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Nov 17, 2022 2:21 AM
#1
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Jul 2018
562347
The Nepalese architecture in this chapter is magnificent, Taniguchi must have done lots of research into the landscapes of the manga's time period.

So far I'm enjoying the historical sagacity. Fukamachi explores the winding city roads in venturesome ambiance, as he asks around for clues about an antique camera. Supposedly belonging to mountaineer and adventurer George Mallory. With the introduction of character Jouji Habu, the mystery surrounding this camera and of Mallory himself, deepens.

Fukamachi seems to have a desire to understand what drives others in risking their lives, attempting to conquer Mt. Everest. He reflects on his work, capturing the spirit and determination of climbers from all backgrounds. This includes photos of incidents that haunt his dreams. Photos of climbers that had last been seen through his lens, and photos of tragic accidents that have led to the deaths of others. This chapter captures the power and reality of alpinism. Fukamachi also serves as a bridge between early mountaineering and modern ingenuity. With George Malloy providing as an enigma for those that came before. What was it like to be the first to decide to go where no one has before. Uncharted and wild. This second chapter asks the question boldly, as others follow in the footsteps of those before them. Seeking witness to such answers.

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