anything as I'm so used to only bouncing all ideas off myself and am a crazy perfectionist. So it's more of an OCD thing, that I feel sometimes I have so much to write and say about that and a lot of topics, but undergo a kind of paralysis, as if worried that I would never be able to do it justice without setting about writing a novel = )
I do intend to attempt it though for Koi Kaze after possibly my fourth rewatch of the series next go-around when every moment is still as fresh and burning as brightly as the last and my blood is most recently still afire from its tumult and whimsy as it is that special and important to me. Though I expect it will alienate a lot of folks as I have some possibly unusual, probably inflammatory views on it all.
Your assumption on the friends issue is definitely true currently; I don't keep up any social contacts nowadays, but it's probably also important to note that I really only became comfortable this way within the past five or so years. I did have a few friends throughout my time in primary school. I had a close friend who was like a best friend from kindergarten up until after seventh grade when his family moved away to another state and were only able to see each other sporadically thereafter. And then in high school I had another few friends some of whom I remained friends with I would say for around four or five years after high school. Of course I had reasons for maintaining the relationship and they were people who at the time I could be comfortable not hiding or spinning, concealing any part of myself but could speak completely freely in front of with no worry of hesitation or fear of "offending" someone. If I can't be my honest complete self in front of you and say whatever comes to my mind, I have absolutely no desire to be around you and will not be. It's since the end of 2014 that I really desired and sought to actively remove myself from the social world in any capacity though.
Now, on to your question about the possibility of what you mention, I do believe it's quite possible in the same or similar fashion to how you outlined it, but it's important to keep in mind that what is desirable for some will differ among every individual. Me personally, I could compromise more in many ways, even that 5% you mention, and probably have what others would describe as a fairly rich and active social life since I'm at least of average looks physically, can be well-spoken and present as educated, from a middle to upper middle class background, etc. I just have no appetite for it because I find myself more enriched in solitude. I never realized how much I felt this way until the end of 2014, which marked the last time I worked a job in any public capacity from outside the home, because I never had the opportunity to realize it previously since when you're in a school or work environment from 3 years-old (preschool) even in a minimum wage part-time retail job where you interface with the public, you can't really tangibly conceive of that 6 - 9 hour chunk of your day not being dominated or impeded in some way by the sheer presence of other people. It's actually quite radical and transformative to be removed from it. Even if I previously still spent a lot of time doing whatever I wanted and maximizing free time and alone time compared to average peers, to not have any social commitment or obligation whatsoever in any capacity is another thing.
So if you took two hypothetical people, say yourself and myself, just because I don't do something by choice doesn't mean it's an avenue which is closed to you even if we have some of the noted similarities in interests or disposition. To be frank I don't advise many people who come to me with this to walk the same path at all since most people are constructed differently it seems like at the base neurological building block level and have much greater yearning for social relations both platonic and romantic which only ever amount to serving as a vampiric emotional drain on me. The concept of really wanting anyone to follow me around for the rest of my life or have to coordinate with other people constantly is really quite an alien one to me at like the most primitive physiological level.
I don't view myself as necessarily dogmatic though because it isn't as if I'm asserting one principle or doctrine as an absolute truth and insisting on it being upheld. It's more like I'm in a state of constant inquiry, into everything about existence and the environment we inhabit. To me, I don't really "get" humans who aren't constantly fascinated by that. It's akin to waking up in a dark closet-esque room and not wanting to always investigate where the exit is and how we can arrive there. It doesn't have to be about life/death metaphysics though. I just mean every detail of the working world around us that so many folks take for granted. Just eating, drinking, sleeping, gossiping, working, procreating, and keeling over to die seems too much like being an automated computer program on autopilot. I agree that for most it's too intensive and time-consuming to do anything but go through the motions, but to be honest I don't see them and their lives as relating to me any more than a giraffe a honeybee or a dog. It's like if I woke up in a dog's body tomorrow but still had my full consciousness and memories the same as now. I would be "fine" with living out the rest of my days as a dog, in a dog's body, the same as I'm "fine" with living out as a human now, but it doesn't mean I'd mindlessly desire and seek to imitate all their behavior just because. If I were thrust into a dog or hyena or millipede's body but with current level consciousness retained, I would seek to live for myself as much as possible, and not bark on command, fetch, mate, etc. That's how I see myself as a person. Having the biological hardware in no way obligates me to live as the most cumulative average or typical member of the species if I have the presence of mind, consciousness and free will to do otherwise.
