Princess Principal

In the early 20th century, the discovery of the substance Cavorite allowed the production of advanced military technology and steered the country toward conflict. London is now divided by a wall, and the Kingdom and the Commonwealth of Albion battle a silent war where espionage is the only weapon that can destabilize the enemy. A group of girls from the prestigious Queen's Mayfaire school work as undercover spies for the Commonwealth.

Led by Dorothy, an experienced driver with a striking personality, their group includes the talents of Ange le Carré, a cold-blooded liar and expert sharpshooter; Chise, a proficient samurai; and Beatrice, a voice-mimicking specialist. They use their unique individual skills for the Commonwealth to survive in a dark world filled with conspiracy, mystery, and infiltration. In the shadow of the war, they have only one goal in mind: completing their mission.

[Written by MAL Rewrite]

le Carré, Ange Main

Imamura, Ayaka Japanese

Dorothy Main

Taichi, You Japanese

Charlotte Main

Sekine, Akira Japanese

Toudou, Chise Main

Furuki, Nozomi Japanese

Beatrice Main

Kageyama, Akari Japanese

Julie Supporting

Kino, Hina Japanese

Anderson, Amy Supporting

Watada, Misaki Japanese

Marilla Supporting

Furukawa, Yurina Japanese

Gaveston, Lily Supporting

Kitou, Akari Japanese

L Supporting

Sugou, Takayuki Japanese

Maruyama, Shunpei Producer

Maniwa, Kenzou Producer

Kyoutani, Tomomi Assistant Producer

Tachibana, Masaki Director, Episode Director, Storyboard, 2nd Key Animation, Key Animation

Reviews

Sep 24, 2017

Pipe

Recommended

Princess Principal a title that could mislead any viewer. First, you could think that the show is about a school and girls. Then you could start considering any slice of life plot and girls related storytelling and few moments about spying. I must say, it is wrong.

Story: 8/10
Princess Principal has a very creative plot with an impressive storytelling that could surprise a lot of spectators. The story deals with espionage in a divided nation, nothing to do with a slice of life plot. The spies are young girls that use their student status as a cover. During the day, they are typical students and ... when the duty calls they transform into dangerous and very skilled spies with particular abilities.

One of the possible issues found in the forums and some reviews is the lack of a plot sequence that changes between some episodes. I want to say that the storytelling focuses on "file cases" so each episode is a different mission and the principal idea (espionage) remains. This method helps with the pacing because the story is always advancing and changing. Also, the show doesn't need a sequence to connect the story. Furthermore, each episode keeps adding information to the main arc, and the characters background. I consider that constant additions a plus.


Art: 9/10
The art is "steampunk." It is stunning and formidable that goes well with the color palette, the mechanical design, and the character's concept. You can notice that some areas don't have the standard lighting because they like to create a dark ambient. Also, the art helps a lot with the storytelling, timeline, and the possible fantastic ideas such us the use of the mineral "Cavorite." For experience, someone could find the steampunk art weird or not attractive. However, it isn't a reason to drop the anime.

Sound: 8/10
The sound is great. They elaborated a complex sound mix with a delightful soundtrack. The sound of each action sequence adds emotion to the plot and is played at the right time. The songs are good. For me, the OP is excellent, and the ED isn't bad.

Character: 8/10
We have five main characters. I decided to give them nicknames. Dorothy "The face," Agne "The liar," Beatrice "The voice," Chise "The stranger," and Princess "The usurper." With that original nickname, you can start guessing about their background.

In more detail, Dorothy is the leader of the group but is the one that enjoys the freedom; she is more the "sempai" of all them.

Agne. We don't know when she is lying or telling the truth but is a character that will give up everything for someone or the mission. She has some hidden secrets.

Chise has high values for her tradition and displays her unsatisfaction when she isn't considered as a useful part of the group.

Beatrice is the most insecure member of the team, but her skills are convenient on every mission.

Finally the Princess, she is more an actress but with a defined goal.

