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Mar 28, 2020 5:59 AM
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https://twitter.com/AIR_News01/status/1243873995251826688?s=20

Director: Shouji Saeki
Animation Character Design: Kazuya Shiotsuki
Animation Producer: Koichi Yasuda
Studio: SHAFT

Premieres in 2021
Apr 9, 2020 7:08 PM
#2
fanservice<3

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DAT AAAAAAAAAAAAAAAAAAAAAAASSSSSSSSSSSSSSSSSS
Jul 21, 2020 5:04 AM
#3
孔真・コウマコト

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New Key Visual



https://twitter.com/air_news01/status/1285545633068183554
_MushiRock11_Jul 21, 2020 5:10 AM
#Anime4Life be my Life Motto! #PrayForKyoAni


Aug 19, 2020 5:08 PM
#4

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I feel like Shaft is trying to recreate Madoka Magica, considering this and Assault Lily Bouquet seem like magical girl anime.
Aug 25, 2020 6:38 PM
#5

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MoonPhos said:
I feel like Shaft is trying to recreate Madoka Magica, considering this and Assault Lily Bouquet seem like magical girl anime.


The two main girls in Assault Lily Bouquet are literally Madoka and Homura traces. They're really trying to milk the cash cow, and seems like they aren't having Akiyuki Shinbo directing any of these, really scared that Shaft is going to drop in quality.
Sep 10, 2020 8:09 AM
#6

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I heard that this anime got an ova before tv broadcast.

@_MushiRock11_
Sep 10, 2020 8:36 AM
#7
孔真・コウマコト

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Syureria said:
I heard that this anime got an ova before tv broadcast.


From my knowledge and MAL's database, this series hasn't got an OVA yet so I'm not quite sure what you're referring to.

All I know is that the first of the two specials aired during the anime runtime, though.
#Anime4Life be my Life Motto! #PrayForKyoAni


Sep 10, 2020 9:28 AM
#8

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_MushiRock11_ said:
From my knowledge and MAL's database, this series hasn't got an OVA yet so I'm not quite sure what you're referring to.

All I know is that the first of the two specials aired during the anime runtime, though.
We'll wait 23 December 2020
Sep 27, 2020 1:54 AM
#9

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Anyone notice all the seiyuus are brand new, here’s hoping the voice acting isn’t too badly impacted by that.
Oct 1, 2020 8:19 AM
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Damn, all shaft anime lately look just meh, thats s a shame.

They aren't necessarily bad, but they don't have the shaft feeling.
Oct 2, 2020 10:20 AM

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No involvement with Shinbo all sudden Shaft gone down hill.
Mar 27, 2021 3:58 AM

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any updates/news on this?
Mar 27, 2021 4:18 AM
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snowykevin said:
any updates/news on this?

Only today's news about a small replacement in the cast. The airing date is still unknown, but this year.
Mar 27, 2021 6:26 AM
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I'm really looking forward to it
Apr 8, 2021 10:20 PM

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I feel like this is gonna be just like Lapis Re:LiGHTs.
ultra cute magical girls singing totally forgettable songs
Aug 27, 2021 2:22 AM

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Delayed to 2022
https://natalie.mu/comic/news/442754
I Two Syaorans from Tsubasa RESERVoir CHRoNiCLE and TRC!!!
Nov 14, 2021 3:03 AM

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The second PV

何それ?意味分かんない
Nov 14, 2021 3:41 PM

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So basically "Luminous Witches" is just Idol "Strike Witches" that aren't pantless?

