Publishing company Kadokawa announced on Monday that Nahoko Uehashi's Shika no Ou (The Deer King) novel series is receiving an anime film adaptation. The film is being produced by animation studio Production I.G (Ghost in the Shell, Haikyuu!!).
Synopsis
The Lone Antlers, a band of death warriors, gave their lives to save their homeland from the empire of Zol. Van, their leader and the sole survivor, is enslaved in a salt mine. One night, savage dogs attack the mine, and soon after, a mysterious disease wipes out both the slaves and their keepers. Van, however, escapes with a little girl called Yuna.
Meanwhile, Hohsalle, a gifted physician, searches for a cure for the disease that is spreading among the Zolian settlers. What path will these men choose to save their loved ones and the people of this land? (Source: Official website)
Kadokawa published the fantasy novel in two volumes in September 2014 and later reprinted the series in four volumes in June and July 2017. Commemorating the author's 30th anniversary, the company will ship the sequel novel, Shika no Ou: Minasoko no Hashi (The Deer King: Underwater Bridge), on Wednesday. The novel series has a cumulative 1.9 million copies of its volumes in print.
holy shit. i know this series length is perfectly for long movies and world building could be cut off without much of harm. but it was wishful thinking of me, didn't expect it to be actually happened.
"If taking responsibility for a mistake that cannot be undone means death, it's not that hard to die. At least, not as hard as to live on."
Omg an adaptation of another of Nahoko Uehashi's novels?!? Her works are easily the best among what fantasy genre has to offer in anime. I'M SO EXCITED!!!
Nahoko Uehashi's works and Production I.G are the mach made in heaven. Really excited for this! Hopefully we get more Seirei no Moribito novel adaptations in the future as well.
Seirei no Moribito was pretty good although I had serious gripes with it. However I feel one of her works that are movie-length could work much better. I'm definitely looking forward to it :)
HungryForQuality said: Seirei no Moribito was pretty good although I had serious gripes with it.
May I ask what you had gripes with? I personally consider it the best fantasy anime and it's a favourite too, so I'm rather curious.
Of course.
I had problems with pacing. Shuga reading the book for several episodes, while necessary to the plot, felt drawn out and unengaging. It was just uninteresting.
Somewhere between minor and medium issue.
Also him being trusted by the Master Star Reader all of a sudden when he was completely untrusted just before felt forced and because the plot demanded it.
Big contrivance. Medium issue.
Didn't really get how he could punch his superior and get a slap on the wrist. Especially considering the setting and time period the show is set in. That confused me definitely. Contrivance and relatively minor.
Jin's personal conflict in the beginning had me believe that he would be a central character so I was shocked when he just ended up being one of the soliders and not actually getting any focus. I didn't understand that.
Medium issue.
I had problems with that filler episode about the guy trying to kill Balsa because of the implied backstory. We didn't see any of it so I couldn't care about it at all. Balsa didn't care after she thought she killed him even though her wanting to not kill was a big part of the show. That had me confused after the episode ended. Had to do a double take lol. Those couple episodes were completely uninteresting. Major issue but didn't last too long so more of a medium issue. But damn that was out of place and left a sour taste in my mouth.
The transition to Torogai after that filler felt rushed and unnatural. I didn't like her character as I felt she was stereotypical and I also didn't like how she conveniently knew things about the other spiritual world when the plot demanded it. One dimensional character really. Medium to major issue considering how important she was to the plot.
The fillers about Saya and Touya were actually pretty good cuz we got to know more about the other spiritual world but those two were forgotten about somewhere in the middle and had minimal relevance to the story. Therefore, the whole thing about Saya actually liking Touya kinda fell flat. Not an issue but not a merit either.
Also significant plot decay. The show starts off as kind of a political thriller about attempted assassinations and how there were conflicting sides but the antagonists were not villains. As the show goes on in the second half, everyone is on the same side so there is no tension or opposing ideologies and they're all fighting a generic monster. So it goes from tense political thriller to a monster plot that you'd find in a Percy Jackson book ( no offense to that series. It's good for what it is). This was a major major issue.
