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Aug 27, 2016 5:05 AM
#1

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THIS IS A MANGA ONLY DISCUSSION POST. DO NOT DISCUSS ANYTHING BEYOND THIS CHAPTER.
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Hmm the part about the wish and those color pages..idk how to feel about this.

However, I think the series has been an incredible ride from the start. Going to miss the series for sure ;_;
Aug 27, 2016 5:57 AM
#2
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Reading final chapter, while listening frank ocean - white ferrari was a bad idea. T-T

Thank you Urasawa-sensei.
Aug 27, 2016 7:21 AM
#3

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well, still a lot of unanswered things, but it was an okay ending..
kinda rushed though
Aug 27, 2016 7:44 AM
#4
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Stark700 said:


Hmm the part about the wish and those color pages..idk how to feel about this.

However, I think the series has been an incredible ride from the start. Going to miss the series for sure ;_;


Yeah,But like I said before from my previous thread it ends with a hopeful ending along with a bookend because it begins with comic within a comic it ends with a comic within a comic wonder what the reviewers think of this complete series.

Also did you know that Naoki Urawasa himself said in the final page saying "Thank you my beloved readers,Look forward for my next work"
Aug 27, 2016 8:01 AM
#5

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Kind of indifferent towards the ending; I wish the scroll and some other details were explained a little better and I also felt more invested in Yamagata over Goodman, but the series overall had so many high moments, it was definitely worth the read. The first half especially was near flawless. The story and timeline was so colossal - Urasawa and Nagasaki did such a good job with the writing. Can't wait for their next work.
I write about manga → morningroo.com
and movies → letterboxd.com/ugla
Aug 27, 2016 9:38 AM
#6
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Satisfying ending. Overall an amazing manga. 9/10
Looking forward to his next work!!
Aug 27, 2016 3:01 PM
#7

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Mar 2015
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This series was great until towards the end imo, felt this had too many loose ends to just end it there
Aug 27, 2016 3:26 PM
#8

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It's up to us, everyone.

We're basically sitting at the moment before BillyLand (Big Business) takes over the world completely and screws everyone over, turning everyone against eachother for profit and so forth, so let's be better than that, let's turn off the news and think for ourselves, what we believe is right and wrong, and move forward with we know and feel is right instead of what we're told is right.

Urasawa-sensei's got the right idea.
Aug 27, 2016 3:57 PM
#9
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Damn, it's finally to an end.
Thanks Urasawa, looking forward to your next series.
Aug 27, 2016 10:36 PM

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I kinda have the feeling that Urusawa doesn't know how to end his mangas.

20th century Boys, Pluto, Billy Bat have weird endings.
The_FanAug 28, 2016 1:44 AM

Aug 28, 2016 5:31 AM

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I wonder if this series got cancelled or something. Seems like there were a lot of ideas that didn't get fleshed out very much especially towards the last few volumes. Timmy in particular I would have liked to see much more of. But, either way I enjoyed this series to the end, thank you Urasawa (and Nagasaki)
Aug 28, 2016 10:36 AM

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Hm...okay?

Ah man, Urasawa and his endings. Besides being kind of unsatisfying this one actually felt rather preachy. But the build-up of the series was amazing as usual. Was a 9/10 throughout most of the manga but I might change it to an 8/10 now. Not sure yet, will re-read it rather soon since the final 4 volumes will probably be published in Germany by the end of 2017. Gonna leave it at 9/10 for now, taking my personal Urasawa bias into account.
Aug 28, 2016 7:00 PM

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That was a nice ending to the story I guess. I look forward to the mangaka's next work.
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Sep 9, 2016 10:24 AM

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Hated the ending!
Hated the arcs from 2000s!

I didn't get the concept of the bat. It changed the meaning during the series, and it was very rushed. There were too many characters to care about.
Really Yamagata's chapters were the best. Also Sissy and Harry and Japanese mangakas made me cry.