For me, each character is different and not generic. These girls have their problems, a painful past, they have secrets, and they take their own decisions to complete an objective. In other words, the characters have a spy profile that works with the plot.

Something I enjoyed is the extra background information given. On each episode, we could have more details about each character. I know that some of the outcomes could be predictable but not all them. Additionally, the characters emotions evolve during the story, and we could see unexpected decisions that indicate a proper background build.

Enjoyment: 9/10
In summary, I have few negative aspects about this anime and are insignificant for this review. Each episode left me a good sensation and entertained a lot. I enjoyed this animation. The pacing, the storytelling, the art, the sound blended well and created a show that deserves to be watched and repeated in the future.

Overall: 9/10
Finally, the character design is stunning. We can't find this art quality (steampunk) in the recent original animations. The sound mix complements each episode. The story isn't weird and doesn't need a complicated plot to capture our attention. I consider this anime very attractive and unique. For example, the character backgrounds and the file cases weren't repetitive, and the extra additions to background keep the viewers hooked all the time. You should give the first episode a try. You won't be disappointed. Actas and Studio 3Hz did a splendid job.

Reviewer’s Rating: 9

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Oct 3, 2017

LIQfilms

Mixed Feelings

As a child, I’ve always held a fascination with spies. This is most likely due to the fact that I grew up in a family that exposed me to James Bond at a young age. Cool, suave, and sophisticated, capable of carrying off any mission or any feat, James Bond was the type of guy I always wanted to be as a kid, and, as I grew older and into adolescence, Bond’s luck with women only enhanced this idea. Of course, much to the dismay of my eight-year-old self, I grew up to be anything but sophisticated and cool and instead decides to write reviews ... on anime. So, when I had learned of the content surrounding the recently aired Princess Principal, visions of my childhood flashed in my mind, and I was genuinely excited for the show, as it seemed to be essentially James Bond, but with all the characters being replaced by lolis. Yes, a dumb idea, but anime has frequently surprised me in the past with its use of strange narratives and concepts to make genuinely good shows. However, PeePee (yes, it’s immature to refer to the show as such, but I’m going to be doing it from here on out) is perhaps the biggest disappointment I’ve had all year with anime. I really wanted to love this show, I really did, especially since it has so much going for it in regards to what appeals to me personally from a visual standpoint. The great character designs, wonderful setting, and world as well as the smooth soundtrack. Unfortunately, PeePee is bogged down by an ultimately weak cast of characters, an aimless narrative, and, for the most part, a lot of wasted potentials.

PeePee’s narrative is set in a fictional 19th-century steampunk London in which the West and the East are separated by a massive wall (insert overused Donald Trump joke here), in which five young girls from a prestigious academy are actually spies! The series follows these girls on various spy missions in an episodic narrative structure, as we learn more about their pasts and their relationships with each other, and that’s pretty much it as a whole. On paper, this mode of storytelling doesn’t sound bad, but the main problem I have with PeePee’s narrative is just how aimless it is. The story feels as if it doesn’t really know what it wants to do in regards to its story and characters, and instead just relies on ultimately inconsequential episodic spy missions that feel more like they exist solely for padding out the run time of the series. It proves frustrating to watch since I constantly kept expecting the story to do something, or to go somewhere, and I would be more forgiving of the show if its episodic nature actually had any bearing on the world as a whole, or if they were more engaging. This is made worse since the narrative is nonlinear and it often undercuts its own episodes by carving out any semblance of pacing.

