Taiho Shichau zo

Hands up, don't shoot! Here some of the best titles on a police theme I can think of. Most of them take place in the future and there are even police mechs in one of franchises!

Kick back with your choice of inebriant or lack thereof and have some fun watching action heroes battle it out with all sorts of weapons, explosives, superpowers and machines. OVAs aren't usually very long so you don't even need to commit. You don't need to think too much and don't take it so seriously. These shows are all about having a good time and maybe some laughs along the way.

Welcome to my Obscurity series, which I hope will help you delve deeper into the depths of anime, particularly the classics.

The criteria here is simple: Anime released in 2001 or earlier, with under 35,000 MAL Members, and which I've rated a 7 or higher.

I'm also not including anything that I've already included on my Good Stuff list: https://myanimelist.net/stacks/9517

It is perhaps worth noting that I rate things entirely on gut feeling. It's just, "I like that, that was good, it gets a 7.", that's the whole process. I can also find enjoyment in just about anything and there's very little that bothers me.

Ascend: https://myanimelist.net/stacks/9834
Descend: https://myanimelist.net/stacks/9615

Tags: Old, Obscure, Oldtaku, Retro, Underrated, Hidden Gems

Anime I have seen in vaporwave/future funk videos or thumbnails


Nothing after 2005

340-462. Neat. Also, kinda feeling uncertain about whether or not I've repeated some anime. So... rip. Oh well.


First part: https://myanimelist.net/stacks/18851
Second part: https://myanimelist.net/stacks/18950
Third part: https://myanimelist.net/stacks/18951
(And now there's no interest stack in-between? Lol.)

Magic Kids was an Argentine cable channel which aired cartoons, anime and live shows aimed at kids and young teens. The channel was founded on January 12, 1995, and went defunct on May 24, 2006.

Personally, I never managed to watch the channel because I'm not Argentine, but I recognize the importance it had for anime in Latin America

Anime from 1998 or before (with a few exceptions) with great animation

This is the second part of a collection of articles where I aim to explore the evolution of anime related music. This part of the list attempts to collect a list of most iconic performances on the "New Age" of anime music.

The term "New Age" used in this list refers to a phase after the "Anime Songs" phase. During this phase there started being more "tie-up songs" that that essentially were "tied" to the animated series in order to gain more exposure and market reach to the song itself. This was an interesting approach for many as it opened a new model on how to sell these products to the market.

The theme songs essentially dropped that strong connection to the series demonstrated by their lyrics and the emotion invoked by the song related to the series. Instead of that the song and the lyrics talk about the series or the characters with an indirect manner forming a supposed link between the performance and the series in question.

The supposed link consists of "the spirit" of the performance which refers to the indirect nature of the performance in relation to the series itself, and "the product" which refers to the stand alone nature of the performance itself as observed without the supposed connection to the initial series. The root of "the spirit" can be said originating from the earlier phase.

These types of theme songs were more common and popular after 1980s. The defining moment that can be said had influence on changing the theme songs away from this model is the popularity of the series "Urusei Yatsura" and how it used to promote a several "tie-up" songs that in contrast to "Anime Songs" by their nature don't necessarily have anything to do with the series, story or the characters as far as the direct approach goes.

I will write my thoughts on each of the entries on this list to further explain why I think the series and the theme songs included as a combined package have attained "iconic" status when it comes to the scene of "New Age" anime music in contrast to the "Anime Songs". I will also give a score related on how well "the spirit" and the "product" perform parallel to each other while complimenting the series as a whole. The series are ordered based on that score.

The term "iconic" in this list is defined by the popularity and how deeply established the spirit and the elements of the performance relating to the spirit establishing the product are in addition of them being supposedly intertwined with the series as a whole experience.

Related stacks:

Chapter 1 - https://myanimelist.net/stacks/24451
Chapter 2 - https://myanimelist.net/stacks/24454
Chapter 3 - https://myanimelist.net/stacks/24455

Many are familiar with Akemi Takada's '80s-defining character designs for the adaptations of Rumiko Takahashi's manga (whom I have also covered in an interest stack dedicated to her), but there is another person that is credited for translating Takahashi's characters within the wider anime (and promotional material) context. Atsuko Nakajima is a prominent animator, animation director, and character designer whose name emerged during Studio DEEN's prime years in the late '80s up until the early '00s, serving one or two of the roles above across its multitude of productions.

There is an interesting progression in Nakajima's design output. While she already had a certain tendency for hair complexity in her designs (see the nuances of Ranma 1/2; it stands out to me how there's a lot more to Kasumi's hair than how it looks), the advent of the 2000s and the rise of digital animation saw her trying out more extravagant and detailed appearances. Sharp faces complement the hair which brings forth a stronger emphasis on individual hair strands which have a notable sheen, such as her work in Taiho Shichau Zo and her animation direction work on Rurouni Kenshin.