I always thought the whole pantless thing was more or less some unspoken fashion trend in the "Strike Witches" universe.
Nov 21, 2021 12:07 PM
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One thing is certain: I won't watch this thing. I always found value in "Strike Witches", but this... is simply defeating the whole purpose of the series. Seriously? An idol anime in the middle of a World War? With random J-POP on top i bet, with copied/pasted lyrics about friendship, the value of smiles that can save the future, or how love gives litteral wings to soar up to the moon... gosh... And they said they are desperately lacking Witches on the frontlines. But who cares, any logic can be bent when it comes to churning out a new idol anime. Note that i don't despise of care about idol animes. It is just that you can't just pop new ones everywhere any time you are bored or lack ideas. Some franchises and backgrounds fit the bill, others just don't. Right now, the producers feel like Disney milking Star Wars. Expect quantity, not relevance.
Nox---Nov 21, 2021 12:11 PM
Nov 21, 2021 10:58 PM
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Nox--- said:
An idol anime in the middle of a World War?

Yes and what? Explain yourself - do you think soldiers shouldn't be entertained? Or is it not worth creating a show about those who entertain them? Or are you personally not interested in such a show? I give you a hint: only the third one makes sense.
Nov 22, 2021 4:27 AM
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False_Mirror said:
Yes and what? Explain yourself - do you think soldiers shouldn't be entertained? Or is it not worth creating a show about those who entertain them? Or are you personally not interested in such a show? I give you a hint: only the third one makes sense


It is the 4th. The one that should be obvious. Looks like i have to force opened doors... So be it.

We all know how stars like Hepburn went on the frontlines to entertain soldiers. Although this is a very American thing to do that hardly has any equivalent in the world. But here is not the point. If they had given us the story about random artists that feel involved in the war effort and try to help anyway they can by entertaining soldiers, i would have applauded. Loudly. We would have seen the setting through the perspective of the backlines. Women who were never witches, renowned artists that feel more useful doing what they are best at. Their perspectives and feelings regarding the War and those who fight on the frontlines would have been a wonderful addition to the "Strike Witches" franchise. But that is not what this anime is.

This anime is merely an excuse to bring yet another variation on idols. In animes, we have seen pro idols, amateur idols, school idols, magic idols, rock idols, underage idols, and so many others. But the producers just thought... "Gosh! nobody ever made idols in striker units ! genius ! money !" They are Disney milking Star Wars. This anime won't try to develop the setting or to bring anything to the table. The idols will tell us that they will save the world with crappy lyrics rather than guns, and that smiles and friendship will forge a happy tomorrow or whatever shallow lyrics J-POP loves so much. And they will have massive success in Europe too (omg). That is what idols animes are like. And sometimes it is not so horrible. There are a place and time for everything after all. But what makes it an annoyance to me, is that it contradicts the setting. I am sure there are plenty of girls in this setting without magic to fulfill their japanese idol fantasies without having to wear strikers just because nobody did it before. Even Miyafuji had to conclude that the only way her magic could help was not even by healing but by fighting, and that she was needed on the frontlines much more than in a clinic. S1 episode 2 is actually very well written and demonstrates this truth while leaving no place whatsoever for further doubts in anyone's mind. I expect these girls born with magic to tell me that they really want to help, and that indeed, singing J-POP is how they really are useful. Because as in every idol anime, bringing smiles to the world is so damn powerful... How can anyone fail to see how cretinous this is in such a setting ? I don't even get started about how japanese values are only japanese values.

"do you think soldiers shouldn't be entertained?"

If you can't see the massive difference there is between a series that tackle this interesting topic and yet another idol anime, there is nothing more i can tell you.There are reasons why idols only work in Japan and Korea. There are reasons why nobody will consider comforting an incapacitated veteran by saying "Smile and tomorrow will be bright!". I can't find better words to describe how an idol anime in "Strike Witches" is just plain distasteful.
Nox---Nov 22, 2021 4:49 AM
Nov 22, 2021 6:38 AM
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Nox--- said:
Although this is a very American thing to do that hardly has any equivalent in the world.

Unbelievably. I thought that such an American-centered view of the world is just a meme.