I still think the manga should have ended on the moon arc, when that guy made a wish to the moon Billy.
Sep 18, 2016 1:16 PM

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Touka said:
Kind of indifferent towards the ending; I wish the scroll and some other details were explained a little better and I also felt more invested in Yamagata over Goodman, but the series overall had so many high moments, it was definitely worth the read. The first half especially was near flawless. The story and timeline was so colossal - Urasawa and Nagasaki did such a good job with the writing. Can't wait for their next work.


Edaniel said:
Hated the ending!
Hated the arcs from 2000s!

I didn't get the concept of the bat. It changed the meaning during the series, and it was very rushed. There were too many characters to care about.
Really Yamagata's chapters were the best. Also Sissy and Harry and Japanese mangakas made me cry.

I still think the manga should have ended on the moon arc, when that guy made a wish to the moon Billy.


So, I haven't read the ending yet, but this is a pattern of what I have see a lot from Urasawa Naoki's works. Naoki seems like he has a hate for telling a story without introducing more characters after the halfway arc. Like. 20th Century boys had the glasses girls and the post-wall Japan arcs, this had Kevin Goodman, Monster also had this refusal to stop introducing characters.

I am almost always intrigued by Naoki's works in the first half, but after the second half just doesn't follow up from the first. Naoki doesn't like to just play with the pieces he introduced in the first half but it almost feels like that he wants to RESET after the first half by introducing a bunch of characters I don't care about.

It's sad really.
"Justice Never Dies!" - Kenji Endou, 20th century Boys
Sep 18, 2016 1:18 PM

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The_Fan said:
I kinda have the feeling that Urusawa doesn't know how to end his mangas.

20th century Boys, Pluto, Billy Bat have weird endings.


EXACTLY how I feel. Even Monster had a weak as hell second half. He hypes his series up to some epic confrontation in the first half, but then nothign like that ever happens in these series.
"Justice Never Dies!" - Kenji Endou, 20th century Boys
Sep 20, 2016 8:03 PM

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The ending was rushed and definitely felt like it was about to be cancelled. The whole bat thing was explained in the last few chapters but it wasn't explain fully.

It is too abstract even by Urasawa's standards.

It's nice though that the ending speaks to us of human solidarity despite all the tensions. To keep on "drawing the comic" until the end no matter how bad things get.

And since Urasawa did not expound on the bat, we can only guess what exactly is Billy Bat. I have this feeling though that Urasawa is trying to portray Billy Bat as the "God" like being in the manga. It seems far fetched, but here are some clues that point to this theory:

1. Trinity (3 bats) as one
2. How billy bat always say that humans always ask him what to do since the dawn of time and how he has always been present even before the humans appeared.
3. How billy bat operates- Billy bat can't get directly involved in the events that happen. The outcomes are actually made by man. For example the power to change
events actually lies with Goodman, not billy bat.
4. The line, "I've simply been abiding by the truth and rules of the universe...expanding spaces in order to bring about their end. Then a bunch of pathetic life forms like yourselves were born..." and "I've been watching you guys from the moon" ch 160. Also, the line by one of the bats in ch 159, "But if he (Einstein) actually were to discover the truth behind the universe and found your flappy self there, he'd be pretty disappointed."

Funny thing is everything I quoted is in the last few chapters, so it's pretty rushed.
Oct 16, 2016 2:27 PM

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I liked the last two chapters with the soldiers, but i feel like there are a lot of unanswered questions. But oh well, I'm the best person to know how Urasawa's endings are.

9/10
Dec 20, 2016 2:39 PM
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Am I late?
So... I think Timmy had potential to be a great villain. Some things about the scroll and Billy Bat himself just didn't get clear. I missed Kevin Yamagata. Seems like Urasawa is keeping his bad habits, making the protagonist get out of the history before it ends, just like 20th Century Boys.
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Mar 29, 2017 3:21 AM

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I really liked the last chapters. But still would have wanted more explanations and maybe more of a conclusion with Kevin and Timmy. But I've learned to not expect to much from Urasawa's endings.

