Suiren no Hito

Featuring little to no dialogue and/or characters and the experience is carried by the music and/or visual atmosphere.

Part 1 - https://myanimelist.net/stacks/311
Part 2 - https://myanimelist.net/stacks/5128
Part 3 - https://myanimelist.net/stacks/8036
Part 4 - https://myanimelist.net/stacks/8173
Part 5 - https://myanimelist.net/stacks/9135
Part 6 - https://myanimelist.net/stacks/9240
Part 7 - https://myanimelist.net/stacks/9448
Part 8 - https://myanimelist.net/stacks/9461
Part 9 - https://myanimelist.net/stacks/20874

Part 1: https://myanimelist.net/stacks/2764
Part 2: https://myanimelist.net/stacks/9052

Pia Film Festival (PFF) takes place at the National Film Archive of Japan in September. The PFF celebrates the culture of Self-Produced Film (Jishu-Eiga) and provides many opportunities of rich experience of cinema to both young filmmakers and audiences through various programs since the establishment in 1977.

PFF’s competition was introduced in 1988, and is open to any film completed after March in the previous year. There is no restriction on length, format, genre, nationality or the gender of the filmmaker. Given the problem of defining “Self-Produced Film” in these changing times, PFF opts to accept as “Self-Produced” any film so defined by its director. The submission of films for competition closes in March each year, and every title is seen by at least three members of a fifteen-member pre-selection committee. The rule is: no stopping or fast-forwarding once a film has started. In the second stage of selection, all films which have survived the first stage are seen by all fifteen members of the pre-selection committee. This committee then finalises the choice of films for competition. These films are seen in the festival by an invited jury of professional artists, who deliberate and decide on the prize-winners. The result is announced at a ceremony during the festival.

(Source: Official Site)

Award Archive: https://pff.jp/jp/award/archives/

Comprehensive spreadsheet of all of Tomoyasu Muratas works, compiled from his website and various databases:
https://docs.google.com/spreadsheets/d/1YYEbRiMPVADSC36LA7ZthVsVQlsSSPTKMPFbZQXnzSA

This list is a ranking of my favourite to least favourite, Tomoyasu Murata works that I've seen.

Note for anime not available on MAL:
between human zoology and space circus;
Ametsuchi (2016) preview: https://www.tomoyasu.net/ametsuchiwork

between Hifukidake and Tomorrow(When you wish upon a star);
Metropolis (2005) preview: https://www.tomoyasu.net/metropolis

between Tug-Tug and BURP;
Yonin Kyoudai (2004)

These stacks are meant for cataloguing every stop-motion animation on Myanimelist. The list is the result of research by the Stop-Motion Animation Appreciation Society:

https://myanimelist.net/clubs.php?cid=16200

Stop-motion is a form of animation in which objects are manipulated little by little while each frame is shot separately. Puppet animation is the most common, but before 1935 cutout animation was also very common. Among other types are claymation, pixilation (now removed from the database), object and model animation. In this list also works using sand, charcoal or paint are included, since in the form they've been accepted to MAL, they also include gradual manipulation and shot by shot filming.

Part 1: https://myanimelist.net/stacks/47018
Part 2: https://myanimelist.net/stacks/47020
Part 3: https://myanimelist.net/stacks/47021
Part 4: https://myanimelist.net/stacks/47022
Part 5: https://myanimelist.net/stacks/47023
Part 6: https://myanimelist.net/stacks/47026
Part 7: https://myanimelist.net/stacks/47027
Part 8: https://myanimelist.net/stacks/47032
Part 9: https://myanimelist.net/stacks/47034

Part 11: https://myanimelist.net/stacks/47036
Part 12: https://myanimelist.net/stacks/47038
Part 13: https://myanimelist.net/stacks/49186
Part 14: https://myanimelist.net/stacks/51880