As the title suggests, though, the standout element of Nakajima's character designs are the detail and expressiveness of her eyes. Evolving past the Takada-and-Takahashi-fused characters of Ranma 1/2, Nakajima maintained the glass-like look of her characters' eyes, which can be seen even with characters of a serious nature (i.e. having slanted or thin eyes like in Hakuoki). There's a doll-like element to her design philosophy that reflects or at least bears resemblance to the flashy and hyper-stylized bishounen and bishoujo aesthetic of shoujo manga.

Frankly, finding similarities in Nakajima's style is a bit harder to pin down, since she seems to be more flexible with adapting to the original manga artist's style. If there's a way to encompass her overall style, it would be the aforementioned doll-like attributes of her characters, the sharp lines that accentuate their presence in the frames, and a subtle luster that gives off the impression of an aura amplifying their importance.

Atsuko Nakajima profile: https://www.furinkan.com/features/interviews/atsukonakajima.html
Some illustrations: https://danbooru.donmai.us/posts?tags=nakajima_atsuko

Part two of the list of anime released between January 1963 and January 2000 that are worth your time. (For better or worse).

Part One: https://myanimelist.net/stacks/30488
Part Three: https://myanimelist.net/stacks/30498
Part Four: https://myanimelist.net/stacks/30811

Note: Moderators had taken down the stacks before, since it was not wholly information based. I will post this as a note as to why such series are essential in order to defend them all as a blanket statement.

Most of the series featured have some sort of significance in terms of first best or darkest for their era which can be categorized by decennium or part of a decennium (early, middle, late). These are mixed around in order in order to give those who subscribed to list a challenge. While I could give an individual breakdown, I think some research is better left up to those who have subscribed to the stacks, since this allows for additional cultural insight into what was popular in Japan at the time, which is sometimes disconnected from the United States, as well as the rest of North America and Europe in many ways. For example, the Crayon Shin-Chan that aired in the United States and Canada is different to the one that aired in Europe, is different to the one that aired in Japan. By recommending to seek out Japanese versions of series, it grows understanding. I am not the first one to have thought of this. In the United States, there used to be a channel called ImaginAsian TV which had the same purpose of informing people about Japanese popular culture through anime. The San Francisco and San Diego PBS stations did the same thing and NHK World Japan carries this on through series like Little Charo and previously Maiko-san Chi no Makanai-san.

I think it is agreed upon that retro is a niche, but with handicaps on subject matter like availability.

*EN*

All the anime that our dear Sahgo has listed in the series of videos he has made. As I myself am on a similar project of watching old anime, I decided to put together this list to help me organize myself.

Below is the playlist where he comments a little about each anime listed. Watch it!

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*PT-BR*

Todos os animes que o nosso querido Sahgo listou na série de vídeos que ele tem feito. Como eu mesmo estou em um projeto parecido de ficar vendo anime velho resolvi montar essa lista pra me ajudar a me organizar.

Aqui embaixo vai a playlist que ele comenta um pouco sobre cada anime listado. Assistam!

Link: https://www.youtube.com/playlist?list=PLrJ3-5JnRkgnbyl3FxczBP-QmCoP2GqGP

Short form anime series on this site can often be underappreciated. In the same way poetry is radically different from fiction novels, which are radically different from screenplays and so forth, I view shorter series, typically OVAs, in the same way. Too frequently they're compared to TV series, and there will be many comparative allusions roughly paraphrasing, "You can't expect much from the story/characters because of how short it is", or other similar comments. The value of the efficacy of the presentation in both shorter and longer series are for the most part incomparable to each other. They both strive to do very different things through very different means despite the shared medium of "anime". Of course, what constitutes the differences or goals of a creator is quite vast, but the point is that from my personal view, because the context of the existence of shows that would either be shorter in length or longer are so different and require much different means for communicating the information that they present, I think they should be judged by different standards. How a person judges them is up to themselves, but I do believe short series are worthy of the praise that many would only attribute to more lengthy series. What I want to do is give reverence for the fun-sized length series I have come across and enjoyed to some degree.

What constitutes a “short” series is something shorter in length than a standard minimum length TV series, which is 12 episodes in length. The focus is not on the number of episodes, but rather judging roughly the amount of time. So, if there is a series with 24 episodes, but they are only 3 minutes in length, for example, that would constitute a short series.

Collection of series that focus on a professional on their field doing their work.

This list contains all those anime that have been dubbed into Latin Spanish from each available decade.

Chronological order (by release date) of the complete anime adaptation of Taiho Shichauzo/You're Under Arrest.

Anime titles that spawned memes.

You're Under Arrest is a Japanese manga series written and illustrated by Kōsuke Fujishima. It was serialized in Kodansha's seinen manga magazines Morning Party Zōkan and Morning from 1986 through 1992. The chapters of You're Under Arrest have been collected in seven tankōbon volumes by Kodansha.

The series was first adapted into a four-episode OVA series, which was released from 1994 to 1995. A TV series subsequently aired between 1996 and 1997, spanning a total of 47 episodes. 20 7-minute mini-specials and one full-length episode was created and broadcast in 1999. A 26-episode sequel to the series also aired in 2001. A third TV series, aired from 2007 to 2008, all animated by Studio Deen.