Overall I really enjoyed the whole manga, but not quite as much as Monster or 20th Century Boys. I preferred Kevin Goodman as a main character but felt both he and Kevin Yamagata were not as interesting or compelling as Tenma or Kenji.
I loved the history-aspect of it and it was interesting to see how the manga portrayed historical persons and different conspiracy theories.
Aug 13, 2017 7:04 AM
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Urasawa remakes Tezuka's works (Monster - MW) and doesn't know how to finish. Billy Bat is an optimistic version of Adolf, interesting but dull. Tezuka is Yamagata and Urasawa's just Timmy Sanada not Kevin Goodman as he wants to be.
Oct 8, 2017 5:26 PM

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what a beautiful, emotional ending to an amazing series. This manga felt like a good movie and I'm upset that I'll never be able to read it for the first time again.
Nov 2, 2017 1:07 PM
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564072
Definitely rushed and weak ending, still can't decide whether it's weaker than 20th CB ending but unsatisfying for sure. The problem with Urasawa is, he introduces too many plotlines in the second half of his manga and it gets too messy to tie everything up, also he has kept some of his old habits from 20th cb, like timeskip and protagonist change with reapparance towards the end, etc. Wish the whole thing about scroll and bats were explained better but it felt cheesy here, kind of a message to the readers(which I appreciate in a way). Overall certainly a good manga no doubt about that, I especially liked the historical aspect of it, but some potential wasted, I guess.
Jan 28, 2018 11:45 AM
🥊 CHAMPION 🥊

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Around the "shit", there is a hope, a hope for a better future, this was the last wish, a wish of continuity, not of change!!!

Well, this final chapter, it´s not bad, but also not the best, acceptable just!!!

10/10 for this manga, because joined great points, great historical facts, with beautiful characters full of personality, mixed fiction and reals!!! Another great point was the mystery, conductive thread of this manga!!!
Sep 19, 2018 1:31 PM

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Well that whole manga was quite a ride, even if the conclusion was a little unsatisfactory. I wish a lot more had been explained but I still enjoyed it.
Dec 4, 2018 8:26 AM

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I agree that Urasawa's works have rather weak climaxes, but I really don't agree that they have weak endings..
20th Century Boys's rooftop scene is really beautiful, and so is this two soldiers' scene..
I increased the score from 7/10 to 8/10 just because of this beautiful last scene ...
"The Slave is the have-not, the oppressed one with nothing to spare.
But because the Slave is in that despairing situation, having nothing, it can kill the Emperor !"
Dec 7, 2018 8:22 AM

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The ride was good but the end was certainly unsatisfying. In the end we almost know not more than in the beginning. Downgrading it to 7/10
Trying to watch all available anime series so you won't have to anymore, the list of anime I can recommend is still in progress, tho
Jan 16, 2019 12:33 PM

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I don't really feel like it left any loose ends, I'm not sure what everyone else is talking about. Just this conclusion seems enough...

Hey, I feel like finding Urasawa and going to ask if he could be my master. What a silly thought! :'D
Oct 24, 2019 1:49 AM

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What a manga.

I feel this series had a very strong start. After it gets out of its own confusion (those for me were the first 20 chapters, until Kanbei) the manga goes really high up. I will say that for me the peak was the 60's when Kennedy was killed. After that the Kii village arc was really nice, and the fact that Goodman was the successor was a great idea as well, but he is not as interesting as Yamagata in my opinion. He had everything setup and easy compared to the Japanese dude.

The last third of the manga goes really downhill, and whats worst is that we ended up knowing basically as little of the bat as the beginning. The fact that Yamagata ended up looking exactly as his Zofuu felt lazy, the last arc is not interesting and the ending is very, very cliche.

