Orange

Naho Takamiya's first day of her sophomore year of high school is off to an uneasy start. After waking up late, she receives a strange letter addressed to her. However, the letter is from herself—10 years in the future! At first, Naho is skeptical of the note; yet, after witnessing several events described to take place, she realizes the letter really is from her 26-year-old self.

The note details that Naho's future life is filled with regrets, and she hopes that her younger self can correct the mistakes that were made in the past. The letter also warns her to keep a close eye on the new transfer student, Kakeru Naruse. Naho must be especially careful in making decisions involving him, as Kakeru is not around in the future. With the letter as her guide, Naho now has the power to protect Kakeru before she comes to regret it once more.

[Written by MAL Rewrite]

Suwa, Hiroto Main

Furukawa, Makoto Japanese

Naruse, Kakeru Main

Yamashita, Seiichirou Japanese

Takamiya, Naho Main

Hanazawa, Kana Japanese

Hagita, Saku Main

Okitsu, Kazuyuki Japanese

Murasaka, Azusa Main

Takamori, Natsumi Japanese

Chino, Takako Main

Kinugawa, Rika Japanese

Naruse, Mother Supporting

Noto, Mamiko Japanese

Ueda, Rio Supporting

Sakura, Ayane Japanese

Takamiya, Father Supporting

Tsuboi, Tomohiro Japanese

Naruse, Grandmother Supporting

Takashima, Gara Japanese

Cook, Justin Producer

Yoshizawa, Takashi Producer

Hayashi, Ikumi Producer

Herek, Samantha Assistant Producer

Reviews

Sep 25, 2016

R_TF

Recommended

[CONTAIN SPOILERS]

_INTRO_
School life is so fascinating and a typical shojo romance without a setting in high school isn't common, "orange" is no different but there's a lot more to it than just being your every day's anime.

__PLOT___
The plot is quite open from the first episode itself,nothing much of suspense.we're being introduced to Naho a 16-year-old girl,about to attend her second ... year of high school abruptly receives letters while on her way to school,the letters are from Naho herself, but ten years into future, who ask her youngest self to prevent her "biggest regret" from happening and that is to save Kakeru from dying.
Though initially skeptical, Naho eventually begins to read the letters as they predict some of the events that would happen in her time, the foremost being the enrollment of Kakeru (the main character), a transfer student from Tokyo, to her class. Kakeru is quickly befriended by Naho and her friends.
Through the letters, Naho also learns that something bad will happen to Kakeru. She decides to do the opposite of the events detailed in the letters in hopes of averting it. At the same time, in future,Naho is now married and has a baby with Suwa, visits Kakeru's former home together with her friends, where it is revealed that they are attending a memorial for the long-dead Kakeru. What surprises them, however, is the revelation that Kakeru died not because of an accident, but suicide.
Now it's up to Naho and her friends to save Kakeru of this timeline where the future of their selves failed.

Mostly,we've been talking about how greatly the show touches our heart and I'm no different, but nothing is flawless and at some point,we've to be practical while judging a work as wholly and can't let our emotions get the better of us,the biggest mystery remains in this show is the execution of time travel mechanism.
It's not like Doraemon use the time machine and deliver the letter to their respectively past selves from the future.
Although we're told that they used the theory of black hole to interact with their past selves but we would never know how they did it,this part is so mess up and I wouldn't have complained if it was just a regular romance shoujo but it's a sci-fiction as well,we got all the rights to know and all other aspects can't overshadow it,Something things are better left untouched rather than bringing up unrealistic logics.

___CHARACTERS___
The story mainly revolves around these three Kakeru, Naho and Suwa,although we can't deny the fact the others characters are less important,but they didn't get much spotlight.

Kakeru-I considers him the most realistic character of the show,it's not often that an issue like depression is highlighted in the story these days, but over here it's done precisely in the form of Kakeru.
He's the type of guy who would never show the pain in front of others and will bear it all alone from inside.

