Regarding the points on giving up magic. My thoughts/headcanon:
1. First and foremost, this is really Doremi's decision. Doremi understood that one way or another, she's really the leader of the group. If Doremi did choose to accept being a witch, then regardless of the others' own true desires, they would have followed her on her decision. Doremi in some senses mirrors Tourbillion, in that she's the one who catered to her friends emotional needs, and for this reason she would know the deep sadness for her friends if immortality forced them to leave her behind.
I suspect that Doremi, of all the Ojamajo, would have been most keen to become a witch, since from the very start she wanted this the most. However, especially with ep 40, she saw the consequences of this way of life, and how it would lead to lingering regrets for every one of her friends. It's not merely that being a witch wouldn't help, it would alienate all of her friends from society and make it impossible to live their life how they wish. But if Doremi had insisted on remaining a witch they would have done it.
This is why even if avoiding the pain of immortality is "selfish", in making this decision Doremi is thinking unselfishly.
2. The core principle regarding magic in the show is not merely that "it's possible to do things without magic", but that the "possibility of doing stuff with magic is bad". There is value in the inability of using magic. Like Majoran said all the way back in Sharp, in the human world if a thing is broken, then it is lost, and that means people value things more. Like how the girls specifically avoided using magic in raising Hana, because doing things properly embodies their love. Like how the Witch Queen says Humans are capable of much more love than witches. Like how everyone's constantly bored in the Witch world. And so on. There's multiple groups of witches that *deliberately* swore partly or completely to not use magic. Those groups are generally correct. Even when the El Dorado witches *all died*, they did so without regrets.
Overall, the effect of magic in the witch world is *negative*, and very plausibly the effect in the human world is negative as well. The actions of the Ojamajo are exceptions, but exceptions that prove the rule - the witch queen specifically sought out the kindest kid in the world (Doremi), and still they mess up a bunch of times. This is not to say that it's impossible to use magic in a way that is only positive, but at least as far as the show's concerned, this is something that has happened only rarely, and requires work for both the humans and witches to reach a point where they are ready for that. And being ready for that would require every other prejudice, war, and so on to the solved as well.
That's what making the human world ready for magic really means. It's not enough to merely have people believe in the existence of magical power. You need everyone to be like Doremi, basically.
(Also, think about how many positive things in the show are driven by the limitations of magic. If they could have infinite spheres, they would never have worked at the Maho-dou. If it wasn't for the witch-frog curse, Majorika wouldn't have made Doremi and the others in apprentices. If Pao-chan *could* suck up Tourbillion's sadness, they would never have found Robbie. The gang wouldn't have made friends with Momoko. They wouldn't have redeemed Onpu. They would never have grown to sympathise with Tourbillion at all if they hadn't been forced to relive her experiences.)
3. It's important to consider what the thematic meaning of all this actually is. What is *magic*, actually? What lesson is this show trying to teach?
Well, the thematic point here, as I see it, is to teach kids to accept loss and failure. Magic is the childish idea that you can have *whatever you want without working to obtain it*. I mean, yes, the gang worked very hard to get their witch status, but after that, the importance of the choice is that this is an end to that. Real kids don't get this choice, and the point of the show having Doremi and everyone turn down this choice is to teach the audience to not resent the fact that they live in the real world. As is established, maturity means accepting that not everything will go your way, that you'll fall down again and again, that your friends might leave you - and that this is a necessary part of the human condition. Doremi *has* to make this decision, for the sakes of the audience, to tell them that their lives without magic is actually okay, that the hard work they have to put in to do everything, to grow up, is exactly why their dreams and their growing up is meaningful.
That they should be glad that they could not actually wave a magic wand, and make what they want come into existence.
That's the point, and that's why there's only one way this could have ended. |