For me it is an 8/10 because of how good the mysteries, characters and how tied all of the sub plots were up until Kevin got headshot. After that the series stayed okay until Hitler, and from the 90's onward it just felt messy.
Nov 6, 2019 5:24 AM
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Decent manga I suppose. Not Urasawa’s best work undoubtedly

Can’t understand the common frustrations with Urasawa’s endings. His ending are perfectly fine.
Can’t say the same for this manga unfortunately. I didn’t like the Ninja stories at all

Monster and Pluto are, without a doubt, his best works followed by 20th Century Boys

Nov 22, 2019 7:30 AM

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Another great manga from the creator of Monster and Pluto series.

Sadly this one fails to live up to the standards set by those stories, but still provides an immensely engaging story with a lot of philosophical depth to it.

A big thumbs up for such an interesting use of some important modern historical figures and events.

But honestly - people are probably just disappointed by this manga because the author created so many better stories earlier in his life. And I can't say I am any different - if it was made my some different author, I would have much higher praises for it.. but since I know this one was made by the best of the best - it kind of felt a bit disappointing.. seeing how the old authors of classics start to fade away with nothing to replace them.

But despite all that - it's something I thoroughly enjoyed, a strong 9/10.
Jan 1, 2020 2:23 AM
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I think the ending was sort of a callback to something Kevin Yamagata said earlier in the story, some of you guys probably felt hopeful for the kid’s wish to save the world, especially since the comic “prophesied” it. But how do we know? The kid wants to save a war torn world which probably doesn’t even have enough oil to have another industrial revolution, the world seemed bleak, does it seem like education still functions in an apocalyptic world like that? But that Billy Bat comic sort of gave us hope, earlier in the story, I believe it was a couple chapters after the introduction of Lee Harvey Oswald, Kevin Yamagata talked about happy endings, the example he used was if he drew a comic about a couple and ended it with their marriage, all’s well that ends well, but if the story progresses further, the couple’s happiness may turn to bitterness and they both die in sadness. The boy proclaiming his wish to save the world gave us hope, but what would happen if his story progressed? I’m glad that it ended with a wish, not the wish coming true, and also not the wish being impossible, Naoki Urasawa offered us the happiest ending he could give us without pulling the cliche optimistic “world is saved” or the hard hitting “dose of reality”. I enjoyed this manga from start to finish, and after reading both this and “Pluto”, I’m encouraged to try reading other works from Naoki Urasawa.
Jan 19, 2020 9:38 AM
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DaiShinigamiKun said:
I think the ending was sort of a callback to something Kevin Yamagata said earlier in the story, some of you guys probably felt hopeful for the kid’s wish to save the world, especially since the comic “prophesied” it. But how do we know? The kid wants to save a war torn world which probably doesn’t even have enough oil to have another industrial revolution, the world seemed bleak, does it seem like education still functions in an apocalyptic world like that? But that Billy Bat comic sort of gave us hope, earlier in the story, I believe it was a couple chapters after the introduction of Lee Harvey Oswald, Kevin Yamagata talked about happy endings, the example he used was if he drew a comic about a couple and ended it with their marriage, all’s well that ends well, but if the story progresses further, the couple’s happiness may turn to bitterness and they both die in sadness. The boy proclaiming his wish to save the world gave us hope, but what would happen if his story progressed? I’m glad that it ended with a wish, not the wish coming true, and also not the wish being impossible, Naoki Urasawa offered us the happiest ending he could give us without pulling the cliche optimistic “world is saved” or the hard hitting “dose of reality”. I enjoyed this manga from start to finish, and after reading both this and “Pluto”, I’m encouraged to try reading other works from Naoki Urasawa.

Interesting perspective.
Jun 23, 2020 5:15 AM

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The journey has come to an end damn...I loved this chapter how it's shows the human ideology as always Urasawa is a true legend but idk why if it comes to ending a manga Urasawa feels off at the part nvm the manga overall was great as said In manga "believe in yourself of what right and wrong is"

Thanks you Urasawa-sensei and Nagasaki
Jul 15, 2020 1:13 AM
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What a journey. The story was as big as life, and not like a person's life.

It's hard to describe Urasawa's mangas, their one line descriptions don't indicate what Urasawa Naoki puts and brings into and from his manga.