Naho- she's like any other girl of her age who believe in first-time love,she was deeply committed to saving Kakeru.

Suwa-The most cheerful guy in the crew,despite his feelings toward Naho he tried his best to keep her happy and help Kakeru.

Hagita- A creepy character but he did something good at the end.

Azusa-The official bread girl.

Takako-A friend,I really don't know what else to say.



Who doesn't like a love triangle?Probably many but still I would like to bring up.

In the future timeline, Naho fell in love with Kakeru but things didn't work out right and had much lesser interaction,meanwhile, Suwa couldn't control his feelings anymore,confessed to her,Kakeru died and they end up together but a feeling of regret always remained in Naho which hurt Suwa seeing her like this

In the parallel timeline, Naho fell in love with Kakeru as usual and was able to understand him better and spend more time,while Suwa deeply in love with Naho knew the outcome if he was to confess his feelings,so he didn't let himself become a bother to their relation and ended up acting as the selfless good guy but no one is certain of the future.

I don't know why so much hatred towards Kakeru,everyone got their fair chance in both the timelines.

______ART_______
Another breakthrough point for an anime besides the plot is the animation and over here,it's pretty mediocre.
Although the background seems to be quite up to the mark but the characters design,movements are so sluggish and imperfect,it's really disappointing to see.

_____SOUND____
The opening 'Hikari no Hahen" by Yu Takahashi is really splendid and set the mood for the next 20 minutes of the show while the ending "Mirai" by Kobukuro act as a catalyst to all those feelings we go through.
And it's a anime with deep emotion and with the right tone,it did justice to the show.


_____ENJOYMENT________
I did enjoy it and each episode was an emotionally roller coastal ride for me, but I somehow felt that the manga was better in depicting each aspect to the fullest.

___________OVERALL________

Emotion is something that fuels us,as everything we do is fueled by love,hate,passion,sadness;thus opening up an infinite number of paths which will inevitably change the way we see thing forever as every second goes by,Positive or negative there will be changes and that gamble of nature is thrilling.So get ready to ride on the feel train.

It may not be the best adaptation right now but as a whole, it was worth watching and one of the best, the summer has to offer.

Reviewer’s Rating: 7

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Nov 17, 2016

Flawfinder

Mixed Feelings

You know, I thought I was immune to being disappointed by anime at this point of my life, but apparently the medium still hasn't lost it when it comes to getting my hopes up, only to crash them back down with more impact than Icarus hitting the ocean after he flew too close to the sun. I mean obviously I'm not a fan of the manga having never read it, but Orange really looked promising based on the limited research I did. A shoujo romance that was only five volumes long and critical acclaims across the board with a premise that goes beyond the usual ... shoujo tropes found in...well...pick any shoujo anime or live-action drama that got made in the last few years? Sounds like my cup of tea, especially since it deals with suicide: an issue that is still very prevalent in Japan as well as the basis for several very good fictional works from the country.

The start was pretty good as well. Nothing amazing, but at least you understand where it's going by the time the premiere ends. Orange is a show about a young girl named Naho, who starts receiving mysterious letters from her future self regarding a new kid named Kakeru - and because there'd be no plot otherwise, said letters don't specify that if she and her friends invite him for a night out on the town, they'll inadvertently cause his mother to commit suicide. So his mom dies and the letters start to warn Naho that she'll fall in love with the dude whilst warning that he ends up committing suicide in the future, meaning that it's up to her and the Scooby-Doo gang that always seem to be in shoujo romances to save him. Throughout this journey, we occasionally cut to the future timeline where Naho and her friends reminisce about the dude and the regrets they had in regards to saving him, leading up to the moment when they discover the ability to send letters to the past. So here we've got a typical shoujo romance flavored by themes of regret, second-chances, and highschool problems that are more grounded in reality than most anime showcase, in addition to all the suicide stuff. And at the very start of the series too. Sounds great, right?

