Alternative Titles
Synonyms: Shin Majinden
Japanese: 真魔神伝 バトルロイヤルハイスクール
More titlesInformation
Type:
OVA
Episodes:
1
Status:
Finished Airing
Aired:
Dec 10, 1987
Licensors:
AnimEigo
Studios:
D.A.S.T Corporation
Source:
Manga
Demographic:
Shounen
Duration:
59 min.
Rating:
R+ - Mild Nudity
Statistics
Ranked:
#117312
2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#6804
Members:
9,649
Favorites:
17
Resources |
New Interest Stack
Interest StacksEvery anime directed by Ichirou Itano. Also includes series he only partially directed (i.e. Patlabor ep. 6). Decided to make a stack for the OVAs and movies you used to be able to find on Blockbuster shelves or on late-night TV anime blocks right before infomercials or softcore porn. Behold, hyper-violence, bad animation, paranoid politics, incomprehensible writing, awful dubs, gratuitous nudity, and that special something that makes bad things great sometimes. I remember going to the video store, browsing the shelves, and picking out a movie based on the box art alone. I'd look at the front, I'd look at the back, and more often than not I'd put it back on the shelf. Occasionally there'd be something like Ghost in the Shell or Ninja Scroll, and I knew I just had to rent it, or more accurately get my parents to rent it. Before the likes of Saint Seiya, Dragon Ball Z and Pokemon conquering the kids in the west, it was actually Akira that opened the door and made people realize that the cartoons coming from Japan weren't what you would expect from Disney or your TV channels. Every cinema or direct to video anime film that came out in 1987. A mix of 80's & 90's ova series that I have seen. Short form anime series on this site can often be underappreciated. In the same way poetry is radically different from fiction novels, which are radically different from screenplays and so forth, I view shorter series, typically OVAs, in the same way. Too frequently they're compared to TV series, and there will be many comparative allusions roughly paraphrasing, "You can't expect much from the story/characters because of how short it is", or other similar comments. The value of the efficacy of the presentation in both shorter and longer series are for the most part incomparable to each other. They both strive to do very different things through very different means despite the shared medium of "anime". Of course, what constitutes the differences or goals of a creator is quite vast, but the point is that from my personal view, because the context of the existence of shows that would either be shorter in length or longer are so different and require much different means for communicating the information that they present, I think they should be judged by different standards. How a person judges them is up to themselves, but I do believe short series are worthy of the praise that many would only attribute to more lengthy series. What I want to do is give reverence for the fun-sized length series I have come across and enjoyed to some degree. After the release and success of Akira in the US and UK, Western companies like Central Park Media and Manga Entertainment began licensing as many films and OVAs as they could get their hands on to satiate a market hungry for strange, violent animation. Some of them were genuinely great and are still regarded as classics to this day, but the vast majority were schlock made to appeal to the lowest common denominator. This was essentially the anime equivalent to the American grindhouse/exploitation boom of the 70s and early 80s, where films were marketed on their ability to shock and provoke. |