This story started slow. It definitely didn't have the brightness and life that his brighter works like Happy! and Yawara did, and wasn't dark like Monster or fantastic like 20th Century Boys.
The story kind of told it in the style of a documentary, and as a bit of a spoiler to the mood of the end parts of the story, it feels as if he's written about his life, his thoughts on life and his work. And he's passing what he has to offer to others in this comic he's drawn.

whatamelon said:
And since Urasawa did not expound on the bat, we can only guess what exactly is Billy Bat. I have this feeling though that Urasawa is trying to portray Billy Bat as the "God" like being in the manga. It seems far fetched, but here are some clues that point to this theory:

1. Trinity (3 bats) as one
2. How billy bat always say that humans always ask him what to do since the dawn of time and how he has always been present even before the humans appeared.
3. How billy bat operates- Billy bat can't get directly involved in the events that happen. The outcomes are actually made by man. For example the power to change
events actually lies with Goodman, not billy bat.
4. The line, "I've simply been abiding by the truth and rules of the universe...expanding spaces in order to bring about their end. Then a bunch of pathetic life forms like yourselves were born..." and "I've been watching you guys from the moon" ch 160. Also, the line by one of the bats in ch 159, "But if he (Einstein) actually were to discover the truth behind the universe and found your flappy self there, he'd be pretty disappointed."


Reading that, it does also seem like the bat is his interpretation of God.

I really do feel like this is his story, his life gushing out in comic form.
Lots of authors have works like that, and if they're one of their earlier works like Love Hina was for Akamatsu Ken, it might even become their magnum opus. This work was not the first, and not even the first grand work from Urasawa Naoki. A lot of his works have this amazing hold on the reader, and leaves a feeling behind that comes with that story, an aura or magical feeling perhaps.

This story, coming back to my point about it being like an autobiography or a story filled with lots of self-reflection, doesn't have that magic. A lot of that was actually the beginning of the series with the first main character. All the characters afterwards even know it too.

DaiShinigamiKun said:
I think the ending was sort of a callback to something Kevin Yamagata said earlier in the story, some of you guys probably felt hopeful for the kid’s wish to save the world, especially since the comic “prophesied” it. But how do we know? The kid wants to save a war torn world which probably doesn’t even have enough oil to have another industrial revolution, the world seemed bleak, does it seem like education still functions in an apocalyptic world like that? But that Billy Bat comic sort of gave us hope, earlier in the story, I believe it was a couple chapters after the introduction of Lee Harvey Oswald, Kevin Yamagata talked about happy endings, the example he used was if he drew a comic about a couple and ended it with their marriage, all’s well that ends well, but if the story progresses further, the couple’s happiness may turn to bitterness and they both die in sadness. The boy proclaiming his wish to save the world gave us hope, but what would happen if his story progressed? I’m glad that it ended with a wish, not the wish coming true, and also not the wish being impossible, Naoki Urasawa offered us the happiest ending he could give us without pulling the cliche optimistic “world is saved” or the hard hitting “dose of reality”. I enjoyed this manga from start to finish, and after reading both this and “Pluto”, I’m encouraged to try reading other works from Naoki Urasawa.


This explains it well, through one of the character's observations in the series. It's also something I've heard a lot in my life as well. When stories end with the wedding, when everything is wrapped up with a neat little bow, you get a happy ending. But the story goes on, and what life is is that it doesn't end there. How it ends also provides maybe a bit of a view of the world that says that the world continues on, no matter what happens, no matter what tragedies happen, no matter what you do, it will survive. Maybe it doesn't tell the last part, since the bat says otherwise. I feel that the last scene with the child is what tells the story in that way, since basically, it's the continuation of the story, in the way that the story continued itself before.

Another message I saw in the work is within that last message. Everyone has a role to fill, something they must do in their life. It is the most prevalent in the main characters, very clear message. Even so, the side characters and supporting characters all have their role and a degree to which they hear, and know, their role and message, which is how much they hear from the bat. I feel that this kind of reflects on how people all have different roles in life, and that some people see it more clearly then others, and some take to it more resolutely than others, and everyone takes it and incorporates a part of themselves in it, no matter how clear or seemingly non-existent the message or their role is.