Well it's not like Orange didn't have problems at the very start either. It is still a shoujo romance anime, so of course that means an insecure female lead and lot of annoying will they or won't they situations, not exactly helped by the fact that we see in the future that Naho married the other male friend, Suwa. And shortly through the show, you'd definitely be supporting that side, because like most male protagonists in this genre, Kakeru is more of a cipher than an actual character. Most of his story is told through the other characters' observations of him without any real input on his end, and while none of the characters really transcend their stereotypes either, we at least are able to understand where most of them come from and why they act the way they do. Which is kind of impressive in of itself given how the other half of the main six are completely unimportant to the plot to the point, even by the usual standards of ensemble romances. The only thing they ever do is encourage the main trio or prevent contrived problems from occurring when they decide they want to have a go at making things more lively, and even when a later plot twist gets them more involved, they still come off as supplementary as those three non-plot important girls in a visual novel adaptation.

The show mostly gets through the cockblock padding by having a bit of self-awareness regarding how stupid it is whilst also highlighting some legitimate teenage issues in the process. Okay, it's no John Hughes film, but at least it raises some interesting points regarding how there's a difference between knowing what's going to happen and actually doing something about it, along with guilt when you discover that you're an accessory to someone else's problems. I was always a bit iffy on the whole love triangle thing that happened when Kakeru ended up dating a female senpai who is - and let's be reasonable about this - a massive cunt, though. Yeah, I don't like using that c-word, but there's really no better way to encompass how completely unlikable she is. While the idea that Kakeru just dated her for her looks was kinda cool, she never gives up on him even after they break up, always showing up out of nowhere to give Naho a hard time whilst having no personality traits or story importance beyond her cunty nature. I don't even think she's very pretty. If I was given the same hypnotism Jack Black got in Shallow Hal, I'm pretty sure I'd see her as a gray-haired hunchback with broken teeth and a trick foot.

But of course, nothing is perfect, and I can get past some bullying if the overall story is good, even if it's a cliche I'm never going to accept in fiction. Unfortunately, as seems to be the running theme for 2016 anime in general, you should never believe a good anime will stay good until the very end. And dear god, did Orange stop being good really fast around the halfway point. TMS Entertainment had put out four shows that very season, so of course I knew that they were spreading themselves a little thin, but that did not initially come through with this show at the very start, because it had some pretty kickass visual direction to the point that you wondered how they were going to keep it up for an entire season. The short answer is they don't, and they seemed to have dragged down the storytelling quality along with it. There's a school festival arc in the second half of the show that only exists as buildup for the sake of buildup, making the characters have fun with each other so that the "save Kakeru" flag will get triggered. It's like how the first movie of that new Harry Potter spinoff series consisted of nothing but introducing the characters and the rules of the world whilst saving all the meaty stuff that's not guaranteed to deliver for the sequel.

Someone please explain to me the appeal of watching setup to a major plot direction when you don't have anything to support it but curiosity regarding the future and likable characters, because I don't see it. It's completely boring, and even if the curiosity is enough to carry you the first time, it's not going to be around on rewatch, leaving you with absolutely nothing. No amount of likability is going to help a character if they're not given anything interesting to do. Most people with a soul love the cast in animated Disney movies, but most people with a brain wouldn't call those direct-to-DVD sequels good. And the less said about Kingdom Hearts until I inevitably review one of the upcoming games, the better.

What's really funny is that despite the artificial lengthening and worsening production values later on, the final episode ended up going double-length, which makes me wonder what the point of it all was. You could have easily cut out twenty two minutes of fluff, split the finale into two weekly chunks, and just run with that. I don't keep up with anime news so I couldn't say for sure, but it feels like there were some creative differences halfway through production and the anime we ended up getting was the result of a bunch of bitter compromises. You know, kind of like what Kare Kano went through when Anno was booted off the set, only not nearly as unique and definitely not something that would fly by today's standards. Oh, and you want to know how the show actually ends? Well I hate to spoil things, but I can't sum up my full opinion on the show without talking about it, so skip the next paragraph if you haven't finished the show yet.