Nox--- said:
his anime is merely an excuse to

What you are doing is reverse engineering impressions. You already know what niche this anime wants to occupy and what audience it is aimed at, and you adjust your non-existent impressions to it.
It's like saying that the original sw anime is nothing more than an attempt to make money on fans of panties.
Nov 22, 2021 8:17 AM
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False_Mirror said:
Nox--- said:
his anime is merely an excuse to
What you are doing is reverse engineering impressions. You already know what niche this anime wants to occupy and what audience it is aimed at, and you adjust your non-existent impressions to it.It's like saying that the original sw anime is nothing more than an attempt to make money on fans of panties.


Niche? Does it really want to occupy a niche? There is a reason why there are plenty of 'idol animes' and hardly any 'idol film' in comparison. The niche you talk about is more a hangar than dog housing (do know what 'niche' originally means? This was a pun, but np if you don't understand :p). The target for animes and the target for idols always was pretty much the same. So, making an anime and chosing the idol theme for the anime is hardly making a niche product. It is even less niche when you consider the fetishes surrounding SW and those surrounding idols in Japan. On top of that, SW was a big thing when it started there. I don't know where the phenomenom is in 2021. But SW was meant to be anything BUT niche from the start. And idol animes, again, tend to be anything BUT niche, too, as they promote extremely mainstream products (idols). Mixing both seems to me like the best way to make SW the opposite of niche again in 2022. But it being niche or not is irrelevant at the end of the day. I am talking about how making idol animes is the easiest way out for uninspired producers, and how the theme of idols doesn't fit in the SW world in particular. And i take these for facts, not opinions. Especially after the franchise adopted a more serious tone with the film in 2012. Whether there are some people who still wish to find for themselves potential 2D waifus in strikers singing the last forgettable J-POP shit in a 1945 war context is something else entirely. I don't. And my 'non-existent impressions' won't be dispeled by your 'non-existent answer', considering that it misses the point again by a fair margin, like American bombing in Europe in 1944.
Nox---Nov 22, 2021 9:13 AM
Dec 18, 2021 4:24 AM

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New Casts
https://natalie.mu/comic/news/458340
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Jan 24, 2022 7:34 AM
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The first episode will be broadcast on Feb 20 during the first live event
https://twitter.com/LuminousWitch/status/1484722493864615936
Jan 27, 2022 12:36 AM

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How did we go from Madoka Magica, Monogatari Series and March Comes in Like a Lion to Assault Lily Bouquet, Pretty Boys Detective Club and this?
Is my favorite studio dying or what? What's going on Shinbo-sensei
Jan 27, 2022 6:54 AM
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anikevin said:
How did we go from Madoka Magica, Monogatari Series and March Comes in Like a Lion to Assault Lily Bouquet, Pretty Boys Detective Club and this?
Is my favorite studio dying or what? What's going on Shinbo-sensei

What's wrong with Pretty Boys Detective Club? And why are you asking Shinbo when he has nothing to do with Assault lily and this show? And finally - why do you already assume in advance that this show will be worse than, let's say Koufuku graffiti?
Jan 27, 2022 12:04 PM

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I never said they were bad shows, they are all average including Gourmet Girl Graffiti. It's just that we've been getting average after average show since 2017-2018 when the final part of Monogatari and March Comes in Like a Lion were released. 3+ years of nothing impressive.

I'm aware Shinbo isn't getting as involved with the new shows, and it shows. It really shows. All shows used to go through Shinbo's approval. The creative genius and search for perfection aren't there nowadays. I've heard he's coming back as the director for the new Madoka movie. It just seems that Shaft is lost without Shinbo. He's already 60, I hope Shaft finds someone that can take his place.
Jan 28, 2022 6:42 AM
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anikevin said:
I never said they were bad shows, they are all average including Gourmet Girl Graffiti.

My point is that the studio has always produced such shows from time to time. This is how the industry works, especially when a show like 3-gatsu sells three times worse than a show like assault lily.
anikevin said:
3+ years of nothing impressive.
Well, they didn't produce anything in 2019 at all - they only worked on individual episodes.
anikevin said:
I'm aware Shinbo isn't getting as involved with the new shows, and it shows. It really shows.