Nowhere is this idea more evident than in episodes nine and seven of the show, in which we don’t learn anything about any of the characters or the world we’re presented with. Episode seven is essentially an episode in which the girls join laundry cleaners, as they have to find a specific uniform to identify someone in the army who has been using mustard gas. As they work in this place, they eventually transform and rebuild the work system, so everyone can work more efficiently and earn more money, and eventually apprehend the villain of the episode; that’s it. While there is some commentary about the working class of the people living in the Victorian era in London during the 1800s, it’s an ultimately pointless episode and even has many jarring moments that simply make no sense or just feel...odd. Like when all the men happily throw off their clothes to give to some cute underage girls for them to clean, or a scene where one of the spies, whom is fighting off against the villain of the episode, defeats him, and drops a knife to the floor, whereupon another lady who notices it, and walks away, which, I’m guessing, is in shame…? Or maybe she is scared? Does she want to turn her back in respect for the privacy of the spy girl? I don’t know! The anime doesn’t make it clear and the lady’s actions doesn’t make any sense and feels more so jarring than anything else, resulting in one of the many examples in the show where the in-the-moment logic is shoehorned in to create forced and unneeded drama in situations where it doesn’t make any sense. When the lady walks away it clearly hurts little miss loli spy, and it feels unnatural that the woman would do so, considering that the loli spy has just apprehended a man with a knife, whom could have killed one of your workers! This may seem like a redundant thing to talk about, but little things like this that drag me out of the narrative and prove to be distracting, and there are plenty of examples of this.

The other pointless episode, even more so than the one I just described, is episode nine, in which we see Chise, a Japanese girl trying to adapt to British society, as she recaps her time spent as a spy and basically tells us her relationships and thoughts of the other girls. This is pointless as we already understand at this point the dynamics between each of our characters and repeating it so, is redundant. Not only that, but the episode is also a good case study into another problem with the show and that is that each villain, or any person who belongs to any higher social class, is a complete asshole, one dimensional prick! In this case, we have a rich guy who kills a butterfly, just because he is so EVIL! This forced dynamic between the higher upper-class as being horrible people, while the lower-class is presented as being kind and considerate, having to work hard to prosper in life is representative of the context of the society in which the show is based on, sure, but people are not this black and white, and it feels silly to present this as such. It doesn’t help either when the show takes to victimisation in a cheap and pathetic attempt to make us feel bad for the characters, with each adult, again, being represented as one dimensional pricks, beating down on our cute and innocent little girls. It’s the same problem I had with Elfen Lied, which also used similar cheap writing to evoke this emotion from us through manipulation, and while PeePee is nowhere near as bad as that show, it still feels lazy. While I do appreciate that the show does attempt to show us the character’s backstories, which does add some more depth onto them, it’s not something you haven’t seen before, nor is it really that effective since the characters are rather dry and boring. It’s hard to care for them on any emotional level and are more akin to cardboard cutouts.

There is an attempt here at introducing a plot twist into the narrative, but I feel as if it is introduced far too late to do anything substantial with this idea, and not only that, it also felt incredibly predictable too boot. The show constantly hints at greater things in the narrative, but then utilizes the most bare-bones and predictable storytelling to deliver upon these hints, making the entire show feel incredibly uninspired. There are a few attempts at theme exploration, and politics, all of which is never given enough time to breath or develop, and feels more so as afterthought, rather than an intrical part of the story and world. Every theme presented feels like a child’s interpretation of a morally gray world. The show also utilises exposition as well in order to communicate to the audience the state of the world, such as in the first episode where the narrator essentially just tells us everything instead of letting the audience be immersed into the world and setting ourselves, especially since the information we do learn, regarding a wall that divides the East and West, is not really explored all too much in the show, aside from the finale, but, even then, it’s nothing too remarkable. While on the topic of the finale, while I would say it is more engaging than the rest of the show, since things of actual significance and consequence are occurring, it ultimately feels rather anti-climatic and just ends abruptly!

To be perfectly fair, there was a couple of things in the show’s narrative that I kind of liked. For starters, there is a variety of different missions, which helps to break up the monotony of the story, and various locations and settings which helped to expand the world and make it feel grander. I also liked some of the spy training stuff too, and helped add on this layer of realism to the setting and the world, from seeing the girls learning how to unpick locks, or them performing practices involving tailing someone without their presence being known. Some of the technology used in the show too was pretty fun to see as well, such as a ball that allows the holder to fly, which allowed for more creative scenarios to ensue. In addition, there was a few episodes that could actually be fun, or somewhat emotional in a few places. The best example of this is an episode devoted to Dorothy, and her backstory, and while it too does utilise victimisation too, the episode is fairly emotional, mainly because Dorothy was the only character I found to be somewhat likeable, being that she was easily the most relatable, and her world outlook on life just seemed to be the most admirable amongst the cast. The one thing that ruins the episode however, is that Dorothy’s father, whom after learning does actually care for his daughter, is killed off and is never mentioned ever again! Not even a single passing remark or comment!