Kakeru ends up realizing that his friends are too important to him to go through with killing himself, he and Naho are still in their "will they or won't they" phase, the future characters smile at the thought of a changed past that they'll never feel the results of, and all I could think was "wow that was lame". Why is friendship and love always the goddamn solution to these sorts of serious issues in anime-land? Yes it's important for depressed people to be surrounded by folks who care about them, but there's more to suicide prevention than that. When you have it on its own rather than just as a tool, it's basically nothing more than a psychology student who failed to get his degree trying to make it into the storytelling business. Most medical professionals would be clueless regarding how to deal with Kakeru, and Orange handles his situation with such a simplistically optimistic tone that not only is the solution bullshit, but we don't really get much of an insight into Kakeru's psychology either. All the shoujo cliches kept getting in the way, trying so hard to lighten up the substance that it ended up forgetting the substance even existed in the process. And everything the characters say or do is too obvious, so that when the substance is empty, their actions are even emptier. No, this show isn't exactly Welcome to the NHK or Aku no Hana, is it?

Orange never really got to the point where I'd consider it an amazing show, but it still saddened me to finish it because of how close it came to transcending its genre at times, only to gets its kneecaps shot off ant a moment when it really couldn't afford to be put on life support. The animation went to shit, ruining key emotional moments to the point that the characters might as well have been wearing clown masks the entire time. The suicide themes devolved into generic go-nowhere shoujo cliches and fucking retarded "as long as you have friends, you shouldn't throw away your life" PSA bullshit. And the time travel stuff ended up being another pointless gimmick that exists for the plot to function a certain way without getting any real acknowledgement until the very end, and of course it's done in a saccharine way that I don't even want to elaborate on. Just trust me when I say that ERASED's usage of it wasn't as conveniently contrived and let's call it a day, shall we?

Reviewer’s Rating: 5

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Sep 25, 2016

Captain220

Not Recommended

[Spoiler Warning]

It’s a well known fact that shoujo anime have never been the most original pieces of work. They follow a very basic and straightforward structure, and more often than not end up feeling way too dramatized and overly-melodramatic for no apparent reason. Once you've seen one you've seen them all, right? Some people would beg to differ, and as to disprove my claim the adaptation of Orange reared its ugly head out of the deepest depths of shoujo hell itself to quickly rise to the top of this season's charts, smirking all the while it does it. Watch as the magnificent story of Orange ... unfolds, giving us deep insight into taboo topics like depression and suicide, viewed in distasteful shoujo fashion.

The story of Orange revolves around Naho, a carefree girl in her second year of highschool. One day, she stumbles upon a magical letter that is able to foresee her near future. The letter was sent from Naho to Naho 10 years in the past in hopes of her younger self being able to correct the mistakes she once made in highschool. How did the letter get there? Err.. A black hole in the Pacific ocean.. n' stuff.. I couldn't make this shit up even if I tried, could I? Anyhow, it's up to Naho to correct her past mistakes by saving the new transfer student, Kakeru Naruse, from taking his own life. As convoluted as the plot may seem, it's not bad straight off the bat for lacking a sense of realism. Instead, Orange's problem is that even that which is supposed to be grounded in reality feels like it isn't. What I'm referring to is the lousy presentation the series decided to resort to when tackling both the internal and external conflicts of the characters, like Kakeru being depressed for the sake of it and Naho being the weakest and most helpless creature on planet earth, thus making it unbearable to watch her interactions with Kakeru as she hopelessly tries to undo the regrets that the letter spoke of.