I had mixed feelings on Tanda's character. Pleasant guy but he felt bland. I liked his relationship with Balsa but I wish it was emphasized more. Maybe in a prequel someday? But yeah he felt bland. Character didn't matter much so minor issue.
This is a broader complaint and really only matters when you get into 8,9,10 scores when it comes to fantasy, but the only things we knew about the characters excluding Tanda and Balsa were what directly related to the plot (Saving or killing Chagum in first half and killing monster + harvesting egg in second).
There was nothing revealed about the characters not relating to the aforementioned plots that fleshed them out to make them more than plot devices. I'm talking about details about their home life, possible family back home that could make us care when the characters endangered their lives. Torogai is just old woman who knows stuff about the spiritual world somehow. That's it. Emperor is stoic guy who wants to kill Chagum, his son, for the greater good at first and then wants to harvest egg and kill monster shortely after. No exploration and that's it. You can't even call him a character honestly. Shuga wants to save Chagum because he feels indebted to him for what Chagum did for him years ago. That's it.
While it is bad in Torogai and the emperor's case, it isn't bad in Shuga's case. It's just limiting. I need simple quirks and investment outside of main story that make them more than their respective roles. This is an implied vast world yet the only things we know are their positions on the aforementioned plots. What I want helps characterization but above all else, it helps worldbuilding which is everything in fantasy. So I can't call the worldbuilding here anything more than fine. Medium issue. Would be more serious if I already had the show at an 8 or 9.
However, Balsa and Jigoro's relationship which also revealed the basis of Balsa's promise was the big exception and what I really liked. It wasn't about the main plot and fleshed Balsa out to be more than a piece on the chessboard. Too bad it was only 2 episodes out of the 26 and was at the very end. So basically it serves as a spark in the dead embers of the generic monster plot. If there was an anime focused on Jigoro's past before and with Balsa and it was done well, I would probably give it an 8, possibly more. That would really be something. Very engaging and interesting episodes. Jigoro and Balsa's relationship was easily the best thing in the show.
Balsa and Tanda were kinda like this but not nearly as effective. Their past was hinted at in dialogues but never went past implications and like I previously said, Tanda was a bland character. If his relationship with Balsa was fleshed out in flashbacks and he was given personal investment, he could definitely be good but from what I saw, Tanda was bland nice guy doctor with potential.
There's a lot more the show did right. Many of the fillers were engaging. The gambling one did a lot for Chagum's characterization and was engaging even if since it was a filler, it never carried over. The blacksmith filler was downright amazing. Tense and insightful. I liked the quality of the dialogue for the most part. I liked the relationship between Balsa and Chagum. Well done. Loved the action scenes. The best I've seen in anime really. It's also very respectable. At no point did I feel the author wasn't trying her best.
But yeah pretty good/decent anime. Glad I watched it. I'll probably read the books someday. I heard the pacing is better there. Will probably watch Kemono no Souja Erin soon.
HungryForQuality said: Seirei no Moribito was pretty good although I had serious gripes with it.
May I ask what you had gripes with? I personally consider it the best fantasy anime and it's a favourite too, so I'm rather curious.
Of course.
I had problems with pacing. Shuga reading the book for several episodes, while necessary to the plot, felt drawn out and unengaging. It was just uninteresting.
Somewhere between minor and medium issue.
Also him being trusted by the Master Star Reader all of a sudden when he was completely untrusted just before felt forced and because the plot demanded it.
Big contrivance. Medium issue.
Didn't really get how he could punch his superior and get a slap on the wrist. Especially considering the setting and time period the show is set in. That confused me definitely. Contrivance and relatively minor.
Jin's personal conflict in the beginning had me believe that he would be a central character so I was shocked when he just ended up being one of the soliders and not actually getting any focus. I didn't understand that.
Medium issue.
I had problems with that filler episode about the guy trying to kill Balsa because of the implied backstory. We didn't see any of it so I couldn't care about it at all. Balsa didn't care after she thought she killed him even though her wanting to not kill was a big part of the show. That had me confused after the episode ended. Had to do a double take lol. Those couple episodes were completely uninteresting. Major issue but didn't last too long so more of a medium issue. But damn that was out of place and left a sour taste in my mouth.