It was a long journey, and everyone in the cast had their own reasons for being there. They all had their own way of living through the world, as varied as people could be. I think Urasawa Naoki realizes this more and more as he gets older, and it shows in his story as characters are seemingly more driven by the story, yet they all seem more free or self-realized about their choices than characters from earlier stories.

In the end, there's not one message or story that comes through. There are multiples.

The bat's dialogue in the last chapter caps it well, and what he tells Kevin Goodman feels like a message to himself. It's something to keep them going, no matter how they view the world.

"Go on... keep drawing."

I hope people like Urasawa Naoki does keep drawing, until they can't draw anymore, and then keep drawing.

Not just for us, readers, also for those around them as well.

No matter how it didn't seem like it when the story was deep in the mystery and intrigue, in the end everyone did show a human side, like crying, getting married, keeping their love and passion from their childhood.
I think it's a good thing to wish for.

And that's how this review ends, with a similar feeling to how the story ends.

I actually wrote this as a review then figured it had too much of a commentary feel so it's going in here.
cloverhapJul 15, 2020 1:18 AM
Feb 6, 2021 7:35 AM
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whatamelon said:
The ending was rushed and definitely felt like it was about to be cancelled. The whole bat thing was explained in the last few chapters but it wasn't explain fully.

It is too abstract even by Urasawa's standards.

It's nice though that the ending speaks to us of human solidarity despite all the tensions. To keep on "drawing the comic" until the end no matter how bad things get.

And since Urasawa did not expound on the bat, we can only guess what exactly is Billy Bat. I have this feeling though that Urasawa is trying to portray Billy Bat as the "God" like being in the manga. It seems far fetched, but here are some clues that point to this theory:

1. Trinity (3 bats) as one
2. How billy bat always say that humans always ask him what to do since the dawn of time and how he has always been present even before the humans appeared.
3. How billy bat operates- Billy bat can't get directly involved in the events that happen. The outcomes are actually made by man. For example the power to change
events actually lies with Goodman, not billy bat.
4. The line, "I've simply been abiding by the truth and rules of the universe...expanding spaces in order to bring about their end. Then a bunch of pathetic life forms like yourselves were born..." and "I've been watching you guys from the moon" ch 160. Also, the line by one of the bats in ch 159, "But if he (Einstein) actually were to discover the truth behind the universe and found your flappy self there, he'd be pretty disappointed."

Funny thing is everything I quoted is in the last few chapters, so it's pretty rushed.



Yes, I have the same interpretation.

How, we, humans, use visions of God, in very different ways, meanings in what to do.
From a message of hope, building an rich Empire....

Everything in Billy Bat is a Big metaphor.
Mar 31, 2021 3:07 PM

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So Urasawa ended the story with more meta-commentaries - on stories and probably on him as a mangaka too. Doing away with the established cast and using a few new characters for the final conclusion was a brave decision, but it wasn't bad, I think. And even though some things might be not explained from start to finish, they don't introduce inconsistencies to the manga, and we can add up the details ourselves. Though I'd say the manga could've been shorter and just fine still - I nevertheless enjoyed the journey a lot. A big appeal of Urasawa's stories is their length and all the characters that come along the way, with their arcs and lives entangling with each other and teaching some lessons. It might be a love it or hate it thing, but I definitely love it.

It's also nice to note that the final chapter seemed to diverge from Hitler's depressing final painting, thus showing hope and the possibility of changing the future (since we had 3 surviving characters, not 1). Though that scene kinda reminded me of Johan's childhood memories.