Adding on to that, to say that Naho is not a very outgoing girl would be an understatement. At certain times she appears to be completely and utterly socially inept, despite seemingly being a part of and having a decently-sized group of friends. Such a protagonist works great for Orange though, as having anyone other be the lead instead of such an indecisive girl would bring about a rather quick and uneventful resolution to things as no mind-mindbogglingly unnecessary conflict would ever arise. The fact that Naho prioritizes the most trivial of things over changing the future is also a huge problem. She finds out that there’s a way to undo one of her regrets simply by writing “No” on a piece of paper. And what does she do? She messes it up by postponing it to go and clean the classroom. And even when she isn’t caught up in anything and has a clear resolution of what she’s supposed to do, she doesn’t do it simply due to reluctance. I understand that she’s a refined girl and all but that doesn’t mean that she should constantly refrain from going out of her comfort zone every once in a while due to her shy demeanor when her actions will literally dictate whether a person lives or dies.

Following the cursed traditions of the shoujo genre, it is a given that emotion beats out logic in 99% of cases. And as such, logic and rationality completely cease to exist within the relationships between the main cast. Fuck magical letters that bend the space time continuum, Suwa's attitude towards Naho and Kakeru's relationship is where the real supernatural stuff kicks in. I don't care if he's the nicest guy on the face of the planet, no person has the ability to undermine their own feelings like that solely for someone else's sake, especially seeing as he knows Kakeru for like, what, a month? I'd have a difficult time believing it even if the two knew each other since birth, but at the start of the series they're not even buddy-buddy entry level yet. The relationship between Naho and Kakeru itself often tends to fall into unbelievable territory as well. How unrealistically oblivious these characters are to each other's feelings for a handful of episodes is what makes the series feel so stretched out at times since instead of going from A to B, their relationship has a bad habit of going on detours and wandering off to C,D and F. The "Oblivious teenagers" trope in romance anime has been oversatured beyond repair and it doesn't help when the anime at hand has a set premise that it can't seem to get to the point of because it's too busy playing a game of ring around the rosy with its' romance. Nevermind that they saw the fireworks together or held hands, that's just what friends of the opposite sex enjoy doing. No implications what so ever.

Most of the characters in Orange aren’t good or bad, but rather painfully average as they tend to play into various cookie cutter tropes due to the genre at hand. Starting from the bottom in a literal sense, we’ve got Naho. She’s weak, inattentive to an unhealthy degree, lacks the confidence to say a single sentence without stuttering, crying or running away and has no defying personality what so ever. All of these things when combined essentially just make her an all-around terrible character, with her only redeeming quality being the fact that she's relatively cute. You remember that one time you were at the shopping mall and walked by that small child that was very clearly lost? That's Naho in a nutshell. She's got absolutely no clue how to act or even think on her own and while her constant blunders keep the story moving forward, her lack of resolve ultimately makes her an extremely unlikable character.

I know it may seem like I'm nagging on her simply because she is a flawed human being, something that's supposed to make her more realistic and/or relatable. Brief rundown: A character is (not) complex when he or she is not a perfect human being or close relative of Jesus-kun. Whether a character is complex or not is simply the aftermath of good writing, something that Orange lacks entirely. Comparing her to Shinji Ikari from Neon Genesis Evangelion would be good practice of that. Shinji, at the end of the day, is a well-written, multilayered and sympathetic character. Granted, he is not a likable character, but his personality is entirely justified during the course of the series and the anime makes the viewer very well aware of that. Naho, on the other hand is also unlikable, but her personality is not justified in the slightest, nor is she the least bit sympathetic. She is presented as a mentally-handicapped schoolgirl that can't be bothered stepping out of her comfort zone when her actions literally dictate whether the person she loves lives or dies, and that just makes her a cunt.

Angsty Teenager-kun (Angst-kun for short) first enrolls into the story appearing as a mystery figure, as for a good duration of the story we don’t know much of anything about him. This is totally acceptable though, because by the time the nature of his character comes to light, you'll be wishing he had just remained angsty for no apparent reason. After many not-so-subtle hints throughout the anime, it is then revealed that Angst-kun suffers from clinical depression. I liked you Kakeru, I really did. Due to Naho's over-incompetence in every situation, I had come to view you as the hero who takes the initiative, thus making this story move if but a single inch further. Unfortunately, Orange seems to have a very falsified perception of depression and suicide and for that, Angst-kun had to be the scapegoat and embodiment of the writer's complete and utter lack of knowledge on this subject. There's also no real way to feel sympathy for him either, seeing as his other attributes consist of being heavily controlling and having severe anger-management issues. I can see why him and Naho get along so well. Here's how Kakeru's cycle of depression tends to play out:

