Unfortunately, Brigadoon's North American release came at a bad time. During the years it was released in North America (2003-2004), there was a shift beginning in the watching habits of anime fans of the time. The anime bubble of the early 2000's was starting to go down the path of bursting at this time as more anime fans were switching to online viewing/downloading of series from fan subbed groups. I highly doubt its release was well advertised, which is compounded by the fact that it was only shown on an on demand channel on TV. It just didn't have the necessary exposure to take off, not with the hundreds of other series being brought over to North America courtesy of the anime bubble drowning it out.
Doubly unfortunate is that at the time of Brigadoon's Japanese release (2000-2001), the English online anime community was nothing like as strong and centralized as it is today. So no speed subbing of virtually every series in a season, and no huge communities of people to talk and discuss the currently airing series.
Brigadoon is also an odd piece. Its combination of themes and art style, while unique can easily turn off a viewer not willing to give it a chance. And what I consider to be Brigadoon's strongest point - its ability to take your preconceptions of it and smash them to pieces - is also its weakest. Many people, upon reading the generic description for Brigadoon and seeing the art will expect a kiddy comedy with maybe a few twists. When this is violently changed early in the show, they can easily be turned off. This is not the show they were expecting or hoping to watch, they'll go find something else. And thus they never tell anyone about the show, and it languishes in obscurity.
I think though that if Brigadoon were released today, it would be quite popular online. Just getting a large number of people to try it simply because it is part of the new season of anime would be enough. Take for example the large popularity of Puella Magi Madoka Magica. Also an anime original, it is a deconstruction of the magical girl genre, with its unexpected event hook in episode 3. People watch to that point simply because it is a currently airing series. Then, once a certain critical number of people are caught by the hook, the series is able to spread itself by word of mouth/keyboard. While Brigadoon doesn't have nearly as strong an individual hook as Madoka, it does have a good one in episode 2 with more in subsequent episodes. Certainly enough to keep people watching. Alas, we are definitely under that critical threshold number.
To appreciate Brigadoon for what it is though, I think it helps to have seen a number of previous series. With no preconceptions to break, it may come across as a good series, but it probably won't be a great one. The twists and tragedy really hit you the hardest when you have that sense of "But that just DOESN'T happen in this genre!". And that makes you empathize with Marin more, which is really necessary for the final episode to leave the proper impact. Personally, I'd prefer someone to think of this as a great series to continue its spread. So I'd really only be able to recommend this to teens/adults, who have seen a number of anime and are maybe looking for something different. |