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Dec 23, 6:03 PM
#1
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Aug 2021
186
I am afraid. I admit it. I am afraid of this new direction, as much as I adored everything leading up to it, as much as everything surrounding it made sense and seemed to enhance Shiori’s character, I am scared shitless that the 27 club will be hard carried by the singers of old and their interactions and conflicts, leading to dust the whole growth aspect of the series, or at least the growth of those who spearhead a new direction in music rather than just the ones who are reinventing themselves. And this chapter simultaneously gives me hope and confirms my suspicions, as it shows that, as it was honestly expected, these people can’t get along when sharing the same stage, too big of egos in the same place to make it work, and I like how Jimi’s arrival isn’t the magic solution to it, if not an addition to the whole problem, but, there is a silver lining to be found and is that how Shiori, although not in the particular situation to do it right now, or at least I believe so given her decision to be more open to let Jimi do his stuff in order to bring out the best he can, is the only one in this band who isn’t puppeteered by her ghost and has had personal progress in her pursuit of music, which combined with the particular reason each of the other members of the 27 club allow themselves to be only a way for their ghosts to do their thing can create interesting progressions, after all, Shiori is a teacher at the end of the day, even if these people aren’t her students, they still can share with her the same relationship she had with her former band mates. Talking about them, I’m so eager to see how they will return to the series, because sorry, there is no way that panel of Subaru opening the club’s doors a couple chapters ago is meaningless, not with this series.

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It’s time to ditch the text file.
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