Step 1: In case everything is going well, make sure to bring up your dead mother for no apparent reason other than to kill the mood
Step 2: Get pissed off about friends trying to cheer you up and unnecessarily lash out at them (preferably Naho)
Step 3: Quick, make a run for it!
Step 4: Regret doing so & turn suicidal :'(
Step 5: Rinse and repeat

If that wasn't enough, they top it all off by demonizing the relationship between his mother in order to victimize him further, until pulling a Shigatsu where it actually turns out his mother was a living saint the whole time! You know, they were just taking her bad deeds out of context, when in actuality she really cared about him.. Fuck off. Moving on, Suwa is easily the most likeable and respectable character in the entire story. However, while you can tell that unlike Kakeru, he genuinely cares about his friends' wellbeing, his stance on Naho and Kakeru's relationship is far too idealistic to be real. While his goody-two-shoes persona does make him prevail over the likes of Kakeru, it also makes his character all too stale and predictable. His best moments are easily the ones in which he feels conflicted whether or not to act upon his intuition and snatch Naho for himself instead of undermining his feelings. Unfortunately, they are very few and far in between, as for the overwhelming majority of the show he simply acts as Kakeru's wingman without bothering to intervene. No one else in their group stands out.

Setting aside their heavy resemblance to puddle-toads, the character designs are somewhat visually-pleasing and even help the aesthetic in a sense. The animation doesn’t really have any opportunities to shine as the most intense it ever gets is just the characters running away from each other (I just made myself giggle).The opening looks decent for what it is and the ending is mostly just a slideshow of still images, but the directing is really where the technical department of Orange shines. I was skeptical to see the poor guy behind Steins;Gate and Texhnolyze be reduced to directing Orange, but alas, he once again successfully utilizes many different editing tricks in order to enhance the atmosphere and the various emotions displayed throughout, shrugging aside any previous doubts of mine. If anything, it just proves his talent is being entirely wasted on a project like this, as a few directing tricks ain't nearly enough to pull it back on its' feet.

Yuck. The happy-go-lucky J-pop feel of the opening and ending made me nauseous. OST and voice acting aren't anything too impressive but get the job done. KanaHana going "Eh?" 20 times per episode made me want to nom on a handgun.

It's been made very evident to me that I'm not the target demographic for this show. Orange is like my antithesis in every sense of the word, from the obnoxious cast and generic plot, to the subpar theme exploration and lacklustre pacing. Trying to complete this series was excruciating in every sense of the word. There was no light at the end of this dark, desolate tunnel. After finishing it, my psyche feels like it's been violently flushed down the toilet, head-first and everything. What was it all for? For the credibility of this review? Definitely not worth it. Apart from the directing choice, there was not a single enjoyable element in Orange to be found. Even the driving force of the show - The drama which all fans of the show (fujoshi, mainly just fujoshi) gush over felt surreal and managed to miss its mark entirely. Muh depression :<

At its core Orange is an extremely character-driven show and as such, a weak cast is the biggest detriment it can possibly have. Poor characterization accompanied by constant, God-awful melodrama and a false perception on serious subjects like depression and suicide drag the series through the dirt, when it could have been much, much more. While the themes themselves are fairly intriguing as they are rarely ever brought up within the medium, the lack of proper execution doesn't give them much of anything to stand on, and as such, they tend to violently tumble over and fall into the realm of boring impracticality, where they'll soon after be forgotten. It prioritizes constant melodrama over everything else, and suffers heavily because of it. Every weaker aspect is subsequently amplified as the show progresses, and the only way it can be fully appreciated is if the doctor's prescription of sleeping pills is currently at a standstill.

Reviewer’s Rating: 3

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