As for the rest of the cast, they’re pretty mediocre character archetypes. Chise’s involvement in the narrative is pretty minimal, and while we do understand her reason for coming to London, all the way from Japan, in a fight between her and her father which carried some narrative weight and emotion, she doesn’t really change or grow much throughout the narrative and her relationships that form between her and the other girls just feels superficial, as if the only reason they exist was because the script dictated it so. She had some charming scenes however, most notably her lack of knowledge surrounding western customs, although some moments felt rather trite, especially the one with the lady in the laundry house I mentioned before. Beatrice also doesn’t have much involvement in the plot either and serves little purpose as a whole. I’m guessing her role is the straight man, in the sense that she is the most normal of the group, having been trained very little in the art of spies, so I guess we’re supposed to latch onto her, but I found her more so annoying than anything else. Undoubtedly the crux of the show, and what most of the emotional weight depends on, is the relationship between Ange, a spy who has essentially cut off all her emotions for her job, and the Princess. Their relationship does actually feel genuine and sweet at times, especially since Ange actually exhibits emotions around her, giving her character some more depth and personality than what we were lead to believe at first, suggesting some personal history and connection between the two. While this relationship is still nothing remarkable, and is as cookie-cutter as they come, the scenes in which they fight, actually have some emotional weight behind it. While I won’t get too much into the plot twist between their relationship (even though it is obvious that even Stevie Wonder could see this coming!) the struggles behind the Princess's life was actually kind of interesting, and one of the few moments I cared for any of these characters.

Now, one positive thing I can say about the characters is that they all have good chemistry between them, and their back-and-fourths as they complete missions can actually be pretty funny and charming sometimes too, especially the scenes in which they are driving in their car, as Beatrice freaks out and screams hysterically, Ange turns off her voice changer (which was installed onto her by her evil father because every adult in this is a one dimmensional ass-hat) and is a clever way of adding some comedy into the show. While the character interactions are good in many regards, it is not enough to salvage the show unfortunately.

In regards to animation and music, PeePee, handles this the best. The opening is fantastic, and I can’t get enough of it! It captures the spirit the show is aiming for perfectly, and the same thing can be said for the design of the world and the character designs too. The city is mechanic, lifeless, and bleak, and each character design is pretty good, albeit it can be kind of silly looking at times. The soundtrack is also comprised of smooth jazz, adding some suave to the show, and the animation, for the most part, is pretty consistent with some cool looking action sequences. However, CGI is used in some parts of the show, with a jarring use of it in the second episode, where a group of people are dancing with the same posture and fluidity of two robots trying to emulate human movement; it feels really jarring, and many of the backgrounds in the show are comprised of CG models that never fail to look awful and drag me out of the scene.

In conclusion, PeePee was just a mediocre show with no remarkable attributes and it felt like the writers were holding back and, as I said, kept playing it safe with predictable and tireing stories that have been done a thousands times before to much better effect. It’s a show that is more interested in cinematography and action then it is in having actual characters the audience can feel for, and the strange pacing, as well as the narrative structure makes the show frustrating to watch since it feels as if it is going nowhere and just remaining stagnant. On some level, yes, I did enjoy myself during some moments of the show, but much of that was overpowered by a strong, unyielding feeling of boredom which makes it incredibly hard to recommend as there are so many other shows that are actually worth your time. Don’t bother with this show. Like someone you passed on the street today, you’ll forget the memory of them as soon as you take your eyes away...

