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Mar 30, 2016 3:07 AM
#1
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Jul 2018
562340
THIS IS AN ANIME ONLY DISCUSSION POST. DO NOT DISCUSS THE MANGA BEYOND THIS EPISODE.
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"I really hope that I can live my life as strong as that woman." What the hell is she talking about? The only thing the woman did in the film was say no as a man grabbed her. I was amused by the hat landing on the horse though. And I wonder why that drink was censored in the scene that followed.
Sep 17, 2017 7:09 AM
#2

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Oct 2013
2653
Her being tsun and hestitant but feeling it so hard from him and getting so wet was such lewdness
(*´ч ` *) her body squirmed and reacted most lewdly to his touch along with her trying to push and turn away at times

erotic with the body control he had on her and feeling her up all over her whole body in a sleazy and sadistic way
(๑´ڡ`๑) most wild movement and positioning along with the in between motions into the different positions
(*˘︶˘*)

quite high intensity with the action but also the sense of danger In final scene (っ˘w˘ς)

Dat nose and mouth detail at the ending scenes, so intricate (..>◡<..)

Quite a house he had with all the stylish framing of his dead wife pictures hung everywhere.

Boss lady was not bad as well, being backed up against the wall and some suffering for bad deeds
User-sanMay 5, 2024 6:29 AM
Nov 1, 2020 11:48 AM
#3
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Mar 2017
124
Episode 3 is the best episode for me, with a premise like this I find it so much hotter when the Sub is at least trying to resist.
May 3, 2024 12:44 AM
#4
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Jan 2016
30
This entire thing was a wild ride. I mainly watched it because of Akiyuki Shinbou's involvement, but I didn't expect it to be his most visually unhinged thing since The Soultaker lol. All of the layouts and storyboards were great and the animation is among the best I've seen in a hentai OVA. It's really cool to see the lineage of his visual quirks - like how the guy's apartment looks almost identical to Senjougahara's, and the post-credits scene has a legit SHAFT headtilt (the first one perhaps?)

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Sep 14, 2017 6:19 AM
It’s time to ditch the text file.
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