On Haibane Renmei, just even in the most basic way it was arranged at the surface level, I first loved the combination of genres, since I had never before (or really, since) seen a Slice of Life + Mystery + Fantasy series before or a calm, tranquil and soothing iyashikei that developed into a psychological drama and examination of the self. I like the magical realism. It ties in to my view on metaphysics that everything is magic except to the magician and that the most advanced applications of science once appeared as magical to those who didn't understand them and that's likely the case with many things today which may exist in the future but would be dismissed as magical before the mechanisms behind them are deciphered. Haibane Renmei constructs a plausible fantasy world based on the notions that are actually fantastical to us in the actual world, such as basically the afterlife and meaning and nature of existence. These are "magic" in our reality because they're neither known nor understood. So real life can actually be seen as as fantastical as anything in the typical fantasy genre and Haibane Renmei reminds us of that in a brilliant fashion. I love how it can transition seamlessly from a soothing iyashikei-style scene or moment of Reki cutting carrots for the Young Feathers, the cleaning of Rakka's wings, or baking halos to reminding the characters they are like amnesiacs at the edge and precipice of an unknown abyss. I love the OST especially its contemplative piano tracks and muted browns and drab greens and whites of the color palette which only elevated this sense of atmosphere. I love the fusion of the respective cultural trappings and mythologies of both Eastern and Western faiths and worldly concerns, with the Toga being like a monastic order and the Haibane being both revered and compelled to take on a lifestyle of poverty and parting with material possessions like saints or those entering the priesthood, eschewing money or new or fancy clothes. The overcoming of the circle of sin, which is a Catholic notion but also could be seen as a stand-in for awakening and seeing through illusions or gnosis in Gnosticism and has its equivalent in the Dharmic faiths like the cycle of suffering in Buddhism. Also how many born into Glie are presumed suicides in line with the high suicide rate in Japan which leads the developed world in that area but then there are the tragic premature young children's deaths, which some have speculated are drowning victims but could also be stillborns who never got to grow up. It's just extremely intricate and doesn't provide any one answer or framework for interpreting it because neither does real life. There is the Buddhist and Hindu presence of reincarnation there or Glie could be the Christian purgatory, depending on if they are reborn into a new person or ascend to an afterlife on a higher plane after the Day of Flight, which of course we never get to see. I'm just very into comparative religious studies and how different traditions and cultures view mortality, birth, and death. I think every anime and every cartoon, every live action film or television series, every book ever written and every song ever composed, will always have different takes on them because life has countless takes on it and these are made by real people with real ideas, so are just an extension in a way of life off the page or screen, after all.
I'm glad to hear something I've written has reached and found you well since most of the time writing anything on here, I'm essentially writing for myself - my own sake. When I author a longer post in particular, I don't expect the vast majority or in some cases anybody else to read it. It's more to work and flesh out my own thoughts on any given matter and commit them to page. That way at least a form of record exists. I've long maintained a journal but after a while I tire of the pen and hand cramps or even finger blisters. Yet I don't expect much of what I comment on to necessarily be responded to, even less so in a substantive fashion, by others, since many skim and have a short attention span and find tedium in details, whereas I thrive in the detailed. I both write and read on this and other forums to learn or gain information about topics which interest me and to share and put information I have back out into the world, but it only struck me recently that I probably actively socialize back and forth in these venues like less than 99% of the userbase, since as I said I'm fairly insular and kind of just writing for myself.
I had to send that request when I saw your latest post (it was concerning Welcome to the NHK! and Koi Kaze in the AD sub-forum) because then, when I saw your Reki avatar or profile pic, it reminded me of how I discovered Haibane Renmei back in 2018, through scouring for older Koi Kaze reviews from the mid to late 2000s from a Korean user (not on MAL) who did a thorough write-up of Koi Kaze and happened to also tie in and include a section on Haibane Renmei, its symbolism and significance, the perspective from his own religious heritage (as an East Asian Catholic) and somehow connect these two disparate equally rather non-mainstream anime together. Ever since then I considered it like a stroke of fate and was happy to see your profile graced with such a good omen.
I would say unconventional as a descriptor only has the possibility to exist as a disparaging term or epithet to someone whom perceives divergence from the norm in any regard in any arena as constituting an inherent threat and aberration by its very nature which must be purged, any weirdness or deviance as sinful by design and conformity for its own sake a virtue. I never support or oppose anything because it is in line with a majority-held view or outside of it. I evaluate every position on anything on its own merits, and then still, at all times, even for the political, religious/spiritual, or personal ethical/code of conduct views I espouse, recognize and acknowledge the inherent complete and total subjectivity of them at all times.