The transition to Torogai after that filler felt rushed and unnatural. I didn't like her character as I felt she was stereotypical and I also didn't like how she conveniently knew things about the other spiritual world when the plot demanded it. One dimensional character really. Medium to major issue considering how important she was to the plot.
The fillers about Saya and Touya were actually pretty good cuz we got to know more about the other spiritual world but those two were forgotten about somewhere in the middle and had minimal relevance to the story. Therefore, the whole thing about Saya actually liking Touya kinda fell flat. Not an issue but not a merit either.
Also significant plot decay. The show starts off as kind of a political thriller about attempted assassinations and how there were conflicting sides but the antagonists were not villains. As the show goes on in the second half, everyone is on the same side so there is no tension or opposing ideologies and they're all fighting a generic monster. So it goes from tense political thriller to a monster plot that you'd find in a Percy Jackson book ( no offense to that series. It's good for what it is). This was a major major issue.
I had mixed feelings on Tanda's character. Pleasant guy but he felt bland. I liked his relationship with Balsa but I wish it was emphasized more. Maybe in a prequel someday? But yeah he felt bland. Character didn't matter much so minor issue.
This is a broader complaint and really only matters when you get into 8,9,10 scores when it comes to fantasy, but the only things we knew about the characters excluding Tanda and Balsa were what directly related to the plot (Saving or killing Chagum in first half and killing monster + harvesting egg in second).
There was nothing revealed about the characters not relating to the aforementioned plots that fleshed them out to make them more than plot devices. I'm talking about details about their home life, possible family back home that could make us care when the characters endangered their lives. Torogai is just old woman who knows stuff about the spiritual world somehow. That's it. Emperor is stoic guy who wants to kill Chagum, his son, for the greater good at first and then wants to harvest egg and kill monster shortely after. No exploration and that's it. You can't even call him a character honestly. Shuga wants to save Chagum because he feels indebted to him for what Chagum did for him years ago. That's it.
While it is bad in Torogai and the emperor's case, it isn't bad in Shuga's case. It's just limiting. I need simple quirks and investment outside of main story that make them more than their respective roles. This is an implied vast world yet the only things we know are their positions on the aforementioned plots. What I want helps characterization but above all else, it helps worldbuilding which is everything in fantasy. So I can't call the worldbuilding here anything more than fine. Medium issue. Would be more serious if I already had the show at an 8 or 9.
However, Balsa and Jigoro's relationship which also revealed the basis of Balsa's promise was the big exception and what I really liked. It wasn't about the main plot and fleshed Balsa out to be more than a piece on the chessboard. Too bad it was only 2 episodes out of the 26 and was at the very end. So basically it serves as a spark in the dead embers of the generic monster plot. If there was an anime focused on Jigoro's past before and with Balsa and it was done well, I would probably give it an 8, possibly more. That would really be something. Very engaging and interesting episodes. Jigoro and Balsa's relationship was easily the best thing in the show.
Balsa and Tanda were kinda like this but not nearly as effective. Their past was hinted at in dialogues but never went past implications and like I previously said, Tanda was a bland character. If his relationship with Balsa was fleshed out in flashbacks and he was given personal investment, he could definitely be good but from what I saw, Tanda was bland nice guy doctor with potential.
There's a lot more the show did right. Many of the fillers were engaging. The gambling one did a lot for Chagum's characterization and was engaging even if since it was a filler, it never carried over. The blacksmith filler was downright amazing. Tense and insightful. I liked the quality of the dialogue for the most part. I liked the relationship between Balsa and Chagum. Well done. Loved the action scenes. The best I've seen in anime really. It's also very respectable. At no point did I feel the author wasn't trying her best.
I see where you're coming from for a couple of them, like certain subplots and pacing. However, on the whole I'd say it's possibly a matter of perspective because I either a) didn't find them to be an issue or b) regarded those aspects as 'how it should be' for this particular story. I'm afraid I don't have the time (nor energy - admittedly >o<) to go into detail about each of the points, but I do commend you for such a thorough write-up in response to my question!