Not quite that. He's not involved with the luminous witches or assault lily at all. He's a little involved in the magia record. And he was definitely hugely involved with Bishounen tanteidan, and it shows. It really shows. I don't know why you were not impressed and why you think this show was average. It wasn't.
And if you take a closer look at these latest shows, you might notice the rise to the fore of a new generation of studio directors - very interesting ones.
Feb 1, 2022 1:19 AM

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False_Mirror said:

And if you take a closer look at these latest shows, you might notice the rise to the fore of a new generation of studio directors - very interesting ones.


You seem to be invested into Studio Shaft too. Are you happy with the direction the studio is taking? I saw the key visual for this anime and I can't help but feel underwhelmed. It looks like the image for an average idol show (Not that idol shows are inherently bad). It just looks ordinary. When I think of Shaft I usually expect something to blow my mind. Maybe I should lower my expectations from now on.
anikevinFeb 1, 2022 1:25 AM
Feb 1, 2022 2:51 AM
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anikevin said:

You seem to be invested into Studio Shaft too. Are you happy with the direction the studio is taking? I saw the key visual for this anime and I can't help but feel underwhelmed. It looks like the image for an average idol show (Not that idol shows are inherently bad). It just looks ordinary.

Look. This is a show by Saeki Shouji, not Shimbou. You know, how in the old days the studio had shows by the Shimbo team and separate collaborations with Gainax(which, by the way, Saeki also worked on) - it looks like a return to that kind of thing. And personally, I think this is a normal and healthy for the studio. Despite the fact that Saeki has worked on many great and cult titles, his personal aproach has always seemed to me more down-to-earth and servicy. He does what the producers need and want, and it's great for these kind of more commercial shows.
anikevin said:

When I think of Shaft I usually expect something to blow my mind. Maybe I should lower my expectations from now on.

I never expect from each of their shows that it will blow my mind. Why would I? This is simply unrealistic and a sure path to disappointment.
Of course, for some shows my expectations are higher than for others, but still.
Feb 23, 2022 5:14 PM

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Jesus Christ... Oh, studio Shaft, how much you had fallen...
Feb 24, 2022 8:22 AM

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kronopy said:
Jesus Christ... Oh, studio Shaft, how much you had fallen...

I'm not seeing the problem here, sorry they're doing something besides the 10th Monogatari or Madoka for once.
"Well, she's flatter than a pancake"
-Mimi Alpacas
Feb 24, 2022 9:23 AM
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According to the people, who saw the first episode on the recent live concert, it was great. Surprisingly good in fact. Also, not only is Shaft still growing as a studio ( especially the new CG and background art divisions ), but also the focus on queer anime is a very good choice imo. Gay stuff is a much better fit for Shaft, so I actually hope they continue focusing on that
Feb 27, 2022 8:46 PM

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Tropisch said:
kronopy said:
Jesus Christ... Oh, studio Shaft, how much you had fallen...

I'm not seeing the problem here, sorry they're doing something besides the 10th Monogatari or Madoka for once.


There is nothing distinctive about the animation. It looks like something any other dozens of small no-name studios who produce anime nobody watches would produce. Is Shaft. I have higher expectations. You should be able to recognize a studio of its caliber by animation alone.
Mar 31, 2022 12:53 PM

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kronopy said:
Tropisch said:

I'm not seeing the problem here, sorry they're doing something besides the 10th Monogatari or Madoka for once.


There is nothing distinctive about the animation. It looks like something any other dozens of small no-name studios who produce anime nobody watches would produce. Is Shaft. I have higher expectations. You should be able to recognize a studio of its caliber by animation alone.
You're right, the studio is no longer the same as it was in the days of Madoka Magica, Monogatari and Sangatsu no Lion. It turns out that in recent years many directors and animators have left the studio, perhaps in search of better working conditions, opportunities, etc.
"If someone says it's wrong to hope, I'll tell them they're wrong every single time."
Apr 2, 2022 4:09 AM
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Ryoketsu said:
It turns out that in recent years many directors and animators have left the studio, perhaps in search of better working conditions, opportunities, etc.