So yes, I've gone through a lot of different ideologies at one point champing at the bit like an eager termite in a fibrous trunk, but these days I don't subscribe to any one doctrine or feel comfortable assigning an umbrella term label for me as I don't think it's applicable or all-encompassing and no longer believe in any one-size-fits-all ideology either for myself or even for whole nations or the world at large. I'm mostly against those people and forces which seek to impose absolutist moral dogma of any one ideology over my and everyone else's heads and on the rest of the world by force. The ones who believe in their own moral superiority and that their worldview and belief system should be mandated and codified as universal. They have essentially messianic aspirations. This mindset is a lot more common than you or many may at first think just from hearing that description. I see multiple examples of it expressed even unwittingly nearly every day, online and in person, and often more than once per day and from all angles. Most go through their stereotypical communist phase when they're 20 -22 in college, but I went through mine when I was 14 entering high school, went through Marxian socialism, was a mainstream center-right right-liberal (Republican in my country) for a time, a libertarian, fascism, monarchism, paganism and Radical Traditionalism, etc. Now I just don't want any ideology, as I said, imposed on the planet by force of arms. I don't agree with many of the tenets of liberal-capitalist democracy which in my view amounts to a plutocracy, Abrahamic religions and the culture of a secularized Judeo-Christendom in the modern Western bloc states and such, etc. I don't agree with a lot of popularly held modern viewpoints on many issues, which is partly why I explore film and anime more, to experience as many stories as possible through art, to enable me to think and be moved more deeply and feel a heartfelt outpouring in excelsis. To accept and don the title of any other political ideology, religious faith or doctrine, or philosophical movement or discipline in whole would be a lie because I don't believe there's one singular school of thought out there which neatly encompasses the totality of my views and cumulative experiences which led up to those different views, and I also think that's perfectly fine; there doesn't need to be. I don't need to have a label or join a party or group on tribal lines. I'll leave that for most of the rest of other humans to be giddy with. I realize many derive their whole sense of purpose and identity from it.
I can't say anything is objectively true other than certain mathematical equations and scientific formulae. And even in fields of science which are thought to be known and well-established today, there's a lot of ongoing daily developments, new discoveries, and challenges to every new idea presented and every old established one as well, so much so that even for someone with a near limitless attention span and a lot of free time like me, it isn't humanly possible to have enough time to even keep up with and track all the scientific periodical journals online or in print. Everything political/philosophical/religious or spiritual/moral or ethical is a complete and total pure opinion which will vary in every single culture in every country in every era and even within a country in different regions, and on the micro level, among different individuals even within that same culture. I think the problem you identify and describe is with folks having some kind of cerebral block which inhibits them from decoupling their stated positions of support for any one thing from some mythical universal objective truth. It's elusive precisely because it doesn't exist. It's okay to support things which you don't indoctrinate and whip yourself up into a frenzy into believe are some universal truth or serve some good vs. evil role in a world of absolutes. I support and oppose plenty of ideas and policies because they would move the world closer to or further away from, respectively, the world I personally want to see while completely recognizing on the face of it that it's just that - a personal view, and my exact preferences and interests at stake are only my own and therefore by extension my exact specific beliefs only my own and tailored to and unique to me as well. So many folks have difficulty coming to this realization, but maybe their viewpoints on some matters are more by design homogeneous or generic. But then that would be as a result of not questioning. And you'll find if you question anything for any reason in what's deemed the wrong environment and/or to the wrong person, people will fight back against even the mere perception of that ferociously and tenaciously like programmed antibodies on autopilot rejecting a foreign intrusion in the bloodstream. So maybe that's where some of your frustration lies. Me, I confess to not being all that bothered since I started following a rather reclusive path a long time ago and innately have far fewer social needs than most people; that's just my makeup. It isn't right or wrong, but just who and how I am, and I just strive to live in accordance with my own nature as away from false consciousness and all the like, I describe and define that as the most sober and lucid state possible in this world, of feeling authentically me. There is no appeal to social expectations or obligations to me which you allude to; they make me feel like a caged and chained animal in bondage yearning to escape as quickly and fiercely as possible and just rebel and be free. Again, nature.
And it's nice and calming to see a smoking Reki as well, from oddly or coincidentally enough, one of my other Top 3 anime.
I absolutely love Clannad AS and don't agree with a lot of the criticisms it gets. I'll make a video dedicated towards it one day.