P.S. The main mystery is the origin of "Chuck Culkin", not Billy Bat :p
St0rmbladeMar 31, 2021 3:15 PM
Aug 1, 2021 6:50 AM

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2236
Amazing series! I liked most of the characters and the story was so good. I also liked the ending!
Now it’s time for Pluto.
Jun 3, 2022 8:16 PM

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371
Absolutely wonderful, I wish Naoki could expand the series more since I haven't satisfied with the ending yet. Overall, one of the greatest manga I've read, the amazing concept, some history callback and the idea of mixing Manga with Comic, reality and fantasy, the past and the future are really unique and daring. The last message to humanity is meaningful, a Naoki Urasawa masterpiece...

9.5/10
Jun 14, 2022 4:16 PM

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147
Masterpiece. I read this manga in one sitting from 6AM to 4PM, more than 9 hours. And I can say this is better than 20th century boy and Monster for me. It made me cry twice in a row: Old chuck culkin tried to draw the final time, and the reveal of the role of Kevin Goodman and the conclusion of the story.

Gosh, the best thing is I cry but I don't feel sad. I give this manga 10/10. A masterpiece.
snowwolf163Jun 14, 2022 7:12 PM
Jun 20, 2022 2:41 PM
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At this point it should be obvious what a fraud Urasawa is. Starts off great, all those intriguing questions and mysteries leading you to think he has some grand narrative masterplan, some big final reveal… but nothing happens other than some vague sappy bullshit because he was just making it up as he went along and never had any clue how to resolve any of it. It’s like watching Lost. It doesn’t help that his manga turn to complete shit halfway through with chapter after chapter of artificial cliffhangers, people crying on every page (the only way he knows how to make « dramatic » scenes) as the plot goes off the rails and readers get bored and he has to wrap it up with the least amount of effort.
Jul 24, 2022 4:26 PM

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2003
Wow this series was amazing! I knew that ending won't resolve anything at all because that's how Naoki makes his mangas. I still liked the ending and I think it's the perfect way to finish like that. Urasawa is such a genius!
Sorry for my english xD!

RIP Kentaro Miura :(
RIP Akira Toriyama :(

Oct 29, 2022 3:00 AM

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305
The fact that we didn't see some kind of resolution for character arcs made me depressed. I mean, we got resolution to some of them but none of them felt satisfying. 8/10
Dec 22, 2022 9:03 AM

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3024
Honestly I'm fine with this ending. I'd even say that I like it. The manga was amazing, but that was to be expected from Urasawa. 9/10
Feb 5, 2023 1:24 PM
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Nov 2020
2
Although the end seems a bit rushed, it's definitely a masterpiece. Amazing work from both Urasawa and Nagasaki.
Sep 1, 2023 11:17 AM
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Jun 2020
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Urasawa se perdeu na na escrita. ele não sabe criar personagem, namoral
Apr 15, 2:11 PM

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259
That was a very solid ending! Overall, I enjoyed this series so much and I’m a bit sad the manga got overshadowed by Urasawa’s other works like Monster and 20CB. Hopefully, sooner or later it will get its own chance to shine, like Pluto did.
Jul 28, 1:17 AM

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Nov 2021
2098
It was nice ending I guess, got bit boring in last few chapters though

Looking forward to his next work.
plin plin plon
Aug 24, 2:41 PM
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May 2020
1
I agree that the ending felt kind of rushed. The 'mystery' of Billy Bat didn't feel like it was properly revealed (I kind of assumed he was like an omnipotent eldritch being from a different galaxy? Or god of imagination). But the ending felt super powerful, an ode to the power of creative freedom and the immortal capacity of fiction impacting generations of people regardless of background. So, that's kind of how Billy Bat thrived throughout human history (as a caricature that everyone recognised). This sensation Urusawa captured really well. This might be one my favourites of his work.
Nov 24, 1:18 PM

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Sep 2015
373
A relatively open ending with a lot of unanswered questions. Just as you expect for Urasawa works. I still liked, though.
The fact that Sergei and, especially, Johnny became two of my favourite characters in the series despite only knowing them after the story basically ended speaks volume of how great the characterisation in this manga is.
Time to watch a few YouTube analysis and theory videos.

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It’s time to ditch the text file.
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