Yes, yes, this old meme. Actually the directors of Madoka, 3-gatsu and most of the monogatari directors are still working at the studio. Who left then? The director of Nisekoi and mekakucity actors.
Apr 2, 2022 9:04 AM

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False_Mirror said:
Ryoketsu said:
It turns out that in recent years many directors and animators have left the studio, perhaps in search of better working conditions, opportunities, etc.

Yes, yes, this old meme. Actually the directors of Madoka, 3-gatsu and most of the monogatari directors are still working at the studio. Who left then? The director of Nisekoi and mekakucity actors.
Source: https://sakugabrasil.com/as-grandes-perdas-do-estudio-shaft/

Also, try to avoid saying what others say is a "meme" when you are not well informed.
"If someone says it's wrong to hope, I'll tell them they're wrong every single time."
Apr 2, 2022 9:44 AM
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Ryoketsu said:
False_Mirror said:

Yes, yes, this old meme. Actually the directors of Madoka, 3-gatsu and most of the monogatari directors are still working at the studio. Who left then? The director of Nisekoi and mekakucity actors.
Source: https://sakugabrasil.com/as-grandes-perdas-do-estudio-shaft/

Also, try to avoid saying what others say is a "meme" when you are not well informed.

Try to avoid calling someone "not well informed" when all you personally have is a link to a blog.
You named three shows: Madoka Magica, Monogatari and Sangatsu no Lion, let's have a look who their directors are and what they've been working on lately.
Madoka Magika: Series Director - Yukihiro Miyamoto, Director - Akiyuki Simbo
Monogatari: Chief Director - Akiyuki Simbo, Director - Tatsuya Oishi(bake, kizu), Tomoyuki Itamura(Nise-Owari).
Sangatsu no Lion: Director - Akiyuki Simbo, Series Director - Kenjiro Okada

Akiyuki Simbo, Yukihiro Miyamoto, Kenjiro Okada - continue to work at the studio
Tatsuya Oishi didn't do anything in the 2010s, except for Kizumonogatari, so we can say that he "left" in 2009.
Itamura have left the studio in 2018 after owari s2.
So, "all the talents have left the studio" is really a meme spread by not well informed people.
Apr 9, 2022 4:25 AM
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False_Mirror said:


Akiyuki Simbo, Yukihiro Miyamoto, Kenjiro Okada - continue to work at the studio
Tatsuya Oishi didn't do anything in the 2010s, except for Kizumonogatari, so we can say that he "left" in 2009.
Itamura have left the studio in 2018 after owari s2.
So, "all the talents have left the studio" is really a meme spread by not well informed people.


I think it's important to add that plenty of new talents grew significantly since 2018 and already constitute a strong new team, with directors like Yoshizawa, Shibuta, Fujita and Ootani ( assuming DDD is just a side job ) getting closer and closer to their predecessor's level with each year, ready to eventually surpass them in this or the next decade. The same goes for the new animators, assistant color designers, photographers, background art artists and cg artists and animators. Even though the previous team is scattered and past their peak, the new one is still yet to show their full potential, so there's a lot to look forward to
Apr 9, 2022 6:32 AM
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squirrvev said:
False_Mirror said:


Akiyuki Simbo, Yukihiro Miyamoto, Kenjiro Okada - continue to work at the studio
Tatsuya Oishi didn't do anything in the 2010s, except for Kizumonogatari, so we can say that he "left" in 2009.
Itamura have left the studio in 2018 after owari s2.
So, "all the talents have left the studio" is really a meme spread by not well informed people.