Reviewer’s Rating: 5

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Oct 4, 2017

CodeBlazeFate

Not Recommended

“When you create a web of lies, you'll inevitably trap yourself and become everyone's meal instead”- someone, somewhere, sometime

Princess Principal is an unorthodox title to be sure. Steampunk, non-linear storytelling, and rule of cool. Sounds like it should've been a winner, but it was a case doomed to fail as soon as it set out, exposing itself rather quickly as a fraud and a disaster. It's stupid, it's uncool, and most of all, it's insulting. It tried desperately to confuse you and come off as smart and then it tries to patronize you.

Princess Principal is the condescending and obnoxious dreck from the same team ... that gave us one of last year’s most crushing disappointments, Izetta the Last Witch. As blasphemous as this sounds, that show was still better than this one in every single way. Keep in mind, Izetta was sort of a train wreck and plenty were hurt by its unkept promises despite the setting and premise. However, it's like this show decided to do it one worse yet still be seen as better. Let the truth be heard, let this series be exposed for its lies, and let it be cannibalized and demonized for ruining my hopes and dreams of having a better Izetta, just like with Youjo Senki only half a year prior! Let me, the man it deceived the cruelest, have my vengeance, for the lies end here!

Case ST 2

When a narrative starts out on such an awful foot as to have narrator exposition of the past as the opening scene and then have a bunch of asspull revelations and stupid moments (few of which ever come to make sense later), then your narrative needs to do a lot to make a recovery. It never does. In fact, those asspull revelations are occasionally present, like the ballerina revelation in episode 1. It tries to play itself as smart by creating information (that it claims that we missed) out of thin air; that obviously not smart. It does this a few times and it's annoying every time. The technology doesn't make any sense either and is poorly explained. Apparently, there is this C-ball that the main character has and at one point they try to steal the prototype that was just finished, except they already have the original so that officially makes no sense. Lastly, the factions are insanely difficult to keep up with thanks to how the executed their non-linear storytelling, and we don't even k is which side between the commonwealth and the royals is the east or west side.

As stated earlier, this show treats you like an idiot. The asspull revelations that never add up aren't the only example of this. Hell, they're not even the most egregious. What’s more egregious is the fact that this show constantly beats you over the head. Every single episode, the show constantly drives home the fact that spies lie and that they're not good people, as well as that everyone always lies. More than 5% of the total dialogue is centered around these three things. The dialogue is so condescending and terrible overall, and with all this thrown in the pot, it's just an especially big insult to the audience's intelligence. “Did you know that spies are liars?” Gee, I sure did, hell, so did everyone watching. You don't have to remind us constantly. Anywhere between 3 and 25 times an episode, especially in the early episodes. Not everyone knows when they're being mocked or patronized but when you realize that it's happening to you, it's aggravating, so a show shouldn't ever do that to the viewer, who is maybe trying to use this as an escape from reality. Instead, Princess Principal, how about you instead focus on telling a coherent story and SHUT THE FUCK U-

Lying is bad

That being said, there are times where you can see a glimmer of hope in the narrative. As predictable as episode 6 is, the finale and tragic irony of the song to the situation at hand is brilliant, almost reminiscent of some of the other works this writer has worked on, specifically the final scene of the 23rd episode of Code Geass, a personal favorite. This series, especially in the second half, starts actually trying to elicit emotion, but it's not always effective at it. Sure there are good moments like episode 7 which was the only really solid episode of the show barring some of 6, but then we get episode 8 which while that did provide context to some scenes from earlier, it actually reveals another problem and missed opportunity in episode 2, one of the worst of the series; this isn't even speaking of the embarrassingly bad and mind-numbingly stereotypical episode 9 which feels like it would normally be a sappy kids show episode that also patronizes the audience. In a way, it's almost trying to be the reverse Izetta where instead of starting off decently and turning to complete shit later on, it starts off horrendously and gets better later, except it stumbles as that hallways through the second half anyway and ends up back where it started. Too little too late comes to mind. Besides, the finale is a sequel bait disaster anyway and anytime the show takes a step forward, it takes a stab back as well.

Case C 2

With the exception of Ange and Charlotte, none of the characters have any semblance of chemistry. Hell, none of the are memorable. Their personalities are beyond basic and not-fleshed out or progressed at all. There is no one worth giving a damn about, for they are so lifeless and static. If this show I supposed to be a rule of cool series, why does only one character try for this angle (the girl with the tits), and why isn't it one of the more prominent characters? They're so plain and tired, and one of them, names Beatrice, starts out especially bad and hypocritical. She’s the typical “princess loli bodyguard” trope except more annoying, and then she becomes a mod benign version of this exact same trope with little to no progression. Hell, all of these people are little more than tropes! The two “best” characters are Ange and Dorothy. Dorothy because she tries at rule of cool and she’s hot (and she actually has an explored past), and Ange because she has this weird thing about the Black Lizard Planet she keeps lying about nonchalantly. Oh, and she and this princess kinda sorta love each other...I suppose. Reasonings loosely related to it are dumb though. Regardless fact that such straws need to be grasped just to say something interesting about these characters is proof of their failure as a cast. This isn't even speaking of the other characters that come later, since they're not worth mentioning and they exacerbate this issue.

Case A 4

The show’s visuals do not fare much better. Studios Actas and 3Hz did a joint effort for this project, and if nothing else, they were consistent...ly bad.The Light Novel default artstyle aggravates and does not look appealing in the slightest, and the designs range from mediocre to abysmal, with the worst being Chise’s design. The rest of the art looks decent and occasionally pretty detailed, like with the C-ball, and that's the only praise I'll give the visuals. The animation is ok at best, though the fights are pretty badly choreographed. The CGI ranges from mediocre (for the cars) to abysmal (for the people) and there is even a moment with a CGI room for the foreground and background and it causes a long 7 seconds of bad slowdown (what is it with anime that have CGI and slowdown and why are all of them always shitty anime?). When we see rads backgrounds in situations of motion, or any time for that matter, they look terrible, and so does the photorealistic backgrounds of the school garden, which you will see from time to time. Shame since the steampunk-esque setting is an interesting one in terms of potential visuals yet these don't warrant much merit.

Case SO 6

One of the most renowned composers in the industry, Yuki Kajiura did the music for this anime. This is honestly one of the weaker OSTs I've experinced from her to date. The songs are mostly pretty reserved and thus aren't very memorable, and the few that are more blaring and interesting aren't nearly of the same quality of some of the best tracks of her other works, like the SAO and Fate/Zero OSTs. The tracks are repeated quite often too to make matters worse. The OP, "The Other Side of the Wall" by Void_Chords feat.MARU, is easily one of the best of the season. It emphasizes rule of cool and is filled with the frantic energy that makes you pumped to watch each episode of the show, as awful as this show is; it is the only real good thing I could find in this show, which is unfortunate. The ED, "A Page of My Story" by Ange (Ayaka Imamura), Princess (Akira Sekine), Dorothy (You Taichi), Beatrice (Akari Kageyama), Chise (Nozomi Furuki), fares nowhere near as well, as contrarian as this apparently sounds. It is an ok enough track on its own but intro in particular gives me major mood whiplash every time I finish an episode. Overall, it was a decent enough repertoire of music but little was special and it was honestly underwhelming on the whole.

Case E 3

This show was very difficult to enjoy. The action wasn't even that competent, the characters were unbelievably dull and bad, the plot was wrecked beyond belief, and the show treats the audience like a dunce. The most enjoyment I got out of it was listening to the OP theme by you can do that as well as engage in the full version without having to see the show anyway. Not to say that the experience was heinous but it was continually frustrating and I am left bitter for it.

Case O 3

With that, the case is closed. Princess Principal is hereby found guilty of lying about being a good show, treating its audience like an imbecile, being caught so far up a web of lies and lack of proper establishing that everything is convoluted, and all around being a massive disappointment. For a rule of cool show, this didn't even try that hard in any aspect, even visually or musically, and for a show of emotion, it shot itself in the foot almost every time it tried. It's off to the cellar, Princess Principal; good riddance.

Reviewer’s Rating: 3

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