I think it's important to add that plenty of new talents grew significantly since 2018 and already constitute a strong new team, with directors like Yoshizawa, Shibuta, Fujita and Ootani ( assuming DDD is just a side job ) getting closer and closer to their predecessor's level with each year, ready to eventually surpass them in this or the next decade. The same goes for the new animators, assistant color designers, photographers, background art artists and cg artists and animators. Even though the previous team is scattered and past their peak, the new one is still yet to show their full potential, so there's a lot to look forward to

Yeah, that's why I especially didn't like the article above. The way the author speaks disparagingly about these new talents is completely unacceptable and unfair.
Apr 12, 2022 2:27 AM

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anikevin said:
How did we go from Madoka Magica, Monogatari Series and March Comes in Like a Lion to Assault Lily Bouquet, Pretty Boys Detective Club and this?
Is my favorite studio dying or what? What's going on Shinbo-sensei
I heard multiple times now that Shaft recently had some internal problems and restructured aka some members left.
Shaft 5 years ago was the absolute GOAT as far as Im concerned, with an incredible track record all the way from Ef to Sagatsu no Lion.
But ever since that mobile game spinoff for Madoka it feels like a different studio to me. And Im not even complaining about "milking" the franchise, its an original anime it has to pay off and if Shaft gets money through this Im all for it.

I just hope Shaft isnt going down the Gainax road, even Trigger died off after a promising start.



Anyway, is this supposed to be related to Strike Witches? This design and setting cant be a coincidence. Not really a fan of "music" anime but Im willing to give this a try.
"This emotion is mine alone.
It is for Madoka alone." - Homura
or how I would descripe Mahou Shoujo Madoka Magica.
Apr 26, 2022 1:02 PM
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kronopy said:

There is nothing distinctive about the animation. It looks like something any other dozens of small no-name studios who produce anime nobody watches would produce. Is Shaft. I have higher expectations. You should be able to recognize a studio of its caliber by animation alone.


Really shows that you haven't watched the recent anime that Shaft has produced. Titles like Magia Record and Assault Lily have very good animation. While Assault Lily might not be as loved, but the animation is beautiful. Also it brings money to Studio.

You can produce great shows like Sangatsu and go bankrupt, or do some unpopular shows that bring money, along with doing great shows. West might hate Magia Record, but kudos to Shaft finishing the anime despite production issues. It also paved way for next Madoka Magica Movie, which is nice. You might have opinion that these are shows that nobody watches, but Bluray sales speak a different story. Also no-name studios don't have Sakuga.

Shaft is also doing RWBY anime, which is again an exciting project to look forward to. They have two great talented animators: Hiroto Nagata and Kazuki Kawada, and having seen their works, I'm positive that Shaft is still among the top studios in terms of peak animation.
May 3, 2022 9:02 PM

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PV
https://moca-news.net/article/20220504/2022050410000a_/01/

OP: "WONDERFUL WORLD"
ED: "Watashi to Minna no Uta (わたしとみんなのうた)"
http://w-witch.jp/luminous/news/?mode=detail&id=20220516

Key Visual
Airing on Sundays at 21:00 (9:00 a.m.) JST via AT-X, followed by Tokyo MX and more starting July 3, 2022
https://natalie.mu/comic/news/479916

PV 4
Net Radio via Onsen starting July 4, 2022
https://natalie.mu/comic/news/482377

12 eps. total
http://www.ota-suke.jp/news/269693
tsubasaloverJul 2, 2022 10:37 PM
I Two Syaorans from Tsubasa RESERVoir CHRoNiCLE and TRC!!!
Jun 21, 2022 11:10 PM

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The World Witches team put together some surprisingly fantastic shows. I went into Strike Witches with my anti-loli-defences up, but the series has a whole lot going on with some really distinct and fun characters, as well as an ability to build some proper tension into the (pretty darn good) fight sequences and overarching plot. It's also from the cheerful rather than creepy side of fanservice, where all the girls are in the joke so to speak, especially a certain Flight Sergeant Miyafuji.

Looking forward to Luminous Witches to see what they do with this spin-off!

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